ТОП просматриваемых книг сайта:
Empire of Dirt. Wendy Fonarow
Читать онлайн.Название Empire of Dirt
Год выпуска 0
isbn 9780819574435
Автор произведения Wendy Fonarow
Жанр Музыка, балет
Серия Music Culture
Издательство Ingram
Empire of Dirt
WENDY FONAROW
Empire of Dirt
THE AESTHETICS AND RITUALS OF BRITISH INDIE MUSIC
WESLEYAN UNIVERSITY PRESS
Middletown, Connecticut
Published by Wesleyan University Press, Middletown, CT 06459
© 2006 by Wendy Fonarow
All rights reserved
Printed in the United States of America
5 4 3 2 1
Library of Congress Cataloging-in-Publication Data
Fonarow, Wendy.
Empire of dirt : the aesthetics and rituals of British indie music / Wendy Fonarow.
p. cm. — (Music/culture series)
Includes bibliographical references and index.
ISBN-13: 978–0-8195–6810–6 (cloth : alk. paper)
ISBN-10: 0–8195–6810–4 (cloth : alk. paper)
ISBN-13: 978–0-8195–6811–3 (pbk. : alk. paper)
ISBN-10: 0–8195–6811–2 (pbk. : alk. paper)
1. Alternative rock music—Great Britain—History and criticism. 2. Alternative rock music—Social aspects—Great Britain. I. Title.
ML3534.6.G7F66 2005
781.660941—dc22 | 2006002876 |
Cover design by Matthew Cooper.
For all of my ghosts
Contents
Beginnings / 1 Theoretical Frame: From Observation to Communication / 3 Active Bodies / 4 The Audience and Subjectivity / 6 Music as Activity / 8 Subjectivity in Action / 10 Turn On the Bright Lights6 / 11 Methodology / 14 From Plus One to A&R / 16 Your Itinerary / 19 Conclusion / 22
Indie … What’s at Stake? / 27 Indie as a Mode of Distribution: An Industrial Definition / 30 Indie as a Genre / 39 Indie as an Ethos / 51 Indie as Pathetic / 53 Indie as a Mode of Aesthetic Judgement / 57 The Mainstream Is a Centralized Hierarchy / 62 Dance Is Not the Way the Future Is Meant to Feel / 69 Indie: What Is It? / 77
2. The Zones of Participation / 79
The Event / 81 Zone One / 82 The Pit / 86 The Front / 92 Zone One Spectatorship: The Initiates / 95 The Psychosomatics of Zone One / 98 Zone Two / 105 The Mode of Comportment of Zone Two / 106 Comportment Features That Vary over Space / 107 Gigs as Social Life / 109 The Process of Change from Zone One to Zone Two / 110 The Heterogeneous Audience / 114 A Move toward the Exit / 116 Conclusion / 120
3. Zone Three and the Music Industry / 122
The Activities of Zone Three / 123 The Liggers / 125 The Guest List / 128 Routine 1: Example of Professional Strategy / 132 Routine 2: Example of Personable Strategy / 133 Routine 3: Code Switch from Professional to Personable / 135 Passes / 138 Privileged Spectatorship / 151 Conclusion / 152
4. The Participant Structure and the Metaphysics of Spectatorship / 154
Proximity, Affiliation, and Consensus Building / 155 Verticality and Asymmetry / 160 Contesting Spectorial Positions: Closeness and Distance / 161 Age / 163 The Metaphysics of Participation / 166 African Expression in a Protestant World / 175 The Nature of the Moral Threat / 179 A Ritual of Transformation / 182 Conclusion / 184
5. Performance, Authenticity, and Emotion / 187