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      NAPOLEON

      Vincent Cronin

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       Dedication

      FOR

      CHANTAL

      Contents

       COVER

       TITLE PAGE

       DEDICATION

       5. Saving the Revolution

       9. Fruits of Victory

       10. Beyond the Pyramids

       11. A New Constitution

       12. The First Consul

       13. Rebuilding France

       14. Opening the Churches

       15. Peace or War?

       16. Emperor of the French

       17. Napoleon’s Empire

       18. Friends and Enemies

       19. The Empire Style

       20. The Road to Moscow

       21. Retreat

       22. Collapse

       23. Abdication

       24. Sovereign of Elba

       25. A Hundred and Thirty-Six Days

       26. The Last Battle

       27. The End

       APPENDIX A: Memoir-Writers and Napoleon

       APPENDIX B: ‘Clisson et Eugénie

       SOURCES AND NOTES

       INDEX

       KEEP READING

       ABOUT THE AUTHOR

       ALSO BY THE AUTHOR

       COPYRIGHT

       ABOUT THE PUBLISHER

       Preface

      WHEN Napoleon first set foot on the deck of an English warship, he watched the sailors heaving the anchor up and setting the sails, and he remarked how much quieter the ship was than a French ship. Six times quieter, he reckoned. The book that follows is quieter than most books about Napoleon in the sense that there is less gunfire. It is a biography of Napoleon, not a history of the Napoleonic period, and biography, I believe, should deal with events that throw light on character. Not all Napoleon’s battles do that, and Napoleon himself declared that on the battlefield he counted for no more than half: ‘It is the army that wins the battle.’

      But why a new biography at all? For two reasons. First, since 1951 new material has come to light of great importance, not in the sense that it adds fresh details here and there, but because it obliges us to take a fundamentally new look at Napoleon the man. This material is: the Notebooks of Alexandre des Mazis, Napoleon’s closest friend in his youth, Napoleon’s letters to Désirée Clary, the first woman in his life, the Memoirs of Louis Marchand, Napoleon’s valet, and General Bertrand’s Boswellian St Helena diary. None of this, save the last part of Bertrand, has been published in England. Also important is the long-missing central section of Napoleon’s autobiographical story, ‘Clisson et Eugénie’, into which a frustrated young officer of twenty-five poured his aspirations, and which is here published for the first time.

      The second reason is more personal. There are in existence a large number of Lives of Napoleon and, though it will sound presumptuous, I was dissatisfied with their picture of Napoleon. I could not find a living, breathing man. Always to my mind there were glaring contradictions of character. To take one example from many, biographers repeat Napoleon’s phrase: ‘Friendship is only a word. I love no man.’ But at the same time it was obvious from their own pages that Napoleon had many close friends, more I reckon than any ruler of France, and that he was as fond of them as they were of him. Many of the biographers were evidently embarrassed by this seeming contradiction, and they tried to explain it by saying that Napoleon was different from other men: ‘Napoleon was a monster of egoism,’ or ‘Napoleon was a monster of insincerity.’

      I for one do not believe in monsters. I wanted, as I say, to find a Napoleon I could picture as a living, breathing man. I knew of course that widely divergent opinions were only to be expected about Napoleon’s public life, but about the facts of his personal life there

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