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David Morton
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This is a story of life in a large lake and of Morris the Mirror Carp who is now old, and happy to live out the rest of his days grazing on the gravel lake-bed, looking for cheese. His peace is disturbed when Queen Thea, a Tench, asks him to search the lake and find out what is happening to the fish, as the population is getting smaller, and if a war is about to start with the Pikes who are suspected of taking more food than they are allowed.The Queen insists her royal bodyguard, a Japanese Koi carp called Kenzo, goes with him. However, the royal princess, Tina, tags along as well and their adventure begins. Morris confronts the King of the Pikes, Gaspard, but he is only a puppet king now. His kingdom is being run by his two sons who are suspected of planning a take-over of the lake.Can Morris persuade Gaspard to join them and find out who is taking the fish?Join Morris and his friends, and discover who is responsible for the unrest in Lily Lake, and if Morris will ever find the right cheese.
Аннотация
"Ships in Harbour" by David Morton. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Аннотация
Age of Concrete is a history of the making of houses and homes in the subúrbios of Maputo (Lourenço Marques), Mozambique, from the late 1940s to the present. Often dismissed as undifferentiated, ahistorical “slums,” these neighborhoods are in fact an open-air archive that reveals some of people’s highest aspirations. At first people built in reeds. Then they built in wood and zinc panels. And finally, even when it was illegal, they risked building in concrete block, making permanent homes in a place where their presence was often excruciatingly precarious. Unlike many histories of the built environment in African cities, Age of Concrete focuses on ordinary homebuilders and dwellers. David Morton thus models a different way of thinking about urban politics during the era of decolonization, when one of the central dramas was the construction of the urban stage itself. It shaped how people related not only to each other but also to the colonial state and later to the independent state as it stumbled into being. Original, deeply researched, and beautifully composed, this book speaks in innovative ways to scholarship on urban history, colonialism and decolonization, and the postcolonial state. Replete with rare photographs and other materials from private collections, Age of Concrete establishes Morton as one of a handful of scholars breaking new ground on how we understand Africa’s cities.