LITMIR.BIZ

Last Weapons explains how the use of hunger strikes and fasts in political protest became a global phenomenon. Exploring the proliferation of hunger as a form of protest between the late-nineteenth and mid-twentieth centuries, Kevin Grant traces this radical tactic as it spread through trans-imperial networks among revolutionaries and civil-rights activists from Russia to Britain to Ireland to India and beyond. He shows how the significance of hunger strikes and fasts refracted across political and cultural boundaries, and how prisoners experienced and understood their own starvation, which was then poorly explained by medical research. Prison staff and political officials struggled to manage this challenge not only to their authority, but to society’s faith in the justice of liberal governance. Whether starving for the vote or national liberation, prisoners embodied proof of their own assertions that the rule of law enforced injustices that required redress and reform. Drawing upon deep archival research, the author offers a highly original examination of the role of hunger in contesting an imperial world, a tactic that still resonates today.  

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It was a common charge among black radicals in the 1960s that Britons needed to start &ldquo;thinking black.&rdquo; As state and society consolidated around a revived politics of whiteness, &ldquo;thinking black,&rdquo; they felt, was necessary for all who sought to build a liberated future out of Britain&rsquo;s imperial past.<P>In&#160;<I>Thinking Black</I>, Rob Waters reveals black radical Britain&rsquo;s wide cultural-political formation, tracing it across new institutions of black civil society and connecting it to decolonization and black liberation across the Atlantic world. He shows how, from the mid-1960s to the mid-1980s, black radicalism defined what it meant to be black and what it meant to be radical in Britain.</P>

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As today&rsquo;s baby boomers reach retirement and old age, this timely study looks back at the first generation who aged in the British welfare state. Using innovative research methods, Charlotte Greenhalgh sheds light on the experiences of elderly people in twentieth-century Britain. She adds further insights from the interviews and photographs of celebrated social scientists such as Peter Townsend, whose work helped transform care of the aged. A comprehensive and sensitive examination of the creative pursuits, family relations, work lives, health, and living conditions of the elderly, <I>Aging in Twentieth-Century Britain</I> charts the determined efforts of aging Britons to shape public understandings of old age in the modern era.

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Camps are emblems of the modern world, but they first appeared under the imperial tutelage of Victorian Britain. Comparative and transnational in scope,&#160;<I>Barbed-Wire Imperialism</I>&#160;situates the concentration and refugee camps of the Anglo-Boer War (1899-1902) within longer traditions of controlling the urban poor in metropolitan Britain and managing &quot;suspect&quot; populations in the empire. Workhouses and prisons, along with criminal tribe settlements and enclosures for the millions of Indians displaced by famine and plague in the late nineteenth century, offered early prototypes for mass encampment. Venues of great human suffering, British camps were artifacts of liberal empire that inspired&#160;and legitimized the practices of future regimes.

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When and how did public health become modern? In&#160;<I>Governing Systems</I>, Tom&#160;Crook offers a fresh answer to this question through an examination of Victorian and Edwardian England, long considered one of the critical birthplaces of modern public health. This birth, Crook argues, should be located not in the rise of professional expertise or a centralized bureacratic state, but in the contested formation and functioning of multiple systems, both human and material, administrative and technological. Theoretically ambitious but empirically grounded, <I>Governing Systems</I> will be of interest to historians of modern public health and modern Britain, as well as to anyone interested in the complex gestation of the governmental dimensions of modernity.

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Edmund Burke, long considered modern conservatism&rsquo;s founding father, is also widely believed to be an opponent of empire. However, Daniel O&rsquo;Neill turns that latter belief on its head. This fresh and innovative book shows that Burke was a passionate supporter and staunch defender of the British Empire in the eighteenth century, whether in the New World, India, or Ireland.&#160; Moreover&mdash;and against a growing body of contemporary scholarship that rejects the very notion that Burke was an exemplar of conservatism&mdash;O&rsquo;Neill demonstrates that Burke&rsquo;s defense of empire was in fact ideologically consistent with his conservative opposition to the French Revolution. Burke&rsquo;s logic of empire relied on two opposing but complementary theoretical strategies: Ornamentalism, which stressed cultural similarities between &ldquo;civilized&rdquo; societies, as he understood them, and Orientalism, which stressed the putative cultural differences distinguishing &ldquo;savage&rdquo; societies from their &ldquo;civilized&rdquo; counterparts. This incisive book also shows that Burke&rsquo;s argument had lasting implications, as his development of these two justifications for empire prefigured later intellectual defenses of British imperialism.&#160;<BR />

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While the need for a history of liberalism that goes beyond its conventional European limits is well recognized, the agrarian backwaters of the British Empire might seem an unlikely place to start. Yet specifically liberal preoccupations with property and freedom evolved as central to agrarian policy and politics in colonial Bengal. <I>Liberalism in Empire</I> explores the generative crisis in understanding property’s role in the constitution of a liberal polity, which intersected in Bengal with a new politics of peasant independence based on practices of commodity exchange. Thus the conditions for a new kind of vernacular liberalism were created.<BR /><BR /> Andrew Sartori’s examination shows the workings of a section of liberal policy makers and agrarian leaders who insisted that norms governing agrarian social relations be premised on the property-constituting powers of labor, which opened a new conceptual space for appeals to both political economy and the normative significance of property. It is conventional to see liberalism as traveling through the space of empire with the extension of colonial institutions and intellectual networks. Sartori’s focus on the Lockeanism of agrarian discourses of property, however, allows readers to grasp how liberalism could serve as a normative framework for both a triumphant colonial capitalism and a critique of capitalism from the standpoint of peasant property.

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What does it mean to live in the modern world? How different is that world from those that preceded it, and when did we become modern?<BR /><BR /> In <I>Distant Strangers</I>, James Vernon argues that the world was made modern not by revolution, industrialization, or the Enlightenment. Instead, he shows how in Britain, a place long held to be the crucible of modernity, a new and distinctly modern social condition emerged by the middle of the nineteenth century. Rapid and sustained population growth, combined with increasing mobility of people over greater distances and concentrations of people in cities, created a society of strangers.<BR /><BR /> Vernon explores how individuals in modern societies adapted to live among strangers by forging more abstract and anonymous economic, social, and political relations, as well as by reanimating the local and the personal.

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In 1980s Britain, while the country failed to reckon with the legacies of its empire, a black, transnational sensibility was emerging in its urban areas. In Handsworth, an inner-city neighborhood of Birmingham, black residents looked across the Atlantic toward African and Afro-Caribbean social and political cultures and drew upon them while navigating the inequalities of their locale. For those of the Windrush generation and their British-born children, this diasporic inheritance became a core influence on cultural and political life. Through rich case studies, including photographic representations of the neighborhood,&#160;<I>Black Handsworth&#160;</I>takes readers inside pubs, churches, political organizations, domestic spaces, and social clubs to shed light on the experiences and everyday lives of black residents during this time. The result is a compelling and sophisticated study of black globality in the making of post-colonial Britain.<BR /> &#160;

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