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– Marvin Bell one of the leading poets in America – long-time teacher at Iowa Writer’s Workshop, one of the country’s foremost writing programs – first poet laureate of Iowa (2000-2004) – Bell’s last book, Rampant, was very well reviewed, including cover feature in American Poetry Review and review in New York Times – includes several new “Dead Man” poems, for which Bell is both famous and infamous – most political book of Bell’s career – Bell's sixth book with Copper Canyon Press

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"Marvin Bell has the largest heart since Walt Whitman."—Harvard Review "One of our finest and most acclaimed poets."—Booklist "Charged with making the darkness visible, Bell's 'Dead Man' sometimes glows with an eerily illuminating light."—Publishers Weekly Marvin Bell is one of America's great poets, and his legacy includes the invention of a startling poetic form called the «Dead Man» poems. The Dead Man is alive and dead at once: not a persona, but an overarching consciousness, embedded in poetics and philosophy. Vertigo is the latest from the Dead Man—a brilliant, enigmatic, wise, and wild book. The dead man stands still, waiting for the boomerang to—you know.He hears the words of philosophers ricochet among chasms and     disappear in the far away.His scent goes forth, his old skin, hair and nails, and he spits, too.He leans forward to look backward, and the ancient world reappears.It is the beginning, when mountains, canyons and seas were new,before the moon had eyes, before paper, before belief.Anything he says now are souvenirs of the future… Marvin Bell has published seventeen books of poetry and has received numerous honors, including the Lamont Award and Senior Fulbright appointments to Yugoslavia and Australia. He taught for forty years at the Iowa Writers' Workshop, and was the first State Poet of Iowa. He lives in Iowa and Washington.

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The Dead Man, Marvin Bell’s brilliant poetic invention, is an overarching consciousness, alive and dead at once, defeating time. Mystical and anonymous, The Dead Man offers searing insight into the joys, as well as the catastrophes, of fluctuating cultural and political moments. Incarnate draws from all of Bell’s previous collections where The Dead Man appeared, and adds an abundant cache of new poems that resonate with “the dark matter and sticky stuff” of life. As David St. John writes in his introduction, “No voice in our poetry has spoken with more eloquence and wisdom of the daily spiritual, political and psychological erosion in our lives; no poet has gathered our American experience with a more capacious tenderness—all the while naming and celebrating our persistent hopes and enduring human desires….Remarkable for its eclectic and culturally diverse vision, Incarnate embodies a vivid world of poetic reflection unlike anything else in American poetry.”

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