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At the same time with this royalty of the woods, the queen of the water ascends her throne, for a reign as undisputed and far more prolonged. The extremes of the Water-Lily in this vicinity, so far as I have known, are the eighteenth of June and the thirteenth of October,—a longer range than belongs to any other conspicuous wild-flower, unless we except the Dandelion and Houstonia. It is not only the most fascinating of all flowers to gather, but more available for decorative purposes than almost any other, if it can only be kept fresh. The best method for this purpose, I believe, is to cut the stalk very short before placing in the vase; then, at night, the lily will close and the stalk curl upward;—refresh them by changing the water, and in the morning the stalk will be straight and the flower open.
From this time forth Summer has it all her own way. After the first of July the yellow flowers begin to watch the yellow fireflies; Hawkweeds, Loosestrifes, Primroses bloom, and the bushy Wild Indigo. The variety of hues increases; delicate purple Orchises bloom in their chosen haunts, and Wild Roses blush over hill and dale. On peat meadows the Adder's-Tongue Arethusa (now called Pogonia) flowers profusely, with a faint, delicious perfume,—and its more elegant cousin, the Calopogon, by its side. In this vicinity we miss the blue Harebell, the identical harebell of Ellen Douglas, which I remember waving its exquisite flowers along the banks of the Merrimack, and again at Brattleboro', below the cascade in the village, where it has climbed the precipitous sides of old buildings, and nods inaccessibly from their crevices, in that picturesque spot, looking down on the hurrying river. But with this exception, there is nothing wanting here of the flowers of early summer.
The more closely one studies Nature, the finer her adaptations grow. For instance, the change of seasons is analogous to a change of zones, and summer assimilates our vegetation to that of the tropics.
In those lands, Humboldt has remarked, one misses the beauty of wild-flowers in the grass, because the luxuriance of vegetation develops everything into shrubs. The form and color are beautiful, "but, being too high above the soil, they disturb that harmonious proportion which characterizes the plants of our European meadows. Nature has, in every zone, stamped on the landscape the peculiar type of beauty proper to the locality." But every midsummer reveals the same tendency. In early spring, when all is bare, and small objects are easily made prominent, the wild-flowers are generally delicate. Later, when all verdure is profusely expanded, these miniature strokes would be lost, and Nature then practises landscape-gardening in large, lights up the copses with great masses of White Alder, makes the roadsides gay with Aster and Golden-Rod, and tops the tall coarse Meadow-Grass with nodding Lilies and tufted Spiraea. One instinctively follows these plain hints, and gathers bouquets sparingly in spring and exuberantly in summer.
The use of wild-flowers for decorative purposes merits a word in passing, for it is unquestionably a branch of high art in favored hands. It is true that we are bidden, on high authority, to love the wood-rose and leave it on its stalk; but against this may be set the saying of Bettine, that "all flowers which are broken become immortal in the sacrifice"; and certainly the secret harmonies of these fair creatures are so marked and delicate that we do not understand them till we try to group floral decorations for ourselves. The most successful artists will not, for instance, consent to put those together which do not grow together; Nature understands her business, and distributes her masses and backgrounds unerringly. Yonder soft and feathery Meadow-Sweet longs to be combined with Wild Roses: it yearns towards them in the field, and, after withering in the hand most readily, it revives in water as if to be with them in the vase. In the same way the White Spiraea serves as natural background for the Field-Lilies. These lilies, by the way, are the brightest adornment of our meadows during the short period of their perfection. We have two species: one slender, erect, solitary, scarlet, looking up to heaven with all its blushes on; the other clustered, drooping, pale-yellow. I never saw the former in such profusion as last week, on the bare summit of Wachusett. The granite ribs have there a thin covering of crispest moss, spangled with the white starry blossoms of the Mountain Cinquefoil; and as I lay and watched the red lilies that waved their innumerable urns around me, it needed but little imagination to see a thousand altars, sending visible flames forever upward to the answering sun.
August comes: the Thistles are out, beloved of butterflies; deeper and deeper tints, more passionate intensities of color, prepare the way for the year's decline. A wealth of gorgeous Golden-Rod waves over all the hills, and enriches every bouquet one gathers; its bright colors command the eye, and it is graceful as an elm. Fitly arranged, it gives a bright relief to the superb beauty of the Cardinal-Flowers, the brilliant blue-purple of the Vervain, the pearl-white of the Life-Everlasting, the delicate lilac of the Monkey-Flower, the soft pink and white of the Spiraeas,—for the white yet lingers,—all surrounded by trailing wreaths of blossoming Clematis.
But the Cardinal-Flower is best seen by itself, and, indeed, needs the surroundings of its native haunts to display its fullest beauty. Its favorite abode is along the dank mossy stones of some black and winding brook, shaded with overarching bushes, and running one long stream of scarlet with these superb occupants. It seems amazing how anything so brilliant can mature in such a darkness. When a ray of sunlight strays in upon it, the wondrous creature seems to hover on the stalk, ready to take flight, like some lost tropic bird. There is a spot whence I have in ten minutes brought away as many as I could hold in both arms, some bearing fifty blossoms on a single stalk; and I could not believe that there was such another mass of color in the world. Nothing cultivated is comparable to them; and, with all the talent lately lavished on wild-flower painting, I have never seen the peculiar sheen of these petals in the least degree delineated. It seems some new and separate tint, equally distinct from scarlet and from crimson, a splendor for which there is as yet no name, but only the reality.
It seems the signal of autumn, when September exhibits the first Barrel-Gentian by the roadside; and there is a pretty insect in the meadows—the Mourning-Cloak Moth it might be called—which gives coincident warning. The innumerable Asters mark this period with their varied and wide-spread beauty; the meadows are full of rose-colored Polygala, of the white spiral spikes of the Ladies'-Tresses, and of the fringed loveliness of the Gentian. This flower, always unique and beautiful, opening its delicate eyelashes every morning to the sunlight, closing them again each night, has also a thoughtful charm about it as the last of the year's especial darlings. It lingers long, each remaining blossom growing larger and more deep in color, as with many other flowers; and after it there is nothing for which to look forward, save the fantastic Witch-Hazel.
On the water, meanwhile, the last White Lilies are sinking beneath the surface, the last gay Pickerel-Weed is gone, though the rootless plants of the delicate Bladder-Wort, spreading over acres of shallows, still impurple the wide, smooth surface. Harriet Prescott says that some souls are like the Water-Lilies, fixed, yet floating. But others are like this graceful purple blossom, floating unfixed, kept in place only by its fellows around it, until perhaps a breeze comes, and, breaking the accidental