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Teaching a Stone to Talk. Annie Dillard
Читать онлайн.Название Teaching a Stone to Talk
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isbn 9781782117759
Автор произведения Annie Dillard
Жанр Биографии и Мемуары
Серия Canons
Издательство Ingram
Another search party found two skeletons in a boat on a sledge. They had hauled the boat sixty-five miles. With the two skeletons were some chocolate, some guns, some tea, and a great deal of table silver. Many miles south of these two was another skeleton, alone. This was a frozen officer. In his pocket he had, according to Kirwan, “a parody of a sea-shanty.” The skeleton was in uniform: trousers and jacket “of fine blue cloth . . . edged with silk braid, with sleeves slashed and bearing five covered buttons each. Over this uniform the dead man had worn a blue greatcoat, with a black silk neckerchief.” That was the Franklin expedition.
Sir Robert Falcon Scott, who died on the Antarctic peninsula, was never able to bring himself to use dogs, let alone feed them to each other or eat them. Instead he struggled with English ponies, for whom he carried hay. Scott felt that eating dogs was inhumane; he also felt, as he himself wrote, that when men reach a Pole unaided, their journey has “a fine conception” and “the conquest is more nobly and splendidly won.” It is this loftiness of sentiment, this purity, this dignity and self-control, which makes Scott’s farewell letters—found under his body—such moving documents.
Less moving are documents from successful polar expeditions. Their leaders relied on native technology, which, as every book ever written about the Inuit puts it, was “adapted to harsh conditions.”
Roald Amundsen, who returned in triumph from the South Pole, traveled Inuit style; he made good speed using sleds and feeding dogs to dogs on a schedule. Robert E. Peary and Matthew Henson reached the North Pole in the company of four Inuit. Throughout the Peary expedition, the Inuit drove the dog teams, built igloos, and supplied seal and walrus clothing.
There is no such thing as a solitary polar explorer, fine as the conception is.
THE PEOPLE
I have been attending Catholic Mass for only a year. Before that, the handiest church was Congregational. Week after week I climbed the long steps to that little church, entered, and took a seat with some few of my neighbors. Week after week I was moved by the pitiableness of the bare linoleum-floored sacristy which no flowers could cheer or soften, by the terrible singing I so loved, by the fatigued Bible readings, the lagging emptiness and dilution of the liturgy, the horrifying vacuity of the sermon, and by the fog of dreary senselessness pervading the whole, which existed alongside, and probably caused, the wonder of the fact that we came; we returned; we showed up; week after week, we went through with it.
Once while we were reciting the Gloria, a farmer’s wife—whom I knew slightly—and I exchanged a sudden, triumphant glance.
Recently I returned to that Congregational church for an ecumenical service. A Catholic priest and the minister served grape juice communion.
Both the priest and the minister were professionals, were old hands. They bungled with dignity and aplomb. Both were at ease and awed; both were half confident and controlled and half bewildered and whispering. I could hear them: “Where is it?” “Haven’t you got it?” “I thought you had it!”
The priest, new to me, was in his sixties. He was tall; he wore his weariness loosely, standing upright and controlling his breath. When he knelt at the altar, and when he rose from kneeling, his knees cracked. It was a fine church music, this sound of his cracking knees.
The Land
Polar explorers—one gathers from their accounts— sought at the Poles something of the sublime. Simplicity and purity attracted them; they set out to perform clear tasks in uncontaminated lands. The land’s austerity held them. They praised the land’s spare beauty as if it were a moral or a spiritual quality: “icy halls of cold sublimity,” “lofty peaks perfectly covered with eternal snow.” Fridtjof Nansen referred to “the great adventure of the ice, deep and pure as infinity . . . the eternal round of the universe and its eternal death.” Everywhere polar prose evokes these absolutes, these ideas of “eternity” and “perfection,” as if they were some perfectly visible part of the landscape.
They went, I say, partly in search of the sublime, and they found it the only way it can be found, here or there— around the edges, tucked into the corners of the days. For they were people—all of them, even the British— and despite the purity of their conceptions, they man-hauled their humanity to the Poles.
They man-hauled their frail flesh to the Poles, and encountered conditions so difficult that, for instance, it commonly took members of Scott’s South Polar party several hours each morning to put on their boots. Day and night they did miserable, niggling, and often fatal battle with frostbitten toes, diarrhea, bleeding gums, hunger, weakness, mental confusion, and despair.
They man-hauled their sweet human absurdity to the Poles. When Robert E. Peary and Matthew Henson reached the North Pole in 1909, Peary planted there in the frozen ocean, according to L. P. Kirwan, the flag of the Dekes: “the colours of the Delta Kappa Epsilon Fraternity at Bowdoin College, of which Peary was an alumnus.”
Polar explorers must adapt to conditions. They must adapt, on the one hand, to severe physical limitations; they must adapt, on the other hand—like the rest of us—to ordinary emotional limitations. The hard part is in finding a workable compromise. If you are Peary and have planned your every move down to the last jot and tittle, you can perhaps get away with carrying a Deke flag to the North Pole, if it will make you feel good. After eighteen years’ preparation, why not feel a little good? If you are an officer with the Franklin expedition and do not know what you are doing or where you are, but think you cannot eat food except from sterling silver tableware, you cannot get away with it. Wherever we go, there seems to be only one business at hand—that of finding workable compromises between the sublimity of our ideas and the absurdity of the fact of us.
They made allowances for their emotional needs. Over-wintering expedition ships commonly carried, in addition to sufficient fuel, equipment for the publication of weekly newspapers. The brave polar men sat cooling their heels in medias nowhere, reading in cold type their own and their bunkmates’ gossip, in such weeklies as Parry’s Winter Chronicle and North Georgia Gazette, Nansen’s Framsjaa, or Scott’s South Polar Times and The Blizzard. Polar explorers also amused themselves with theatrical productions. If one had been frozen into the pack ice off Ross Island near Antarctica, aboard Scott’s ship Discovery, one midwinter night in 1902, one could have seen the only performance of Ticket of Leave, a screaming comedy in one act. Similarly, if, in the dead of winter, 1819, one had been a member of young Edward Parry’s expedition frozen into the pack ice in the high Arctic, one could have caught the first of a series of fortnightly plays, an uproarious success called Miss in her Teens. According to Kirwan, “‘This,’ Parry dryly remarked, ‘afforded to the men such a fund of amusement as fully to justify the expectations we had formed of the utility of theatrical entertainments.’” And you yourself, Royal Navy Commander Edward Parry, were you not yourself the least bit amused? Or at twenty-nine years old did you still try to stand on your dignity?
The Land
God