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Gregory Orr
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Аннотация
Gregory Orr’s genius is the transformation of trauma into art. Whether writing about his responsibility for a brother’s death during a hunting accident, drug addiction, or being jailed during the Civil Rights struggle, lyricism erupts in the midst of desolation and violence. Orr’s spare, succinct poems distill myth from the domestic and display a richness of action and visual detail.This long-awaited collection is soulful work from a remarkable poet, whose poems have been described as «mystical, carnal, reflective, and wry.» (San Francisco Review)"Love Poem"A black biplane crashes through the window of the luncheonette. The pilot climbs down, removing his leather hood. He hands me my grandmother’s jade ring. No, it is two robin’s eggs and a telephone number: yours.from «Gathering the Bones Together» A father and his four sons run down a slope toward a deer they just killed. the father and two sons carry rifles. They laugh, jostle, and chatter together. A gun goes off and the youngest brother falls to the ground. A boy with a rifle stands beside him, screaming…"Orr’s is an immaculate style of latent violence and inhibited tenderness, charged with a desperate intensity whose source is often obscure."–The New York Times Book ReviewGregory Orr is the author of seven volumes of poetry and three books of criticism. He is the editor at Virginia Quarterly Review, teaches at the University of Virginia, and lives with his wife and daughters in Charlottesville. In 2002, along with his selected poems The Caged Owl, he will also publish a memoir and a book about poetry writing: Three Strange Angels: Trauma and Transformation in Lyric Poetry.Also Available by Gregory Orr: Orpheus & Eurydice: A Lyric Sequence
Аннотация
• A famous love story retold by a respected, well-published poet. • Beautifully packaged, “keepsakey” book. (Dare we say “A perfect Valentine’s Day book.”) • Affordably priced.
Аннотация
When acclaimed poet Gregory Orr was twelve years old, he shot and killed his brother in a hunting accident. From the immediate aftermath—a period of shock, sadness, and isolation—it quickly became clear that support and guidance would not be coming from his distant mother. Nor would it come from his father, a philandering country doctor addicted to amphetamines. Left to his own devices, the boy suffered. <br><br>
Guilt weighed on him throughout a childhood split between the rural Hudson Valley and jungles of Haiti. As a young man, his feelings and a growing sense of idealism prompted him to activism in the civil rights movement, where he marched and was imprisoned, and then scarred again by a terrifying abduction. Eventually, Orr’s experiences led him to understand that art, particularly poetry, could work as a powerful source of healing and meaning to combat the trauma he carried. <br><br>
Throughout <i>The Blessing</i>, Orr articulates his journey in language as lyrical as it is authentic, gifting us all with a singular tale of survival, and of the transformation of suffering into art.
Guilt weighed on him throughout a childhood split between the rural Hudson Valley and jungles of Haiti. As a young man, his feelings and a growing sense of idealism prompted him to activism in the civil rights movement, where he marched and was imprisoned, and then scarred again by a terrifying abduction. Eventually, Orr’s experiences led him to understand that art, particularly poetry, could work as a powerful source of healing and meaning to combat the trauma he carried. <br><br>
Throughout <i>The Blessing</i>, Orr articulates his journey in language as lyrical as it is authentic, gifting us all with a singular tale of survival, and of the transformation of suffering into art.
Аннотация
“The heart of Orr’s poetry, now as ever, is the enigmatic image . . . mystical, carnal, reflective, wry.”— San Francisco Review This book-length sequence of ecstatic, visionary lyrics recalls Rumi in its search for the beloved and its passionate belief in the healing qualities of art and beauty. Concerning the Book that is the Body of the Beloved is an incantatory celebration of the “Book,” an imaginary and self-gathering anthology of all the lyrics—both poems and songs—ever written. Each poem highlights a distinct aspect of the human condition, and together the poems explore love, loss, restoration, the beauty of the world, the beauty of the beloved, and the mystery of poetry. The purpose and power of the Book is to help us live by reconnecting us to the world and to our emotional lives. I put the beloved In a wooden coffin. The fire ate his body; The flames devoured her. I put the beloved In a poem or song. Tucked it between Two pages of the Book. How bright the flames. All of me burning, All of me on fire And still whole. There is nothing quite like this book—an “active anthology” in the best sense—where individuals find the poems and songs that will sustain them. Or the poems find them. Gregory Orr is the author of eight books of poetry, four volumes of criticism, and a memoir. He has received numerous awards for his work, most recently the Academy Award in Literature from the American Academy of Arts and Letters. Orr has taught at the University of Virginia since 1975 and was, for many years, the poetry editor of The Virginia Quarterly Review . He lives with his family in Charlottesville, Virginia.
Аннотация
• Continuation of Orr’s previous book, Concerning the Book That Is the Body of the Beloved, which is an endless, imaginary volume that has gathered itself into all the poems and songs since the beginning of time. • This book (like the last) was also inspired by a dream • Reviewers have likened Orr’s new poems to those of Rumi • Orr continues to push the “lyric sequence” beyond the usual expectations • Mary Oliver is passionate advocate for Orr’s current project: “Gregory Orr is a gorgeous poet.” • Last book selected as an “Editor’s Choice” from VQR