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Natsume Soseki
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Аннотация
"A nonchalant string of anecdotes and wisecracks, told by a fellow who doesn't have a name, and has never caught a mouse, and isn't much good for anything except watching human beings in action…" —<b>The New Yorker</b> <br><br>Written over the course of 1904-1906, Soseki Natsume's comic masterpiece,<i> I Am a Cat</i>, satirizes the foolishness of upper-middle-class Japanese society during the Meiji era. With acerbic wit and sardonic perspective, it follows the whimsical adventures of a world-weary stray kitten who comments on the follies and foibles of the people around him. <br><br>A classic of Japanese literature, <I>I Am a Cat</i> is one of Soseki's best-known novels. Considered by many as the greatest writer in modern Japanese history, Soseki's <i>I Am a Cat</i> is a classic novel sure to be enjoyed for years to come.
Аннотация
Published here for the first time in English, My Individualism and The Philosophical Foundations of Literature are essays which explore issues close to famed Japanese novelist Soseki Natsume's heart: the philosophical and cultural significance of isolation, belonging and identity associated with rapid technological, industrial and cultural change. Set against the background of the Meiji era, in which Soseki believed modern man was dislocated from Japan's past as well as its future, he defines the role of art and the artist in light of the loneliness and individualism of the modern world.True to his self-conscious style, each essay includes individual biographical anecdotes, inviting their allegorical reading as stories about the fate of Japan. In My Individualism, Soseki gives a rare account of his stay in London from the perspective of twelve years after his return, allowing us to see the profound shift in his thinking about literature that occurred during this time. In The Philosophical Foundations of Literature, we find one of Soseki's principal attempts to provide a cross-cultural framework for the interpretation of literature. Together, the essays reveal Soseki's attempts to create a theory of literature that is characteristically Japanese.
Аннотация
First published as Nihyaku Toka in 1906, The 210th Day is published here for the first time in English. Focusing on two strongly contrasting characters, Kei and Roku, as they attempt to climb the rumbling Mount Aso as it threatens to erupt, it is a celebration of personal experience and subjective reaction to an event in the author's life. During their progress up the mountain—where they encounter a storm on the 210th day (the lunar calendar day traditionally associated with typhoons)—and during a stopover at an inn along the way, Roku, the main protagonist, banters with Kei about his background, behavior and his reaction to the things they see. Kei surprises his easy–going friend by advocating a radical social agenda.Written almost entirely in the form of an extended dialogue, carried over several episodes, the book reveals Soseki's gift for the striking image and his vivid imagination, as well as his talent for combining Eastern and Western genres—the Western auto–biography and the Japanese traditional literary diary—into a work with a unified theme and atmosphere. In his Introduction to the book, Dr Marvin Marcus, Associate Professor of Japanese Language and Literature at Washington University, provides insight into Soseki's life and work.
