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      Phil Currie studying a Tyrannosaurus skull and its large teeth used for crushing bone.

      Courtesy of Atlantic Productions

      Novelist Michael Crichton, the best-selling author of The Andromeda Strain and Congo, wrote a thriller in 1990 about what would happen if dinosaur DNA that had been sucked out by mosquitoes and preserved for millions of years in amber was used to create dinosaurs that could live in the modern day. Using an entertaining blend of science and fiction, Jurassic Park showed that every dinosaur for itself meant that humans were in deep trouble. The mega bestseller was made into a film in 1993 by Steven Spielberg, the most commercially successful filmmaker of all time with hits such as Jaws and E.T.: The Extra-Terrestrial.

      Jurassic Park created a worldwide dinosaur mania. The film became the highest grossing movie ever at the time, earning more than $1.2 billion worldwide at the box office. The film’s 1997 sequel, The Lost World: Jurassic Park, was the second highest grossing movie worldwide that year, and the movie-going public was terrorized yet again by the modern-day dinosaurs in 2001 with Jurassic Park III, another huge box-office hit. Universal Studios also built an elaborate Jurassic Park ride, complete with a 15-metre (50-foot) Tyrannosaurus rex, at its Hollywood theme park and a Jurassic Park River Adventure at its Orlando amusement park, which have attracted millions of visitors.

      As accurate as parts of Jurassic Park were, such as promoting dinosaurs as the ancestors of birds, the filmmakers also took some artistic licence to up the ante. For starters, the novel’s and film’s premise is based on a real scientific improbability. The film also had some of its dinosaurs living in the wrong time period. Tyrannosaurus rex, nicknamed T. rex, and Velociraptor, known by its catchier nickname ‘Raptor’, were the featured dinosaurs in the movie, and yet both lived millions of years later in the Cretaceous period, rather than the earlier Jurassic period. And the message of the movie – that if you had a fast truck you could escape the dinosaurs because they were slow – appears not to be true.

      The Jurassic Park phenomenon was a bellwether event that shined the spotlight on dinosaurs, and by extension on the work done by devoted palaeontologists who spend their lives trying to piece together how the ancient beasts lived and died more than 65 million years ago. Museums with dinosaur exhibits saw a 40 per cent spike in attendance in 1993, and there was little drop-off in the ensuing years.

      Noted palaeontologist Phil Currie embraces popular culture as a way of generating public interest in dinosaurs. In fact, through a friend Currie was able to enlist Crichton to write the introduction to his academic Encyclopedia of Dinosaurs.

      ‘I love science, but I love science fiction, too,’ Currie says. ‘It was pretty uncanny what they did in a lot of ways, both Crichton originally and Spielberg subsequently. Crichton was very good at creating suspense and hooking you. I’m sure he had an awful lot of fun writing these books because he got to delve into something to the degree that very few people ever do except for the scientists or sociologists.’

      Currie has been infatuated with dinosaurs since he was six years old, and his obsession with these creatures remains to this day. He is one of the world’s most highly regarded palaeontologists, the Indiana Jones of the dinosaur trade. In fact, Currie even sounds like Harrison Ford, the actor who played Indiana Jones. Tall and slender with tousled grey hair, Currie lives like a man on a mission to find out more about the beasts he loves. He is so afraid of his focus being diverted that he doesn’t own a mobile phone or accept voicemail messages. He saves times by walking up – and down – the stairs two at a time, and to ensure not a moment is wasted, every appointment must be run through his wife and assistant, Eva Koppelhus, a palaeontologist in her own right.

      Currie has impeccable credentials: he has served as a museum curator and one of the founders of the Royal Tyrrell Museum, one of the premier dinosaur museums in the world, and he is a distinguished professor holding a Canada Research Chair at the University of Alberta in Edmonton, a city literally built on dinosaur remains. Between 1986 and 1990

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