American Ethnographic Film and Personal Documentary - Scott MacDonald

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      American Ethnographic Film and

      Personal Documentary

      The publisher gratefully acknowledges the generous support of the Ahmanson Foundation Humanities Endowment Fund of the University of California Press Foundation.

      The publisher also gratefully acknowledges the generous support of the Humanities Endowment Fund of the University of California Press Foundation, the LEF Foundation, and Hamilton College.

      American Ethnographic Film and

      Personal Documentary

      The Cambridge Turn

      Scott MacDonald

      UNIVERSITY OF CALIFORNIA PRESS

      BerkeleyLos AngelesLondon

      University of California Press, one of the most distinguished university presses in the United States, enriches lives around the world by advancing scholarship in the humanities, social sciences, and natural sciences. Its activities are supported by the UC Press Foundation and by philanthropic contributions from individuals and institutions. For more information, visit www.ucpress.edu.

      University of California Press

      Berkeley and Los Angeles, California

      University of California Press, Ltd.

      London, England

      © 2013 by The Regents of the University of California

      The author gratefully acknowledges the generous support of the Academy of Motion Picture Arts and Sciences in the form of an Academy Film Scholars grant.

      Library of Congress Cataloging-in-Publication Data

      MacDonald, Scott, 1942–

      American ethnographic film and personal documentary : the Cambridge turn / Scott MacDonald.

      pagescm

      Includes bibliographical references and index.

      ISBN 978-0-520-27561-4 (hardback) — ISBN 978-0-520-27562-1 (paper) — ISBN 978-0-520-95493-9 (ebook)

      1. Documentary films—United States—History and criticism. 2. Ethnographic films—United States—History and criticism. I. Title.

      PN1995.9.D6M3152013

      070.1′8—dc23

      2012045799

      Manufactured in the United States of America

      22 21 20 19 18 17 16 15 14 13

      10 9 8 7 6 5 4 3 2 1

      In keeping with a commitment to support environmentally responsible and sustainable printing practices, UC Press has printed this book on Rolland Enviro 100, a 100% post-consumer fiber paper that is FSC certified, deinked, processed chlorine-free, and manufactured with renewable biogas energy. It is acid-free and EcoLogo certified.

      For Jordan Belson, Robert Breer, Chick Callenbach, Mani Kaul, George Kuchar, Chris Marker, Robert Nelson, Anne Charlotte Robertson, and Amos Vogel.

      Your passing will not dim your accomplishments or our gratitude for them.

      CONTENTS

Introduction
A Tentative Overview of Boston-Area Documentary Filmmaking • Ethnographic Film and Personal Documentary • Pragmatism: Learning from Experience • The Mission of American Ethnographic Film and Personal Documentary: The Cambridge Turn • Subjects for Further Research • Acknowledgments
1.Lorna and John Marshall
Beginnings: Lorna Marshall and First Film • John Marshall: The Hunters • Idylls of the !Kung • Pedagogy • Expulsion from Eden: Bitter Melons and N!ai, the Story of a !Kung Woman • The Pittsburgh Police Films and Brakhage’s Eyes • Putting Down the Camera and Picking Up the Shovel • The Road Taken: A Kalahari Family • A Process in Time
2.Robert Gardner
East Coast/West Coast: Early Experiments • Gardner and the Marshalls • Dead Birds • The Experience of Filmmaking as Thought Process • Robert Fulton: Reality’s Invisible—“Serious Playing Around” • Screening Room: Midnight Movies • City Symphony: Forest of Bliss • The Return of the Repressed: Ika Hands • Still Journeying On: Unfinished Examinations of a Life • Studio7Arts: Sharon Lockhart’s Double Tide and Robert Fenz’s Correspondence
3.Timothy Asch
Dodoth Morning and the Ethnographic Deadpan • Asch and the Yanomamo • The Ax Fight
4.Ed Pincus and the Emergence of Personal Documentary
The Miriam Weinstein Quartet and Richard P. Rogers’s Elephants: Fragments of an Argument • Ed Pincus’s Diaries (1971–1976) • Alfred Guzzetti: Family Portrait Sittings • Guzzetti: It’s a Small World • Guzzetti: Time Exposure
5.Alfred Guzzetti and Personal Cinema
Air • Experimental Video: “Language Lessons” • Scylla and Charybdis • Still Point
6.Ross McElwee
Finding a Muse: Charleen • Finding a Voice: Ann Schaetzel’s Breaking and Entering and McElwee’s Backyard • Dopplegänger: Sherman’s March • Nesting Dolls: Time Indefinite • On the Road Again: Six O’Clock News • Occupational Hazards: Bright Leaves • Orpheus: In Paraguay and Photographic Memory
7.Robb Moss
Riverdogs: A Possible Eden • The Tourist: “Freelance Editing” • Voyage of Life: The Same River Twice
8.Panorama: Other Approaches to Personal Documentary
Steven Ascher and Jeanne Jordan: Families in Transition • Michel Negroponte: Getting Involved • Leacock and Lalonde • The Subject Rebels: Nina Davenport’s Films and Ed Pincus and Lucia Small’s The Axe in the Attic • The Political Is the Personal: John Gianvito’s Profit Motive and the Whispering Wind and Jeff Daniel Silva’s Balkan Rhapsodies • Alexander Olch’s The Windmill Movie: “This Little Séance of Flickering Light” • Amie Siegel’s DDR/DDR
9.Lucien Castaing-Taylor and Sensory Ethnography
Ilisa Barbash, Lucien Castaing-Taylor, and Sweetgrass • “Sheeple”: Castaing-Taylor’s Audio-Video Installations • The Sensory Ethnography Lab: J.P. Sniadecki, Stephanie Spray, Véréna Paravel, and Leviathan
Epilogue
Appendix:

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