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orical Characters in the Reign of Queen Anne

      Chapter I

      THE PRINCESS ANNE

      THE reign of Queen Anne is one of the most illustrious in English history. In literature it has been common to call it the Augustan age. In politics it has all the interest of a transition period, less agitating, but not less important, than the actual era of revolution. In war, it is, with the exception of the great European wars of the beginning of this century, the most glorious for the English arms of any that have elapsed since Henry V. set up his rights of conquest over France. Opinions change as to the advantage of such superiorities; and, still more, as to the glory which is purchased by bloodshed; yet, according to the received nomenclature, and in the language of all the ages, the time of Marlborough cannot be characterized as anything but glorious. A great general, statesmen of eminence, great poets, men of letters of the first distinction—these are points in which this period cannot easily be excelled. It pleases the fancy to step historically from queen to queen, and to find in each a center of national greatness knitting together the loose threads of the great web. “The spacious times of great Elizabeth” bulk larger and more magnificently in history than those of Anne, but the two eras bear a certain balance which is agreeable to the imagination. And we can scarcely help regretting that the great age of Wordsworth and Scott, Byron and Wellington, should not have been deferred long enough to make the reign of Victoria the third noblest period of modern English history. But time has here balked us. This age is not without its own greatness, but it is not the next in national sequence to that of Anne, as Anne’s was to that of Elizabeth.

      In the reigns of both these queens this country was trembling between two dynasties, scarcely yet removed from the convulsion of great political changes, and feeling that nothing but the life of the sovereign on the throne stood between it and unknown rulers and dangers to come. The deluge, in both cases, was ready to be let loose after the termination of the life of the central personage in the state. And thus the reign of Anne, like that of Elizabeth, was to her contemporaries the only piece of solid ground amid a sea of evil chances. What was to come after was clear to none.

      But in the midst of its agitations and all its exuberant life—the wars abroad, the intrigues at home, the secret correspondences, the plots, the breathless hopes and fears—it is half ludicrous, half pathetic, to turn to the harmless figure of Queen Anne in the center of the scene—a fat, placid, middle-aged woman full of infirmities, with little about her of the picturesque yet artificial brightness of her time, and no gleam of reflection to answer to the wit and genius which have made her age illustrious. A monarch has the strangest fate in this respect: as long as she or he lives, the conscious center of everything whose notice elates and elevates the greatest; but as soon as his day is over, a mere image of state visible among his courtiers only as some unthought-of lackey or faded gentleman usher throws from his little literary lantern a ray of passing illumination upon him. The good things of their lives are thus almost counterbalanced by the insignificance of their historical position. Anne was one of the sovereigns who may, without too great a strain of hyperbole, be allowed to have been beloved in her day. She did nothing to repel the popular devotion. She was the best of wives, the most sadly disappointed of childless mothers. She made pecuniary sacrifices to the weal of her kingdom such as few kings or queens have thought of making. And she was a Stuart, Protestant, and safe, combining all the rights of the family with those of orthodoxy and constitutionalism, without even so much offense as lay in a foreign accent. There was indeed nothing foreign about her, a circumstance in her favor which she shared with the other great English queen regnant, who, like her, was English on both sides of the lineage.

      All these points made her popular and, it might be permissible to say, beloved. If she had been indifferent to her father’s deprivation, she had not at least shocked popular feeling by any immediate triumph in succeeding him, as Mary had done; and her mild Englishism was delightful to the people after grim William with his Dutch accent and likings. But the historians have not been kind to Anne. They have lavished ill names upon her: a stupid woman,—“a very weak woman, always governed blindly by some female favorite,”—nobody has a civil word to say for her. Yet there is a mixture of the amusing and the tragic in the appearance of this passive figure seated on high, presiding over all the great events of the epoch, with her humble feminine history, her long anguish of motherhood, her hopes so often raised and so often shattered, her stifled family feeling, her profound and helpless sense of misfortune.

      There is one high light in the picture, however, though but one, and it comes from one of the rarest and highest sentiments of humanity: the passion of friendship, of which women are popularly supposed to be incapable, but which never existed in more complete and disinterested exhibition than in the bosom of this poor queen. It is sad that it should have ended in disloyalty and estrangement; but, curiously enough, it is not the breach of this close union, but the union itself, which has exposed Anne to the censure and contempt of all her biographers and historians. To an impartial mind we think few things can be more interesting than the position of these two female figures in the foreground of English life. Their friendship brought with it no harm to England; no scandal, such as lurks about the antechamber of kings, and which has made the name of a favorite one of the most odious titles of reproach, could attach in any way to such a relationship. And nothing could be better adapted to enhance the dramatic features of the scene than the contrast between the two friends whose union for many years was so intimate and so complete.

      Yet her friend was as like to call forth such devotion as ever woman was. Seldom has there been a more brilliant figure in history than that of the great duchess, a woman beloved and hated as few have ever been; holding on one side in absolute devotion to her the greatest hero of the time, and on the other rousing to the height of adoration the mild and obtuse nature of her mistress; keeping her place on no ground but that of her own sense and spirit, amid all intrigues and opposition, for many of the most remarkable years of English history, and defending herself with such fire and eloquence when attacked, that her plea is as interesting and vivid as any controversy of to-day, and it is impossible to read it without taking a side, with more or less vehemence, in the exciting quarrel. Such a woman, standing like a beautiful Ishmael with every man’s hand against her, yet fearing no man, and ready to meet every assailant, makes a welcome variety amid the historical scenes which so seldom exhibit anything so living, so imperious, so bold and free. That she has got little mercy and no

      indulgence, that all chivalrous sentiment has been mute in respect to her, and an angry ill-temper takes possession of every historian who names her name, rather adds to the interest than takes from it. Women in history, strangely enough, seem always to import into the chronicle a certain heat of personal feeling unusual and undesirable in that region of calm. Whether it is that the historian is impatient at finding himself arrested by the troublesome personalities of a woman, and that a certain resentment of her intrusion colors his appreciation of her, or that her appearance naturally possesses an individuality which breaks the line, it is difficult to tell; but the calmest chronicler becomes a partizan when he treats of Mary and Elizabeth, and no man can name Sarah of Marlborough without a heat of indignation or scorn, almost ridiculous, as being so long after date.

      To us the unfailing vivacity and spirit of the woman, the dauntless stand she makes, her determination not to be overcome, make her appearance always enlivening; and art could not have designed a more complete contrast than that of the homely figure by her side, with appealing eyes fixed upon her, a little bewildered, not always quick to understand—a woman born for other uses, but exposed all her harmless life to the fierce light that beats upon a throne. For her part, she has no defense to make, no word to say; let them spend all their jibes upon her, Anne knows no reply. Her slow understanding and want of perception give her a certain composure which in a queen answers very well for dignity; yet there is something whimsically pathetic, pitiful, incongruous in the fate which has placed her there, which can scarcely fail to soften the heart of the spectators.

      The tragedy of Anne’s life, unlike that of her friend, had no utterance, and there was nothing romantic in her appearance or surroundings to attract the lovers of the picturesque. Yet in the blank of her humble intellect she discharged not amiss the duties that were so much too great for her; and if she was disloyal to her friend in the end, that betrayal only adds another touch of pathos to the spectacle of helplessness and human weakness. It is only the favored few of mankind

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