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The book highlights her strong sense of place – Fisher’s Celtic eye for detail – with a comparison of Aix-en-Provence, a university town, the site of an international music festival and the former capital of Provence, and Marseille, the port town. Fisher’s description of the sights and smells belonging to an Aix bakery shop window is her Platonic ideal of a bakery shop to be found anywhere in France, for example, with its “delicately layered” scents of “fresh eggs, fresh sweet butter, grated butter, vanilla beans, old kirsch and newly ground almonds.” Then, there is her portrayal of the sounds of Aix’s fountains mixed with the music of Mozart during the town’s festival, leaving her bedazzled. She would return again and again to stroll the narrow streets of Aix with two young daughters who “seemed to grow like water-flowers under the greening buds of the plane trees.” It is the quality of Fisher’s writing that inspired photographer Aileen Ah-Tye to look for her Provence. In a letter to Fisher, Aileen would report back from Marseille: “The eels and the prickly rascasse were exotique to my San Francisco eyes, the smells as pungent as you can get, and . . . miracle of all miracles . . . the men and women on the docks were exactly as you described them.” Thus, began a collaboration that illustrates Fisher’s passion for life and all its sensual pleasures that nourish the soul.

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When her long-time agent and friend Robert Lescher died in 2012, the manuscript of M.F.K. Fisher’s unpublished first novel was discovered packed tidily away in one of Lescher’s signature red boxes.Following on the success of Serve It Forth and written when she was in her early 30s, the novel employs Fisher’s characteristic sharp-eyed wit to sketch themes so outré they may have seemed too challenging for a proper woman of her time to attempt.Set in the late 1930s,The Theoretical Foot concerns two expat American couples in Europe, tramping from country to country without sanction of marriage, this during an era when cohabitation—to say nothing of a girl’s hitchhiking!—could ruin a respectable woman’s reputation for all time. As fascism spreads and war inevitably approaches, the idyll of a beautiful life of love and freedom from convention is also threatened from within, as the man in one of the couples falls gravely ill with a rare circulatory disease.And indeed, Mary Francis Kennedy Fisher and Dillwyn Parrish had been forced to return to Depression-era California where she was struggling to support them with her writing. Parrish—like the character in the story—was afflicted with Buerger’s disease, for which there was only one effective painkiller, unavailable in the States. Faced with unrelieved agony and the threat of serial amputations, Parrish killed himself in August of 1941. Weeks later the Japanese bombed Pearl Harbor and the entire world was engulfed in war.

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