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      MILLS & BOON

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      CONTENTS

      CHAPTER ONE

      CHAPTER TWO

      CHAPTER THREE

      CHAPTER FOUR

      CHAPTER FIVE

      CHAPTER SIX

      CHAPTER SEVEN

      CHAPTER EIGHT

      CHAPTER NINE

      CHAPTER TEN

      CHAPTER ONE

      ANOTHER salt-laden blast of wind funnelled past the low cliffs at the entrance of the bay and howled across the seething waves to dash itself against the ragged row of houses along the beachfront. In the back room of her rented cottage Nina Dowling flinched as the windows rattled violently in their sun-warped frames and the woodwork creaked and groaned in protest at the assault.

      Hunching protectively over her desktop drawing board, she dipped her brush into the narrow-mouthed water jar at her elbow and meticulously reshaped the sable bristles, trying to block out her awareness of the growing tumult outside by concentrating on the intricate task at hand.

      So what if she had just heard the radio weather bulletin issue an overnight gale warning for the Hauraki Gulf? Despite its ramshackle appearance, this sturdy bungalow had weathered more than fifty years of winter storms. And, anyway, Shearwater Island was in the southern reaches of the gulf, less exposed to the full force of the storms that regularly blew in from the Pacific Ocean than many of the other hundred or so islands that were scattered off the coast of Auckland.

      A few minutes later, Nina gave up pretending that she was going to get any more work done. The ominous crack of approaching thunder was the last straw. Trying to etch the delicate path of a minute leaf vein with the moistened edge of her chisel-shaped brush tip was impossible when her nerves were braced against the next assault of nature. She pursed her ripe mouth as she surveyed what she had just done, her sea-green eyes narrowed with dissatisfaction, her silky dark brows drawn together in a rippling frown. Instead of abrading away the wash of green pigment to expose a hair-thin line of white paper, the nervous jerks of her clenched fingers were in danger of creating a major new vein at the margin of the leaf.

      Such botanical incorrectness would give George palpitations! she thought ruefully as she set aside the unfinished illustration and replaced the labelled pot containing the original plant specimen on the crowded shelf by the window. While Nina freely employed a great deal of artistic licence in her own paintings, the bread-and-butter commissions she executed for the local botanist demanded strict biological accuracy. It was exacting work but Nina enjoyed the challenge, and the flat fee that George paid her for each completed watercolour was sufficient to support her in very modest style.

      Fortunately, there were few temptations to frivolous spending on Shearwater Island. Most of the islanders were laid-back alternative lifestylers, eccentric loners, or descendants of original owners who either commuted to Auckland to work or merely used their properties during weekends and holidays.

      Part of the island was a nature and marine reserve, and the locals jealously guarded their relatively unspoiled environment by enduring rudimentary public services and supporting by-laws that precluded commercial development. That meant there were no chic beach cafés or hotels, or well-serviced moorings for glitzy yachts on Shearwater Island, no flash millionaires’ mansions or noisy helipads.

      The only store, at the wooden ferry jetty on the other side of the island from Puriri Bay, stocked little more than the basic necessities of life—except during the summer months, when the resident population of a few hundred was swollen by holiday-makers, visiting boaties who dropped anchor in the deepwater bays and daytrippers who made the hour-and-a-half ferry ride from Auckland.

      In the nine months that she had lived on the island, Nina had been pleased to discover that there was nothing that she couldn’t buy, barter, mail-order or stoically go without.

      Another shuddering gust of wind buffeted the house on its foundations as Nina cleaned her brushes with the speed and efficiency of long practise and covered her palette of watercolours with a damp cloth to prevent the shallow pans from drying out overnight. She carried the squat jars of stained water into the kitchen to rinse them out for the next day, flicking off the fluorescent lights in the cramped studio. Usually she preferred using the natural light from the sloping skylight and small, southerly facing window for her studio-based paintings, but the dense cloud cover had made artificial illumination necessary for most of the day.

      Leaving her clean jars draining upside down on the bench, Nina hurried through the sprawling, three-bedroom cottage, making sure that all the external door and window latches were secure, and checking that there was nothing loose outside that high winds might turn into a potential missile.

      In the last big storm, Ray Stewart, who lived in the sun-bleached weatherboard house next door, had almost been skewered in his rocking chair by an unsecured water-ski that had blown off someone’s deck and cartwheeled along the wide strip of interconnecting front yards to spear through his window. The grizzled old man, who also happened to be Nina’s landlord, had taken his near impalement in his stride, more angry at his

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