Аннотация

Somebody hit Tracy on the head with a brick. And something just as bad has happened to Julia. But how can you hang on to your identity when you don't know who you are anymore? Head/Case is a powerful drama about identity and a mind damaged almost beyond repair.How do you define yourself when you literally don't know who you are anymore? How do you begin to heal when you cannot fix your sense of self? And how much does nationality, culture and memory shape who you actually are? Produced at the Soho Theatre in January 2005.

Аннотация

‘There’s your first problem. No Civil War movie ever made a dime. Or ever will.’ Hollywood, 1939: semi-independent mogul David O. Selznick has just shut down production on the most eagerly anticipated movie in history – his megabudget version of Margaret Mitchell’s bestselling novel Gone With The Wind – scrapping the original script and sacking the director in the process. Determined to produce a rewrite in five days, he engages the reluctant services of ace script doctor Ben Hecht – possibly the only person in America who has not read the novel – and the movie’s new director Victor Fleming, poached straight from the set of The Wizard of Oz , where he had been squabbling with the Munchkins and coming to blows with Judy Garland. His reputation on the line, Selznick locks himself in his office with his two collaborators, with nothing but a stockpile of peanuts and bananas to sustain them, and a marathon creative session begins…

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There's a photo and he says he's on it even though he isn't on it but he says he is and Barry took it and it's summat to do wi' me only it were Barry that took it, only he didn't, is that it?'Ron Hutchinson's powerful new satire on the media's manipulation of the images of war. When a soldier returns home after serving in Afghanistan he tempts a newspaper editor with personal photos that seem to expose outrageous acts of brutality. But when their authenticity is questioned, how far can the story be spun to stop the real truth leaking out…

Аннотация

Wherever Tango leads, you must follow. Virginia has a decision to make: whether to continue with the comfort and security of her mundane British life or to gamble – to walk out on everything she knows, get on a plane, travel seven thousand miles to Buenos Aires and learn the Tango. Sometimes you have to follow your feet. And your heart. Flying into Daylight is a vibrant, life-affirming journey to a place where music can change your life forever.