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       Copyright

      William Collins

      An imprint of HarperCollinsPublishers

      1 London Bridge Street

      London SE1 9GF

       WilliamCollinsBooks.com

      This eBook first published in Great Britain by William Collins in 2016

      Copyright © Jeremy Paxman 2016

      Lyrics from ‘Mrs Worthington’ by Noël Coward, © NC Aventales AG, 1935, reproduced by permission of Alan Brodie Representation Ltd, www.alanbrodie.com

      Jeremy Paxman asserts the moral right to be identified as the author of this work

      A catalogue record for this book is available from the British Library

      Cover image © Carsten Windhorst

      All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

      Source ISBN: 9780008128302

      Ebook Edition © October 2016 ISBN: 9780008128319

      Version: 2017-05-04

       Epigraph

      Here richly, with ridiculous display,

      The Politician’s corpse was laid away.

      While all of his acquaintance sneered and slanged

      I wept. For I had longed to see him hanged.

      Hilaire Belloc

      Contents

       Cover

       Title Page

       Copyright

       Epigraph

       Foreword

       1 Why Do You Talk Like That?

       2 Didn’t You Hear the Bell?

       5 What is ‘the Oxygen of Publicity’?

       6 Remembered that Question Yet?

       7 What Sort of Pizza Topping Would You Be?

       8 Dizzee Who?

       9 What is Torschlusspanik?

       10 Would You Answer the Question?

       11 And?

       Picture Section

       Index

       Also by Jeremy Paxman

       About the Publisher

       Foreword

      What do we know of our lives? I am certain my blood group is A Negative, because the nurse vaccinating me before some trip to a war zone sent a blood sample off for testing. I noticed that, in private, we all scrawled our blood group onto the back of our helmets, in case something awful happened. I know I passed my Eleven-Plus, took two attempts to get good enough marks at my Common Entrance exam, failed Maths and Latin O Levels at the first attempt, got pretty average A Levels, won an exhibition to Cambridge and got a 2:1 in my final exams. The mere facts which categorise you aren’t interesting. If only one could tell children that once you’ve finished your exams, no one cares much about how you did, or even asks to see your certificates. Instead we expect them to play the game we played.

      When the time came for me to start work I applied for the obvious jobs, but without much enthusiasm. I was then astonishingly lucky. One of the irritating characteristics of life is that it can only be understood looking backwards, yet you must live it looking forwards. Though it didn’t really seem like that at the time, I now see that there was only one occupation suitable for someone who, like me, was driven by curiosity and loved words. For over forty years I have followed the same trade, whether in radio, television, newspapers or books.

      As my own shelves show, the world has a surplus of books. Why perpetrate another? I have no great prescription to dispense. But it’s been fun, and along the way I met some interesting people and heard some terrific stories, which I might as well share before I forget them. I have no scores to settle, no unfinished business. I just did things that seemed interesting at the time. A collection of memoirs offers the chance to try to set the record straighter than it might be otherwise, and to laugh at the silliness of so much of life.

      The other day I was rootling through some boxes in the bottom of a cupboard. Whatever the reasons for keeping the stuff I found inside – the hours devoted to an essay, the brief moment of insight which seemed so vital at the time, the transitoriness of television – earlier in life I wanted to preserve my past. I have now lost that urge. There, among the Panamanian hotel bills, Swiss speeding tickets, defunct fishing permits, libel-reader reports and now unplayable videocassettes, was the evidence that I was once vain enough to subscribe to a cuttings agency, which dutifully clipped pieces from newspapers and magazines across the land. I suppose I kept the subscription for a year or two, and it is embarrassing to confess. For a while, my

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