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It’s a perfect day in Camelot. The Table is Round and the Grail is Holy. Knights joust and Ladies show favour. Blood is spilt, love declared, and medieval pundits talk us through the action. What could possibly go wrong? But then a humble water-carrier falls head-over-heels for an arrogant beauty and in his passion stumbles on the Secret of Controlling Time. Now the survival of the world is in his hands, and it will take more than the wisdom of Merlin to save Old England from catastrophe. Chivalry, showbiz and strange-coloured cocktails meet with Very Weird Results in Merlin and the Woods of Time…

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Driven mad by his love for Olivia and his treatment at the hands of Sir Toby Belch and Andrew Aguecheek, he vowed that he’d “be revenged on the whole pack of you…” Now years have passed and strange things are happening in Illyria – beautiful music deep in the forest, rumours of rivers flowing with gold, sightings of a king gone mad and ruling a land of nonsense. Could these things be related? All will be explained, with a fair few songs and a deal of good humour, in Glyn Maxwell’s darkly comic escapade.

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On Poetry, the latest addition to the Oberon Masters series, is a collection of short essays and reflections on poetry from the acclaimed British poet Glyn Maxwell.These essays illustrates Maxwell’s poetic philosophy, that the greatest verse arises from a harmony of mind and body, and that poetic forms originate in human necessities – breath, heartbeat, footstep, posture. He speaks of his inspirations, his models, and takes us inside the strange world of the Creative Writing Class, where four young hopefuls grapple with love, sex, cheap wine and hard work. Illustrated with examples from canonical poets, this is a beautiful and accessible guide to the most ancient and sublime of the realms of literature.'The most compelling, original, charismatic and poetic guide to poetry that I can remember. A handbook written from the heart by one of the true modern masters of the craft.' Simon Armitage

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Troy is in ruins. Its men are dead. Its women are captives and the victorious Greeks are camped in the ashes preparing to sail home. Four quarrelling women drawn together by grief… Four exhausted soldiers who hate each other’s guts… A King who falls for a girl so mad she can see the audience… A teenage princess dreaming of the Underworld… And a lonely man of conscience trying to get it all down on paper… Award-winning poet and playwright Glyn Maxwell rips up two Greek tragedies and makes a modern play from the fragments. A witty and passionate retelling of Euripides’ Women of Troy and Hecuba , After Troy exposes the cruelties of war both then and now.'Glyn Maxwell’s drama does not so much conflate the two great tragedies of loss and revenge [ Women of Troy and Hecuba ] but rather alights, magpie-like, on what is shiny in each to create a brand new play – Lyn Gardner, Guardian

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April 1793: the French Revolution is four years old and the Committee of Public Safety under Robespierre fi nds threats to the new republic at home and abroad. When Gamelin, an ambitious and idealistic young magistrate, joins a group of old friends for a picnic outside Paris, the ties of love and affection can take the strain. But how strong will they prove when Gamelin is given power over life and death, and the Nation plunges from high idealism to mob rule and state terror? Private jealousies and public fears, old alliances and new ideologies, panic legislation and political correctness all combine in this thrilling adaptation of Anatole France’s 1912 novel Les Dieux ont soif .

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Seven angels have fallen through space and time for so long, they have forgotten why. Coming to rest on a desert landscape, they imagine the creation of a legendary garden that once flourished there and its destruction from greed and neglect. Inspired by Paradise Lost , Seven Angels interprets the themes of John Milton’s masterpiece for a modern audience facing up to the urgent challenges of a changing climate and ever-depleting resources.This is the long-awaited first opera from Luke Bedford featuring the libretto of award-winning poet Glyn Maxwell.>“Words and music come together… like two swans elegantly floating in the river’s current… beautiful words with extraordinary creative and artistic direction” – Paul Guest, Ceasefire