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      TAKE

      THAT

      NOW AND THEN

       THE COMPLETE UNAUTHORISED BIOGRAPHY

       INSIDE THE BIGGEST COME-BACK IN POP HISTORY

       MARTIN ROACH

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       Copyright

      An Imprint of HarperCollinsPublishers Ltd 1 London Bridge Street London SE1 9GF

       www.harpercollins.co.uk

      First published by HarperCollinsEntertainment2006 This edition published 2007

      FIRST EDITION

      Copyright © Martin Roach 2006, 2007

      The Author asserts the moral right to be identified as the author of this work

      A catalogue record for this book is available from the British Library

      All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this ebook on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins ebooks

      HarperCollinsPublishers has made every reasonable effort to ensure that any picture content and written content in this ebook has been included or removed in accordance with the contractual and technological constraints in operation at the time of publication

      Source ISBN: 9780007232581

      Ebook Edition © SEPTEMBER 2009 ISBN: 9780007348541

      Version: 2018-12-18

      Dedicated to Kaye and Alfie Blue

      Table of Contents

       Cover

       Titlepage

       Dedication

       Something Remarkable This Way Comes

       The Magic Numbers

       I Can't Believe What I'm Seeing

       The Golden Years

       ‘I Don’t Even Like Melon!’

       Nobody Better

       Gone For Good?

       Don’t Let The Stars Get In Your Eyes

       Open Roads, Endless Possibilities

       The Phoenix Unfolds

       Chalk And Cheese

       People In Glass Houses

       Play To Win

       Back With The Boys Again

       Afterword

       Back For Good

       Bibliography

       Acknowledgements

       About the Publisher

       Foreword by Louis Walsh

      Take That were the best boy band in the world. They were the reason I started Boyzone—Boyzone were the Irish Take That. I thought Gary and the band were absolutely brilliant. They appealed to everybody, their records were great and they had everything: great ballads, great up-tempo numbers, amazing live shows—I saw them at The Point in Dublin and the sound, the lights, the choreography, the entire show was just amazing.

      Then, of course, you had Nigel Martin-Smith, who did a fantastic job managing them. He made Take That special: people weren’t always allowed near them, they weren’t accessible everywhere, hanging out at nightclubs all the time with every Page Three girl, like so many boy bands today. Nigel made them special and that had an awful lot to do with their success.

      Robbie has become successful and he is a great performer…a huge success. I admire his work ethic. He’s a fantastic worker who knows how to appeal to both girls and boys. I have been known to criticise him, but he is so ambitious and I would never underestimate Robbie. He knows exactly what he is doing.

      Meanwhile, Take That are still selling out stadiums, which is incredible. Their records are still on the radio, their TV documentary was fantastic and they are still so popular. For me, they totally provided the blue-print for that genre.

      They will always be England’s best boy band.

      Louis Walsh

      February 2006

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