LITMIR.BIZ

de Kretser is a master of immersive detail; she tells her story as much through a series of intimately recalled, gorgeously memorable images as she does her charming cast of characters The Life to Come weaves together the loosely connected lives of characters, roaming widely across the globe (from Australia to France to Sri Lanka) and between the present and memories of shared (and hidden) pasts The Life to Come is peppered with delightfully smart and funny observations about culture, human behavior and relationships, while remaining sensitive to resonant issues like immigration, class, and women's critical reception in the arts A strong choice for libraries, book clubs, and reading groups; ideal for National Reading Group Month Catapult published de Kretser's novella, Springtime , in Spring 2016, to critical acclaim in the NYTBR , Star Tribune , Toronto Star , and more; we expect similar critical attention for her new novel

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“This is a gorgeous, delicately surprising piece of writing. . . . It's like spirit photography, all fuzzy outlines and unaccountable light: a snapshot of something that may or may not exist.” —Terrence Rafferty, The New York Times Book Review When Frances met Charlie at a party in Melbourne, he was married with a young son. Now that the couple has moved to subtropical Sydney, a lusher and more chaotic city, Frances has an unshakable sense that the world has tipped on its axis. Everything seems alien, and exotic—and Frances is haunted by the unknowability of Charlie's previous life. A young art historian studying the objects in paintings–the material world–Frances takes mind-clearing walks around her neighborhood with her dog. Behind the fence of one garden, she thinks she sees a woman in an old-fashioned gown, but something is not right. It's as if the garden exists in a vacuum suspended in time, «at an angle to life.» Springtime is a ghost story that doesn't conform to the genre's traditions of dark and stormy nights, graveyards and ruins. It breaks new ground by unfolding in sunny, suburban Australia, and the realism of the characters and events make the story's ambiguities and eeriness all the more disquieting. The richness of observation here is immediately recognizable as Michelle de Kretser's, a writer who has been praised by Hilary Mantel as a master of «the sharp, almost hallucinatory detail.»

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