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      Table of Contents

       Praise

       Title Page

       Dedication

       Epigraph

       HUNGER

       THE PUSSYCATS

       EVERYTHING FORBIDDEN

       QUIET AS THEY COME

       A MAP BACK TO THE WORLD AND INTO YOUR HEART

       SILVER GIRL

       TAPS

       THEY WERE DANGEROUS

       ARCADE GAMES

       IN THE SEASON OF MILK FRUIT

       RELIEF

       READING GUIDE QUESTIONS

       Acknowledgements

       Copyright Page

       MORE PRAISE FOR QUIET AS THEY COME

      “This deeply moving collection of stories hums and glows with the interconnected lives of an extended immigrant family from Vietnam. Chau navigates her characters’ lives—their tragedy and humor, longings and furies, vast losses and secret beauties—with grace, skill, and ferocious compassion. Quiet As They Come announces the arrival of an astonishing literary talent with a great deal to say about the intricacies of family life, coming of age, emigration, and—above all—the treasures buried in the human heart.”

      —Carolina De Robertis, The Invisible Mountain

      “What a rich and charming collection of stories this is. It offers an insider’s view of the immigrant experience: a world divided, one culture from another, past from present, parent from child.”

      —Lynn Freed, The Curse of the Appropriate Man

      “In stories that manage to be both playful and poignant, Angie Chau displays her exceptional gift for capturing the intricate interactions between parents and children, men and women, and Vietnamese and American cultures. There’s grit beneath the sparkle of her language. Chau’s intimate portrayal of characters who must navigate the uncertain terrain between what’s left behind and what lies ahead is revelatory.”—Leslie Larson, Breaking Out of Bedlam

      “Chau’s characters bristle with life. They’re full of beauty and grit, love and cowardice, bravery and spite. Many of them are new to this country, and Chau’s gift for detailed observation made me see San Francisco again as though it were new to me. Gosh, this book practically has a heartbeat. A rare gift, indeed.”—Robin Romm,

       The Mercy Papers

       For my parents

       Longing, we say, because desire is full of endless distances.

      —Robert Hass, Meditation at Lagunitas

       HUNGER

      I live in a three-bedroom house with my mom and dad and little sister Michelle. We have the corner bedroom because my mom can’t sleep. Down the hall, the biggest bedroom goes to my uncle and aunt because they have three sons. The smallest room goes to my aunt Kim because it’s only her and Sophia and Marcel who don’t have a dad.

      The house is big and old. There are lots of hidden closets and corners and secrets inside. Like how we’re not allowed to bring up Uncle Duc because he’s in jail in Vietnam. Or how we have to step over my dad when we go to the bathroom at night, but come morning we have to pretend he was never sleeping in the hallway. Or how we’re not supposed to hear Uncle Lam’s fists on Aunt Trang’s body. So when it’s the Fourth of July, and all our parents leave so they can work over-time, and they close all the curtains because they say it’ll keep the house cooler, I wonder if it’s to keep us a secret too.

      It is dark inside the house because everything is wood and the windows are covered. It is loud because the boys are banging on the pots. It is hot because it’s the holiday that has to be warm enough for families to sit and watch fireworks in the night. I sit with a radio in the shadows of the living room floor. My name is Elle. It’s not my real name. That’s kind of a secret too.

      No one at school knows it’s my fake name. My parents changed it so I would fit better. Sometimes I wonder if they’ll change my last name too. And if they do, what will become of the old me? The Vietnamese name with the two letters that match like your favorite pair of socks.

      Everyone else got famous people names like Sophia Loren and Marcel, short for Marcello Mastroianni. The three boys are named after the Rat Pack, Uncle Lam’s favorite group. When I ask my mom why I didn’t get a cool famous name, she looks around to make sure nobody else is around and whispers, “I would never do that to you. It’s like announcing you still have salt behind your ears.”

      My mom talks in riddles and poems. It’s her way of saying she doesn’t want everyone to know that we only arrived in America five months ago. It means she wouldn’t want the world to know that we had to escape here by boat. The way she talks and puts words together is different from the other adults. Maybe it’s because she studied theater when she was young. She can make you feel like you are the sun or just as quickly a speck of dirt. When she talks everyone snaps to attention. But maybe they just can’t help but look at her she is that beautiful. Everyone says she would have been a famous actress in Vietnam if we hadn’t left. I can imagine her name in lights.

      If my parents want to change my last name, I will say, please, if I’m good can I choose it this time? And then I will say, doesn’t Estrada sound nice? And then they’ll think it’s because I’m in love with Erik Estrada. But really it’s because I’d have two Es for Elle Estrada the way I used to have two Ts for Thao Tran.

      Erik Estrada is my favorite actor. I wear a shirt with him flat across my heart. I wear it every day until my mom peels it off and says, “Dirty girl, you should have been born a boy.”

      The shirt has strings that tie behind my neck. It’s yellow, my favorite color because it looks like sunshine. The iron-on says Chips and he’s sitting on a motorcycle. He cradles his helmet in his arm like a baby. His shades are off so you can see his soft brown eyes. He has big white teeth

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