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       PRAISE FOR NEON GREEN

      “Funny, sad, weird, timely: in Neon Green, Wappler mixes up her own distinct cocktail of these into a substantive and affecting debut.” Aimee Bender, author of The Color Master

      “Part historical novel, part alternative history, Neon Green captures the suburban-American experience at the cusp of the Internet Age, and asks its readers to consider what unites—and what threatens—a family. Strange yet accessible, goofy yet also, somehow, heartbreaking, this wonderfully original novel made me see everything around me in a new beguiling light: from my own family to the big unknowable sky above me. A debut to be reckoned with.” Edan Lepucki, author of California

      “Neon Green is an extraordinary, inventive literary triumph. Margaret Wappler’s breakthrough novel of a family coming to terms with modern life is deftly written, uniquely hilarious, and unexpectedly heartbreaking. Evoking the imaginative pleasures of Lydia Davis, Aimee Bender, and Don DeLillo, Neon Green depicts family life, environmentalism, marriage, illness, and spaceships with ingenuity and sophistication.” Joe Meno, author of The Great Perhaps

      “The story of an American family’s confusion, pain, and joy is given an ingenious new form in Wappler’s assured debut. Deeply moving, unsentimentally nostalgic, surreal, and hilarious, her alternate 1990s unravels the curiosities and sufferings that reveal our character and transform our souls.” J. Ryan Stradal, author of Kitchens of the Great Midwest

      “Neon Green is a time capsule: it captures a moment, a slice of recent history, a feeling, a way of life. Wappler writes with humor, warmth, and intelligence. Filled with jewel-like sentences and insights that add up to a rewarding and deeply affecting novel.” Charles Yu, author of How to Live Safely in a Science Fiction Universe

      The Unnamed Press

      P.O. Box 411272

      Los Angeles, CA 90041

      Published in North America by The Unnamed Press.

      1 3 5 7 9 10 8 6 4 2

      Copyright © 2016 by Margaret Wappler

      ISBN: 978-1-939419-93-4

      Library of Congress Control Number: 2016943619

      This book is distributed by Publishers Group West

      Cover design by Scott Arany

      Jacket Design & Typeset by Jaya Nicely

      This book is a work of fiction. Names, characters, places, and incidents are wholly fictional or are used fictitiously. Any resemblance to actual events or persons, living or dead, is entirely coincidental.

      All rights reserved, including the right to reproduce this book or portions thereof in any form whatsoever. Permissions inquiries may be directed to [email protected].

       For David

      CONTENTS

       CHAPTER 2

       CHAPTER 3

       CHAPTER 4

       CHAPTER 5

       CHAPTER 6

       CHAPTER 7

       CHAPTER 8

       CHAPTER 9

       CHAPTER 10

       CHAPTER 11

       CHAPTER 12

       CHAPTER 13

       CHAPTER 14

       CHAPTER 15

       CHAPTER 16

       CHAPTER 17

       CHAPTER 18

       CHAPTER 19

      PART TWO: SPRAWL

       CHAPTER 20

       CHAPTER 21

       CHAPTER 22

       CHAPTER 23

       CHAPTER 24

       CHAPTER 25

       CHAPTER 26

       CHAPTER 27

       CHAPTER 28

       CHAPTER 29

       CHAPTER 30

       CHAPTER 31

       CHAPTER 32

       CHAPTER 33

       CHAPTER 34

       CHAPTER 35

       CHAPTER 36

       CHAPTER 37

       CHAPTER 38

      PART THREE: MYSTERIUM TREMENDUM ET FASCINANS

       CHAPTER 39

       CHAPTER 40

       CHAPTER 41

       CHAPTER 42

       CHAPTER 43

       CHAPTER 44

       CHAPTER 45

       CHAPTER 46

       CHAPTER 47

       CHAPTER 48

       CHAPTER 49

       CHAPTER 50

       CHAPTER 51

      ACKNOWLEDGMENTS

      ADDITIONAL THANKS

      ABOUT THE AUTHOR

       PART ONE:

       FOR ENTERTAINMENT PURPOSES ONLY

       1

      The spaceship hovers on a thin black line. Above the spaceship is outer space, the black gone depthless, matter stacked until it has exploded into either too much existence or not enough. The void between glistening planets, static with Stardust until punctuated by chaos. To arrive here, the spaceship dodged rock masses, burned-out moons, and light-sucks. But now it waits, parked on the edge of Earth’s atmosphere. Below, the land is partially obscured by gauzy layers of chemical haze and creeping cloud covers. In luxuriating patterns, the layers shift and crisscross, surround and dissolve into one another. People, metal, trees, sand, animals, and water occupy the planet. The people spend their time chopping, building, corralling, killing, harvesting, distilling, melting, commuting. In waves, particles, and sheets, pollution regularly sloughs off into the atmosphere, carried up and up. The chemicals appear to dissipate but instead have settled in the upper regions of the sky, where they trap heat. The spaceship has been waiting for days now, occasionally spinning in circles. Waiting, it stares down, taking in everything it sees.

       2

      August 1994

      Prairie Park was a two-mile slice of dream community: moderately affluent, educated, safe, and green. Prized for its quality schools where the kids buried time capsules preserving Bop magazine, Depeche Mode cassette tapes, the front page of the Chicago Tribune, and a clutch of Jolly Ranchers. This suburban grid, rich and pliant, with Montessori day care and weekly farmers’ markets, supported all the spoils of upper-middle-class American life. Between the petitions to keep Prairie Park free of nukes, dutifully signed before entering the library, and the el train shuttling workers in Reeboks

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