LITMIR.BIZ

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called the station wanting to interview him about his father’s disappearance seven years ago. It was a case that had not been solved to this day.

      Gail Waters had been a reporter for and the managing editor of a small newspaper on the near north side of town. She specialized in stories involving disappearances and missing persons. Although she was a print journalist—and had taken pride in pointing out that fact to John—she had also been the co-producer of a cable show called Vanished!, which explored intriguing cases the police hadn’t been able to solve.

      Why she’d suddenly decided to investigate Sean Gallagher’s disappearance, John had no idea. But her death had to be a coincidence. It couldn’t have anything to do with his father.

      But even so, names from John’s past flashed like a strobe through his head: Ashley Dallas, the young woman whose murder Sean had been investigating at the time of his disappearance; Daniel O’Roarke, the man convicted of Ashley’s brutal murder, who now sat on death row; and John’s own brother Tony, who had been in love with Ashley at the time of her murder.

      For some reason Gail Waters had wanted to dig up that old tragedy, expose secrets that had been buried for more than seven years.

      And now she was dead.

      A coincidence, John told himself again. But a cold finger of dread traced up his backbone as he stood in the icy rain.

      “You want to notify the old man or should I?” Cox was asking.

      The “old man” Cox was referring to was John’s uncle and their commanding officer. Liam Gallagher kept himself apprised of every investigation the detectives conducted under his watch. His knowledge of all the uncleared cases in his jurisdiction was nothing short of phenomenal, and John had always held his uncle in the highest esteem.

      But now a tiny doubt began to niggle at him. Liam had worked on the Ashley Dallas case, too. Had Gail Waters talked to him about John’s father’s strange disappearance?

      “Let’s hold off on that.” John stared at the note for a moment longer, then handed it back to Cox. “A type-written suicide note always worries me. I’d like to do a little more digging before we call in.”

      Cox groaned. “I don’t like the sound of that. You’re going to get a hard-on about this one, aren’t you? You’ve got that look.”

      “I’m going to do my job,” John said grimly. “And so are you. Until we get the coroner’s report, we’re going to treat this as a homicide investigation.”

      Cox muttered an oath as his radio crackled. He pulled it from his belt and walked a few feet away to respond. John used the opportunity to examine the wall and floor of the roof at the spot from where he judged the victim had fallen. Slipping on a pair of latex gloves, he knelt and scoured the area with his flashlight, knowing all the while the rain had probably washed away whatever trace evidence, including fingerprints, that might have been left.

      “Meat wagon’s here,” Cox called from the stairwell door. “You coming?”

      “I’ll be there in a minute.” John stood and gazed over the side of the building. Down on the street, a handful of bystanders had gathered at the fringes of the yellow tape.

      As if sensing John’s gaze, one of them, a man wearing a black parka, a stocking cap and a muffler covering the lower part of his face, glanced up at the roof. Even five stories away, John felt a tug of recognition.

      He knew the man only as Fischer, an informant he’d used successfully in the past. John had no idea about the man’s real identity, but he seemed to have an uncanny knack for showing up at crime scenes, particularly the ones John was called out on. He suspected Fischer not only had a police scanner, but an inside line into the department. Whatever his connection, his information had proved invaluable in the past.

      As John watched, Fischer turned and headed down the street, his shoulders hunched against the sharp blast of wind from the lake.

      John rubbed the back of his neck where the hair had suddenly stood on end. Fischer always gave him a case of the jitters, although he couldn’t say why exactly. Maybe because there were elements of danger and distrust involved with all informants.

      The door to the stairwell slammed shut in the wind and Cox disappeared. John saw that the building manager remained and had started across the roof toward him.

      He was a short squat man, somewhere in his forties, who breathed in sharp, almost gasping puffs of air. In the dim light he looked eager and excited, his small dark eyes greedily taking in every last detail of the search.

      “Detective, if I may be so bold…” Rain glistened in the fringe of brown hair that circled the man’s bald pate like a dingy halo.

      “What is it?” John asked, annoyed at having his concentration broken.

      “It’s something I, er, mentioned to Detective Cox, but he, er, didn’t seem to take much notice.” The man stuttered and stumbled over his words, as if extremely nervous. He wiped moisture from his forehead with the back of his hand. “It’s over there.” He pointed to the stack of building materials near the stairwell door.

      “What is?”

      “I’m, er, not sure. Evidence maybe.”

      John said sharply, “What are you talking about, Mr.—”

      “Dalrimple. Morris Dalrimple. My friends call me Dal.”

      “Why don’t you show me what you’re talking about, Mr. Dalrimple?”

      The building manager touched his fingertips to his chin, then dropped his hand to his side. “I think I saw something. If you would, er, just shine your flashlight over there…a little more to your right…yes, that’s it. Right there. And then if you would, er, kneel, like you did earlier…”

      John complied, although there was something about Dalrimple that was a little unsettling. To be honest, the man gave him the creeps.

      John focused his light on the stacks of building materials. From where he knelt he could make out narrow channels running through the crowded pallets of drums. He didn’t see anything at first, but then he moved the beam back, playing it along one of the channels.

      “Yes, there it is!” Dalrimple cried excitedly. He almost jumped up and down with glee. “I thought I saw something in there earlier, although Detective Cox couldn’t spot it. But if I may be so bold…tall people, er, tend to overlook a lot of things. You don’t concern yourself with places that accommodate only little people—like myself, for instance. I thought right off the space between the pallets might be a good place for someone to, er, hide, but Detective Cox was certain no one could fit in there. I must admit, since I, er, put on a little weight, it might be a bit of a squeeze—”

      Dalrimple broke off in midsentence as John stood and strode to the pallets. He bent and angled his light into the long channel between the stacks of drums. Something was lying on the floor several feet inside. Lifeless eyes gleamed in the crisp beam from John’s flashlight.

      John knelt and felt inside the channel. Using the flashlight as an extension, he dragged whatever was on the floor toward him, until he could reach it with his hand. His fingers closed around a scrap of fabric, and a tinny voice intoned, “Ma-ma” as he pulled a doll from its hiding place.

      “Well, I’ll be!” Dalrimple exclaimed, gazing down at the toy in John’s hand. “How do you suppose that got in there?” He started to touch the doll’s mop of dark hair, but John jerked it away. Dalrimple looked crushed.

      “There could be prints,” John felt obliged to explain. “You understand.”

      “Oh, of course. I know all about, er, police procedure. Mama and I never miss an episode of ‘Cops.’ So what do you think about the doll, Detective? Is it evidence?”

      “Possibly.” Walking back across the roof, he stood at the edge where Gail Waters had gone over and fixed his light on the stack of pallets. The channel between was tight,

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