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      Ghost Horses

      GLORIA SKURZYNSKI AND ALANE FERGUSON

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      Text copyright © 2000

       Gloria Skurzynski and Alane Ferguson

      All rights reserved.

       Reproduction of the whole or any part of the contents is prohibited without written permission from the National Geographic Society, 1145 17th Street N.W. Washington, D.C. 20036.

      Cover illustration and design by Matthew Frey, Wood Ronsaville Harlin, Inc.

      Photo insert credits: Indian dancer, James Amos; wild mustangs,

       © John Eastcott/Yva Momatiuk; water trap, courtesy Bureau of Land Management; Angels Landing, Jamal D. Green; The Narrows, Frank Jensen

      Endsheet maps by Carl Mehler, Director of Maps; Thomas L. Gray, Gregory Ugiansky, and Martin S. Walz, Map Research and Production

       Running horse art by Stuart Armstrong

      This is a work of fiction. Any resemblance to living persons or events other than descriptions of natural phenomena is purely coincidental.

      Library of Congress Catalog Number 00-027730

      ISBN: 978-1-4263-0969-4

      Version: 2017-07-07

      ACKNOWLEDGMENTS

      The authors want to thank Denny Davies,

       Chief Naturalist, Zion National Park;

       Donald A. Falvey, Superintendent, Zion National

       Park; Tom Haraden, Assistant Chief Naturalist,

       Zion National Park; and Gus Warr, Wild Horse

       and Burro Specialist at the Cedar City Field

       Office, Bureau of Land Management.

       Our very special thanks go to our patient

       friend and fellow writer Lyman Hafen, Executive

       Director of the Zion Natural History Association,

       and to Art Tait, Cedar City Field Office Manager,

       Bureau of Land Management, who introduced us

       to Mariah and who spent so many hours driving

       us across the Chloride rangeland to educate

       us about wild mustangs.

      For Kristin and Matt

      We wish you a lifetime of happiness.

      Contents

      CHAPTER ONE

      CHAPTER TWO

      CHAPTER THREE

      CHAPTER FOUR

      CHAPTER FIVE

      CHAPTER SIX

      CHAPTER SEVEN

      CHAPTER EIGHT

      CHAPTER NINE

      CHAPTER TEN

      CHAPTER ELEVEN

      Afterword

      About the Authors

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      A rough branch drilled into his chest, like a skeleton’s finger, but the man knew he couldn’t change his position. Even the smallest flicker of movement would let them know he was there, and the man had spent too much time setting the trap to tip them off now. Behind him he heard the rustling of flanks against juniper trees. He held his breath when he saw it—a flash of silvery white, so pale it seemed as if a piece of moon had dropped from the desert sky. A Ghost Horse.

      As he watched it move closer to his trap, the man tried not to think of the strange stories he’d heard, tales of white horses that whinnied a language of their own, caught between this world and the next. The mustang, ghostly white, stepped inside the trap. The man leaped out of the blind and slammed the gate shut. He had his prize.

      Again and again the mustang hurled itself against the rails, rearing up before slamming into them in an explosion of sound. It gave a strange, ghostly cry that echoed back from the hills. Then he heard the pounding of hoofs. Frightened, the man turned and ran.

      CHAPTER ONE

      War cries cut the air in quick, high-pitched bursts until Jack’s ears rang with the sound. In front of him, 200 Native Americans from dozens of tribes danced through the arena, some with spears in their hands, others clutching eagle feathers as they swirled and pulsated in a dizzying, rainbow-hued parade. Jack had never before been to a powwow. He wished he could go out there and dance to the pounding of the drums instead of just sitting with his sister, Ashley, on hard bleachers.

      “Isn’t this great, Jack?” Ashley enthused.

      “Yeah. Great.” He meant it. It just wasn’t cool to sound as gushy as his sister.

      There was so much motion and color that Jack had to keep switching his gaze, from the gate where more and more dancers swept in, to the far side of the grounds, where horses pawed and snorted, held in check by wildly dressed warriors. The Indian riders looked strong and fierce, with their faces painted and their headdresses bristling with feathers that made them seem larger than life. One carried a yellow shield decorated with buffalo images and red feathers. Another, wearing a black vest and beaded armbands, swung a war club above his head; yet another raised a spear as he galloped his horse in tight circles. How would it feel, Jack wondered, to be a part of something that had been passed down from one generation to another, so far back that no one could remember where it began? To know about your ancestors—unlike Jack, who didn’t even know the name of his own grandfather.

      “Can you see Ethan or Summer?” Ashley asked, straining to catch a glimpse of their new foster children in the crowd of dancers.

      “Right over there. On the other side of the circle, by the sign that says Eastern Shoshone Indian Days.”

      Shading her eyes, his sister strained to see. With her own dark hair braided into long ropes and her end-of-summer tan, Ashley could have fit right in with the rest of the dancers. Jack, whose hair was blond and straight like his father’s, felt a little bit out of place, since there were almost no other Anglos sitting close by.

      “I still don’t see them,” Ashley pressed. “Where are they?”

      “Ethan’s next to the chief with the humongous headdress. Summer’s in the middle of the circle next to the lady in the buckskin. See where Dad’s standing underneath the sign taking pictures?” Jack pointed. “They just went past him.”

      “Oh, yeah,” Ashley nodded. “There they are. Wow, Ethan’s dancing like crazy. Look at him go!”

      Dressed in a bright blue vest and chaps edged with an eight-inch fringe, Ethan Ingawanup whirled in circles so fast that the fringe stood straight out from his body. A wheel of feathers three-quarters as tall as Ethan was attached to his back, like a fanned-out peacock’s tail. His feet moved as though they had a life of their own, furiously beating against the dirt so that it churned up in tiny puffs. Twenty-three different tribes were taking part in the Shoshone Indian Days celebration, all dressed in ceremonial regalia. Each footfall of the dancers hit the ground like a hammer blow timed to the beat of the drums. One dancer, half his face painted in a white mask, spun in front of Jack. The bronze skin of his naked torso rippled with muscle as he moved close to the earth before reaching for the sky, up and down, like a bird soaring and diving through the air.

      Summer, Ethan’s younger sister, danced in the inner circle. Her dress was encrusted with silvery,

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