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Dr Richard Garfield has given Ursula a difficult choice. She is the Mother Superior in waiting of a convent that has been given the opportunity to take part in his revolutionary scientific study. This American study would require that the nuns donate their brains after death to potentially unlock the mysteries of Alzheimer’s and dementia. Ursula must weigh up the value of preserving her faith, versus embracing science. The study is agreed and Richard and his team come to the convent every year to test the nuns who are willing to take part. This union will change their lives forever. For Ursula, with the impending pressure of taking over the ailing convent, the study brings more challenges than she could ever have imagined and rocks her faith and her hitherto cloistered existence to its core. Drawing on research contained within the book and study Aging with Grace , 27 is an extraordinary examination of a lifestyle in decline, but it could hold the key to the issues of our times – our ageing population and the decline of our minds.‘An important play about the ageing mind, faith and science.’ – Vicky Featherstone, Artistic Director, National Theatre of Scotland‘A fearless study of doubt, loss and belief… spellbindingly good.’ – The Herald ‘It's a masterful piece of new theatre, dense with ideas, jumping with funny lines.’ – Independent

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‘That is the story of our beginning. And this is the story of…the end’ Lovesong is the story of one couple, told from two different points in their lives – as young lovers in their 20s and as worldly companions looking back on their relationship. Their past and present selves collide in this haunting and beautiful tale of togetherness. All relationships have their ups and downs; the optimism of youth becomes the wisdom of experience. Love is a leap of faith.‘As tender as the bruised peaches that fall to the ground in the garden of the elderly couple's US home… only the hard of heart will remain completely unmoved’ – Guardian ‘An atmospheric, gentle, humorous tear-jerker… a good supply of tissues may be needed’ 4 stars – What’s On Stage ‘Compelling, understated perfection. both poignant and uplifting… [a] beautifully constructed piece’ – The Stage ‘Deeply moving, potently mixing memory and desire’ – Telegraph ‘This portrait of ageing and enduring love tugs at the heartstrings’ – Independent ‘Like love itself, Lovesong can take your breath away’ – Observer

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'Tiny Dynamite : An impossible love story is given a second chance and three scorched characters are about to learn that lightning does strike twice. Splendour : Inside a beautiful state residence on the edge of a city, four women wait. They talk: films, Prada, chilli vodka, anything. Outside civil war looms ever nearer. Tender : In a city of fast talk and chance encounters, how much faith can we put in other people? Abi Morgan’s acerbic play takes a scalpel to modern love and friendship. Lovesong : The story of one couple, told from two different points in their lives – as young lovers in their twenties and as worldly companions looking back on their relationship. 27 : Dr Richard Garfield has given Ursula a difficult choice. She is the Mother Superior in waiting of a convent that has been given the opportunity to take part in his revolutionary scientific study. Ursula must weigh up the value of preserving her faith, versus embracing science.

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Inside a beautiful state residence on the edge of an Eastern European city, four women wait. They talk – movies, handbags, vodka, anything. For outside, as snow is falling, civil war looms ever nearer. A play about decadence, desire and dictatorship, Splendour brilliantly peels back the cruel veneer of our lives to reveal the beating heart within. Tender takes place in a city full of chance encounters. Al loves Hen, but now there’s a baby on the way everything looks different. Gloria loves Marvin, but one day he walked out and disappeared. And Hen’s mate Tash just loves a laugh and a drink. Particularly a drink. In this world of fast talk and hard sell, how much faith can we put in other people? Splendour was first produced by Paines Plough and won the Barclays TMA Award for Best New Play. Tender was first produced by Birmingham Rep, in a co-production with Hampstead Theatre and Theatre Royal Plymouth.

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She and He are the pseudonyms of a real-life couple who live in separate houses in the same city on the west coast of America. She is 88. He is 93. For 30 years he has provided her with a home and an income, while she provides ‘mistress services’ – ‘All sexual acts as requested, with suspension of historical, emotional, psychological disclaimers.’ They first met at university and then lost touch. When they met again twenty years later, they began an affair when She – a highly educated, intelligent woman with a history of involvement in the feminist movement – asked her wealthy lover to sign the remarkable document that outlines their unconventional lifestyle: The Mistress Contract. Was her suggestion a betrayal of all that she and the women of her generation had fought for? Or was it brave, honest, and radical? Then – on a small recorder that fit in her purse – this extraordinary couple began to tape their conversations about their relationship, conversations that took place while travelling, over dinner at home and in restaurants, on the phone, even in bed. Based on reams of tape recordings made over their 30 year relationship, The Mistress Contract is a remarkable document of this unconventional couple, and the contract that kept them bound together to this day.

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When memory takes hold, when chaos takes over and when the electricity between us becomes overwhelming. An impossible love story is given a second chance and three scorched characters are about to learn that lightning does strike twice.

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