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praises all of Love’s lovely beings so that the elder brother

      knows that he is always being loved and praised by the prodigal.

      If they both pray for the dead and trust the dead to pray for them

      then in the community of Saints which is Jesus’ Mystical Body

      no matter what happens they can trust in eventual reconciliation.

      In his heart and authorship Søren understood Socrates by

      reconciling him with Jesus and Christ with Socrates.

      II.2 Reconciling the God-Man and Abraham

      II.2.1 The Absurd Contingency of the Single Individual

      S.K. writes his pseudonymical literature as indirect communication

      to let himself and his reader be deceived out of self-deceit into truth.

      Thus, Johannes de Silentio or John of Silence, is writing about many

      secret affairs with this story about Abraham’s sacrifice of Isaac.

      It is a story about Kierkegaard and his estranged father and it is

      a story about Søren sacrificing Regina with the broken engagement.

      It is a story about Abraham, the father of faith, who believed in

      God’s promise of land, nation and name which could be fulfilled

      through Isaac, but, if Isaac is to be sacrificed then God and

      his promise are absurd for the promise depends totally on Isaac.

      So the story is about how faith reconciles Abraham and God.

      All the stories in the Abraham cycle are about threats to

      either land, or nation or name, but Abraham endures and

      the threats and challenges become opportunities that show that

      Abraham is truly called by God to be the father of his people.

      But this threat is the worst of all because it is not a threat

      from other people against the promise, but from God himself.

      If God is making the promise and then breaking it he is absurd.

      But, by virtue of the absurd Abraham believes and gets Isaac back.

      However, Kierkegaard does not get Regina back even though he

      thinks that he might be given faith that will let him marry.

      This lets Kierkegaard see that for Jesus things are much worse than

      for Abraham, for in this case the Father does sacrifice his Son.

      What kind of reconciliation can there be when child sacrifice

      which ended for the Jews with Abraham is reinitiated with Jesus?

      What counted for Abraham was his family and the promise.

      But now Søren begins to see that love is a matter for each single

      individual’s conscience and things are much more absurd.

      He is absurdly called to be a sacrifice as a witness for his generation.

      He is not even a part of the whole so that his witnessing can

      be logically understood by his generation for he is an exception.

      II.2.2 The Absurd Contingency of Postmodern Doubting

      Johannes de Silentio’s Fear and Trembling builds up through

      eight parts beginning with a Preface about modern doubting.

      Descartes, the father of modern philosophy, begins by doubting

      and in his very doubting gets his Archimedean point which is

      certainty that ends the doubting and lets him get his system.

      St. Augustine actually began this modern move when he

      hit upon the notion: “Si fallor, sum.” “If I fail, I am.”

      Descartes who copies St. Augustine at several key points

      argued that the “Cogito ergo sum,” “I think therefore I am”

      is logically sound and that to contradict it is self-contradictory.

      Kierkegaard began as a good modernist with Augustine and Luther.

      When he fell in love with Regina he was certain that he should marry.

      But in being called to break the engagement he discovered Socrates

      and his ongoing skepticism and he was in doubt and his

      life and writing became a constant experimenting in doubt.

      After writing his thesis about the irony of Socratic doubting

      he then wrote Either/Or which is about either various forms

      of aesthetic non-married immediacy or ethical reflective

      married commitment and as a good Lutheran he felt he should marry.

      But, just as he began to write Fear and Trembling he learned that

      Regina was engaged to another and that shook him with doubt.

      For Abraham and Luther there was no doubt about the universal

      value of marriage for Luther had tried an Augustinian monastery

      and he found that celibacy was not for him and he married.

      Good Lutherans are certain that if they want direction

      in their marriage and family life they should go to a pastor

      who knows about marital problems from his own real experience.

      How could an old celibate be a good pastor for the married?

      And Kierkegaard saw that he was an individual exception

      to the general rule and so were Jesus, Paul, and Augustine

      and he doubted that they would be foolish about married life.

      II.2.3 The Absurd Contingency of Unlimited Voices

      Søren was a troubled young man with many relation problems.

      He fell in love with Regina, the love of his life, and they got engaged

      and that was a serious promise for him, but he broke the engagement.

      Søren was in fear and trembling about breaking his commitment.

      How much would it hurt her? What consequences would it have for him?

      Fear and anxiety are two distinct passions for fear is a being

      threatened by something definite such as a bear growling at me

      as we come face to face unexpectedly out in the woods unarmed.

      Anxiety is being threatened by the indefinite or something that

      may or may not be which is the meaning of contingency.

      Formal logicians work with abstract ideas such as “the necessary,”

      “the possible” and “impossible;” but once you think about

      the actual with all its concrete possibilities you are outside of

      the realm of formal logic and fear becomes anxiety as the definite

      becomes indefinite in the blurring boundaries of relating contingency.

      As Søren thought about making his promise then breaking it he

      saw many actual possibilities or contingencies for himself and Regina.

      In The Exordium, or the out of order,

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