Аннотация

Аннотация

Аннотация

"Robertson proves hard to explain but easy to enjoy. . . . Dauntlessly and resourcefully intellectual, Robertson can also be playful or blunt. . . . She wields language expertly, even beautifully."— The New York Times What if the cinema of the present were a Möbius strip of language, a montage of statements and questions sutured together and gradually accumulating color? Would the seams afford a new sensibility around the pronoun «you»? Would the precise words of philosophy, fashion, books, architecture, and history animate a new vision, gestural and oblique? Is the kinetic pronoun cinema?These and other questions are answered in the new collection from acclaimed poet and essayist Lisa Robertson. The dazzling new collection will feature three different back covers (designed by artists Hadley + Maxwell). A quorum of crows will be your witness. And if you discover you were bought? You note the smell of rain, bread, and exhaust mixed with tiredness. And if you yourself are incompatible with your view of the world? And what is the subject but a stitching? Once again you are the one who promotes artifice. At 2 am on Friday, you burn with a maudlin premonition. And rankings and rankings and badges and repetitions. Lisa Robertson 's book Lisa Robertson's Magenta Soul Whip was named one of the New York Times 100 Notable Books of 2010 and was longlisted for the 2011 Warwick Prize. Her other books include Debbie: An Epic , The Men , The Weather , and Occasional Work and Seven Walks from the Office for Soft Architecture . She is the 2014 Bain Swiggett Professor at Princeton University.

Аннотация

A New York Times 100 Notable Book and longlisted for the Warwick Writing Prize, Lisa Robertson's Magenta Soul Whip collects occasional works written over the past fifteen years, turning vestige into architecture, chagrin into resplendence. In them, we recognize our grand, saddened century.

Аннотация

One morning, Hazel Brown awakes in a badly decorated hotel room to find that she’s written the complete works of Charles Baudelaire. In her bemusement the hotel becomes every cheap room she ever stayed in during her youthful perambulations in 1980s Paris … This is the legend of a she-dandy’s life. <br><br> Part magical realism, part feminist ars poetica, part history of tailoring, part bibliophilic anthem, part love affair with nineteenth-century painting, The Baudelaire Fractal is poet and art writer Lisa Robertson’s first novel. ‘As far as I’m concerned, it’s already a classic.’ – Anne Boyer ‘Robertson’s debut novel, for those interested in the possibilities of fiction, is not to be missed.’ – Publishers Weekly ‘A new Lisa Robertson book is both a public event and a private kind of bacchanal.’ – Los Angeles Review of Books