LITMIR.BIZ

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you among the collection?’

      ‘Only one, in a group portrait with my sisters.’

      ‘Show me.’

      The painting had been hung between two doors, in the worst of the light. Lawrence, though not one of his best. There were five girls, the eldest two seated at a sewing table, the younger three at their feet, playing with reels of cotton. ‘That is Celia,’ Lady Cressida said, pointing to the eldest, a slim young woman with a serious expression and a protective hand on the head of the youngest child. ‘Beside her is Cassie. As you can see, she is the beauty of the family. Cordelia, my youngest sister who makes her come out this Season, is very like her. Caroline is beside her, and that is me, the odd one out.’

      Giovanni nodded. ‘You certainly have very different colouring. What age were you when this was painted?’

      ‘I don’t know, eleven or twelve, I think. It was before Celia married and left home.’

      ‘I am surprised that your mother is not in this painting. Lawrence would usually have included the mother in such a composition.’

      ‘She died not long after Cordelia was born. Celia was more of a mother to us than anyone.’ Lady Cressida’s voice was wistful as she reached out to touch her sister’s image. ‘I haven’t seen her for almost ten years. Nor Cassie, for eight.’

      ‘Surely they must visit, or you them?’

      ‘It is a long way to Arabia, signor.’ Obviously sensing his confusion, Lady Cressida hastened to explain. ‘Celia married one of my father’s diplomatic protégés. They were in Arabia, sent on a mission by the British Ambassador to Egypt, when Celia’s husband was murdered by rebel tribesmen. I remember it so well, the news being broken to us here at Killellan. We were told that Celia was being held captive in a harem. My father and Cassie and Aunt Sophia went to Arabia to rescue her only to discover that she didn’t want to be rescued. Fortunately for Celia, it turned out that her desert prince was hugely influential and fantastically rich, so my father was happy to hand her over.’

      ‘And your other sister—Cassie, did you say?’

      ‘When she narrowly escaped a most unfortunate connection with a poet, our father packed her off in disgrace to stay with Celia. He should have known that Cassie, a born romantic, would tumble head over heels in love with the exotic East. When he found out that he had lost a second daughter to a desert prince he was furious. But this prince too turned out to have excellent diplomatic connections and was also suitably generous with his riches, so my father magnanimously decided to be reconciled to the idea.’

      ‘Such a colourful history for such a very English family,’ Giovanni said drily.

      She laughed. ‘Indeed! My father decided two sheikhs, no matter how influential, was more than sufficient for any family. I think he fears if any of us visit them, the same fate would befall us, so we must content ourselves with exchanging letters.’

      ‘And are they happy, your sisters?’

      ‘Oh yes, blissfully. They have families of their own now too.’ Lady Cressida gazed lovingly at the portrait. ‘It is the only thing which makes it bearable, knowing how happy they are. I miss them terribly.’

      ‘But you are not quite alone. You have your stepmother.’

      ‘It is clear you have not been introduced to Bella. My father married her not long after Celia’s wedding. I think he assumed Bella would take on Celia’s role in looking after us three younger girls as well as providing him with an heir but Bella—well, Bella saw things differently. And once James was born, so too did Papa. His only interest is his male heirs.’

      ‘Sadly, that is the way of the world, Lady Cressida.’

      ‘Cressie. Please call me Cressie, for no one else here does, now Caro has married and Cordelia has gone to London. I am the last of the Armstrong sisters,’ she said with a sad little smile. ‘I think you have heard more than enough of my family history for one day.’

      ‘It seems to me a shame that there are no other portraits of you. May I ask—would you—I would like to paint you, Lady—Cressie.’

      ‘Paint me! Why on earth would you want to do that?’

      Her expression almost made him laugh, but the evidence it gave him of her lack of self-worth made him angry. ‘An exercise in mathematics,’ Giovanni replied, hitting upon an inspired idea. ‘I will paint one portrait to your rules, and I will paint another to mine.’

      ‘Two portraits!’

      ‘Si. Two.’ An idealised Lady Cressida and the real one. For the first time in years, Giovanni felt the unmistakable tingle of certainty. Ambition long subdued began to stir. Though he had no idea as yet what this second portrait would be, he knew at least it would be his. Painted from the heart. ‘Two,’ Giovanni repeated firmly. ‘Thesis and antithesis. What better way for me to provide you with the proof you need for your theory—or the evidence which contradicts it?’ he added provocatively, and quite deliberately.

      ‘Thesis and antithesis.’ She nodded solemnly. ‘An interesting concept, but I don’t have the wherewithal to be able to pay you a fee.’

      ‘This is not a commission. It is an experiment.’

      ‘An experiment.’

      Her smile informed him that he had chosen exactly the right form of words. ‘You understand, it will require us to spend considerable time alone together. I cannot work with any distractions or interruptions,’ he added hastily, realising how ambiguous this sounded. ‘You will need to find a way of ridding yourself of your charges for a time.’

      ‘Would that I could do so altogether.’ Cressie put her hand over her mouth. ‘I did not mean that, of course. I will find a way, but I think it would be prudent if we keep our experiment between ourselves, signor.’ She grinned. ‘You and I know that we are conducting research in the name of science, but I do not think Bella would view our being locked away alone together with only an easel for company in quite the same light.’

      As Bella Frobisher, Lady Armstrong had been a curvaceous young woman when she first met her future husband, with what his sister, Lady Sophia, called ‘fine child-bearing hips’. Those hips had now borne four children, all of them lusty boys, and were, like the rest of Bella’s body, looking rather the worse for wear. A naturally indolent temperament, combined with a spouse who made little attempt to hide his indifference to every aspect of her save her ability to breed, led Bella to indulge her sweet tooth to the full. Her curves were now ample enough to undulate, rippling under her gowns in a most disconcerting manner, her condition having forced her to abandon her corsets. At just five-and-thirty, she looked at least ten years older, dressed as she was in a voluminous cherry-red afternoon dress trimmed with quantities of frothy lace which did nothing for her pale complexion. A pretty face with a pair of sparkling brown eyes was just about visible sunk amid an expanse of fat.

      Though she had never aspired to being a wit, Bella had been happy to be labelled vivacious, and had always been extremely sociable until her husband made it clear that her lack of political nous made her something of a liability. He summarily replaced her at the head of his political table with his sister and, having made sure that she was impregnated, consigned his wife to the country. Here, Bella had remained, popping out healthy Armstrong boys at regular intervals, taking pleasure in her sons but in very little else. Though she knew it would displease her husband, she longed for this next child to be a daughter, the consolation prize she surely deserved, who would provide her mama with the affection she craved.

      Disappointed from a very early stage in her marriage, unable to express her disappointment to the man responsible, Bella had turned her ire instead on his daughters, who made it very easy for her to do so since they made it all too obvious that they thought her a usurper. Her malice had become a habit she did not even contemplate breaking. Pregnant, bloated, lonely and bored, it was hardly surprising, then, that Giovanni, his breathtaking masculine beauty enhanced by the austerity of his black attire, would appear to

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