LITMIR.BIZ

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write it. ‘If’ not when because once my initial euphoric resolve had collapsed the possibility of writing the novel made itself felt again as an attractive option. And even if I didn’t decide to write my study of Lawrence I still had to decide where I was going to live because, irrespective of whether or not I was going to write my study of Lawrence, I still had to live somewhere – but if I was going to write a book about Lawrence then that brought in a whole range of variables which I would need to weigh up when considering where to live, even though deciding where to live was already complicated by a massive number of variables.

      One of the reasons, in fact, that it was impossible to get started on either the Lawrence book or the novel was because I was so preoccupied with where to live. I could live anywhere, all I had to do was choose – but it was impossible to choose because I could live anywhere. There were no constraints on me and because of this it was impossible to choose. It’s easy to make choices when you have things hampering you – a job, kids’ schools – but when all you have to go on is your own desires, then life becomes considerably more difficult, not to say intolerable.

      Even money wasn’t an issue since at this stage I was living in Paris and nowhere could have been more expensive than Paris. The exchange rate got worse by the month and Paris became more expensive by the month. Money was an issue insofar as it made me think I would rather be anywhere than Paris but in terms of where to go next, where to move to, it was almost irrelevant. What the money situation – more exactly, the exchange rate situation – in Paris did was to emphasise that although I thought I had settled in Paris, really I had just been passing through, extremely slowly. That is all anyone English or American can do in Paris: pass through. You may spend ten years passing through but essentially you are still a sightseer, a tourist. You come and go, the waiters remain. The longer I stayed the more powerful it became, this feeling that I was just passing through. I had thought about subscribing to Canal Plus as a way of making myself feel more settled but what was the point in subscribing to Canal Plus when, in all probability, I would be moving on in a few months? Obviously the way to make myself more settled was to acquire some of the trappings of permanence but there never seemed any point acquiring the aptly named trappings of permanence when in a couple of months I might be moving on, might well be moving on, would almost certainly be moving on, because there was nothing to keep me where I was. Had I acquired some of the trappings of permanence I might have stayed put but I never acquired any of the trappings of permanence because I knew that the moment these trappings had been acquired I would be seized with a desire to leave, to move on, and I would then have to free myself from these trappings. And so, lacking any of the trappings of permanence, I was perpetually on the brink of potential departure. That was the only way I could remain anywhere: to be constantly on the brink not of actual but of potential departure. If I felt settled I would want to leave, but if I was on the brink of leaving then I could stay, indefinitely, even though staying would fill me with still further anxiety because, since I appeared to be staying, what was the point in living as though I were not staying but merely passing through?

      These were all issues I intended to address, in different ways, either in mediated form in my study of Lawrence or, directly, in my novel, or vice versa, but there was an additional practical complication too. Since I was obliged to spend a certain amount of time away from wherever I lived, and since the rent on my Paris apartment was so high (and, because of the exchange rate, was becoming higher every month) I was frequently obliged to sub-let it (strictly speaking to sub-sub-let it since I was sub-letting it myself) and since, if you are sub-letting your apartment, you do not want to acquire too many valuable or personal items which might get destroyed, it then comes about that you yourself are living in conditions arranged primarily for those sub-letting from you: effectively, you are sub-letting from yourself. That’s what I was doing: sub-letting from myself (strictly speaking, sub-sub-letting), living in an apartment devoid of anything that might have made it my apartment in the sense of my home. I had conspired to arrange for myself the worst of all possible worlds and my days were spent in this unbreakable circle of anxiety, always going over the same ground, again and again, always with some new variable, but never with any change. I had to do something to break this circle and so, when Marie Merisnil from whom I was sub-letting my apartment said that she wanted to give up the apartment because she was marrying the awful Jean-Louis whom I loathed even though he had once lent me a pair of elegant, pale blue pyjamas when I was in hospital for a few days, I decided to sign a contract that would make me the official tenant (as opposed to the illegal sub-tenant). I wasn’t even sure that I wanted to stay in an apartment where I had actually been extremely unhappy for ninety per cent of my stay, where ninety per cent of my stay had been dominated by anxiety about (a) whether I was going to stay and (b) whether I was going to start a novel or start my study of Lawrence, but as soon as the managing agents said that they were unwilling to let the place to me – a foreigner with no job and no steady income, I was a poor prospect in anyone’s eyes, even my own – I became convinced that I had to stay in this apartment where I had been sublimely happy, that there was, in fact, nowhere else on earth where I could hope to be as content. Eventually my rich friend, Hervé Landry (‘Money Landry’, as I liked to call him), owner of several houses, including one on the Greek island of Alonissos, agreed to stand as guarantor. The managing agents relented, and I signed the lease that made me the official locataire.

      I was ecstatic. For about five minutes. Then I realised I had taken on an awesome, not to say crippling responsibility. And far from solving the problem of where to live I had actually put a lid on it so that now my uncertainty was boiling away under pressure, threatening to blow me apart. The one thing I could be sure of was that I had to leave this apartment, where I had never known a moment’s peace of mind, as soon as possible. If I stayed here, I saw now, I would fail to write both my novel and my study of Lawrence. That much was obvious. The trouble, the rub, was that I had to give three months’ notice and therefore had to predict how I would be feeling three months hence which was very difficult. It was all very well deciding today that I wanted to leave but what counted was how I was going to be feeling three months from now. You could be perfectly happy today, I would say to myself, and three months from now you could be suicidal, precisely because you will see the enormity of the mistake you made by not renouncing the lease three months earlier. On the other hand, I would say to myself, you could be in utter despair today, convinced that another day in this apartment would kill you, convinced that it would be impossible to make any progress with your novel or your study of Lawrence and in three months’ time you could see that it was only by remaining here that you survived the depression which will undoubtedly engulf you the moment you quit the apartment, as the rash act of renunciation committed three months previously will oblige you to do. Round and round I went, making no progress, resolving one thing one moment and another the next. ‘I can’t bear it any longer,’ I would say to myself in the way that people always say ‘I can’t bear it any longer’ to themselves, as a way, that is, of enabling them to go on bearing the unbearable. Eventually I really could bear it no longer, not for another second, and so I wrote to the agents and officially renounced the flat, claiming that ‘professional’ reasons had obliged me to return to England. The agents wrote back acknowledging my decision to leave the apartment. I wrote back saying that professional reasons now obliged me to remain in Paris. Could I therefore un-renounce my apartment? Relieved to be free of the trouble of re-letting it, the agents agreed to let me remain in the apartment which I had just renounced. And so it went on: I wrote again to renounce the apartment ‘definitively’. They sent a somewhat curt acknowledgement of my decision. I wrote back changing my definitive decision to leave to a definitive decision to stay but it was too late, I had to leave.

      Now that I did have to leave I was faced with the terrible prospect of having nowhere to live, of having to decide where to live without delay, and only then did I realise how much this apartment meant to me, how it had actually become my home. Although I’d believed that I had hardly any of my things in this apartment there were actually many of my own things that I now had to find a place for. Over the years I had actually acquired quite a few of the trappings of permanence. I even owned a surprising amount of furniture, some of it rather nice. Where was I going to store it? And what about me? Where was I going to store myself? Rome was a possibility. Laura, my almost-wife, had a lovely apartment in Rome and was always arguing in favour of our settling there but though Rome was an excellent

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