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"This sleeping-sack will do," said she. "Now come with me and I will show you where the medals are."
It was like a dream to me to think that this tall, white woman was the lady of the house, and that she was lending me a hand to rob her own home. I could have burst out laughing at the thought of it, and yet there was something in that pale face of hers which stopped my laughter and turned me cold and serious. She swept on in front of me like a spirit, with the green taper in her hand, and I walked behind with my sack until we came to a door at the end of this museum. It was locked, but the key was in it, and she led me through.
The room beyond was a small one, hung all round with curtains which had pictures on them. It was the hunting of a deer that was painted on it, as I remember, and in the flicker of that light you'd have sworn that the dogs and the horses were streaming round the walls. The only other thing in the room was a row of cases made of walnut, with brass ornaments. They had glass tops, and beneath this glass I saw the long lines of those gold medals, some of them as big as a plate and half an inch thick, all resting upon red velvet and glowing and gleaming in the darkness. My fingers were just itching to be at them, and I slipped my knife under the lock of one of the cases to wrench it open.
"Wait a moment," said she, laying her hand upon my arm. "You might do better than this."
"I am very well satisfied, ma'am," said I, "and much obliged to your Ladyship for kind assistance."
"You can do better," she repeated. "Would not golden sovereigns be worth more to you than these things?"
"Why, yes," said I. "That's best of all."
"Well," said she. "He sleeps just above our head. It is but one short staircase. There is a tin box with money enough to fill this bag under his bed."
"How can I get it without waking him?"
"What matter if he does wake?" She looked very hard at me as she spoke. "You could keep him from calling out."
"No, no, ma'am, I'll have none of that."
"Just as you like," said she. "I thought that you were a stout-hearted sort of man by your appearance, but I see that I made a mistake. If you are afraid to run the risk of one old man, then of course you cannot have the gold which is under his bed. You are the best judge of your own business, but I should think that you would do better at some other trade."
"I'll not have murder on my conscience."
"You could overpower him without harming him. I never said anything about murder. The money lies under the bed. But if you are faint-hearted, it is better that you should not attempt it."
She worked upon me so, partly with her scorn and partly with this money that she held before my eyes, that I believe I should have yielded and taken my chances upstairs, had it not been that I saw her eyes following the struggle within me in such a crafty, malignant fashion, that it was evident she was bent upon making me the tool of her revenge, and that she would leave me no choice but to do the old man an injury or to be captured by him. She felt suddenly that she was giving herself away, and she changed her face to a kindly, friendly smile, but it was too late, for I had had my warning.
"I will not go upstairs," said I. "I have all I want here."
She looked her contempt at me, and there never was a face which could look it plainer.
"Very good. You can take these medals. I should be glad if you would begin at this end. I suppose they will all be the same value when melted down, but these are the ones which are the rarest, and therefore, the most precious to him. It is not necessary to break the locks. If you press that brass knob you will find that there is a secret spring. So! Take that small one first – it is the very apple of his eye."
She had opened one of the cases, and the beautiful things all lay exposed before me. I had my hand upon the one which she had pointed out, when suddenly a change came over her face, and she held up one finger as a warning. "Hist!" she whispered. "What is that?"
Far away in the silence of the house we heard a low, dragging, shuffling sound, and the distant tread of feet. She closed and fastened the case in an instant.
"It's my husband!" she whispered. "All right. Don't be alarmed. I'll arrange it. Here! Quick, behind the tapestry!"
She pushed me behind the painted curtains upon the wall, my empty leather bag still in my hand. Then she took her taper and walked quickly into the room from which we had come. From where I stood I could see her through the open door.
"Is that you, Robert?" she cried.
The light of a candle shone through the door of the museum, and the shuffling steps came nearer. Then I saw a face in the doorway, a great, heavy face, all lines and creases, with a huge curving nose, and a pair of gold glasses fixed across it. He had to throw his head back to see through the glasses, and that great nose thrust out in front of him like the beak of some sort of fowl. He was a big man, very tall and burly, so that in his loose dressing-gown his figure seemed to fill up the whole doorway. He had a pile of grey, curling hair all round his head, but his face was clean-shaven. His mouth was thin and small and prim, hidden away under his long, masterful nose. He stood there, holding the candle in front of him, and looking at his wife with a queer, malicious gleam in his eyes. It only needed that one look to tell me that he was as fond of her as she was of him.
"How's this?" he asked. "Some new tantrum? What do you mean by wandering about the house? Why don't you go to bed?"
"I could not sleep," she answered. She spoke languidly and wearily. If she was an actress once, she had not forgotten her calling.
"Might I suggest," said he, in the same mocking kind of voice, "that a good conscience is an excellent aid to sleep?"
"That cannot be true," she answered, "for you sleep very well."
"I have only one thing in my life to be ashamed of," said he, and his hair bristled up with anger until he looked like an old cockatoo. "You know best what that is. It is a mistake which has brought its own punishment with it."
"To me as well as to you. Remember that!"
"You have very little to whine about. It was I who stooped and you who rose."
"Rose!"
"Yes, rose. I suppose you do not deny that it is a promotion to exchange the music-hall for Mannering Hall. Fool that I was ever to take you out of your true sphere!"
"If you think so, why do you not separate?"
"Because private misery is better than public humiliation. Because it is easier to suffer for a mistake than to own to it. Because also I like to keep you in my sight, and to know that you cannot go back to him."
"You villain! You cowardly villain!"
"Yes, yes, my lady. I know your secret ambition, but it shall never be while I live, and if it happens after my death I will at least take care that you go to him as a beggar. You and dear Edward will never have the satisfaction of squandering my savings, and you may make up your mind to that, my lady. Why are those shutters and the window open?"
"I found the night very close."
"It is not safe. How do you know that some tramp may not be outside? Are you aware that my collection of medals is worth more than any similar collection in the world? You have left the door open also. What is there to prevent any one from rifling the cases?"
"I was here."
"I know you were. I heard you moving about in the medal room, and that was why I came down. What were you doing?"
"Looking at the medals. What else should I be doing?"
"This curiosity is something new." He looked suspiciously at her and moved on towards the inner room, she walking beside him.
It was at this moment that I saw something which startled. I had laid my clasp-knife open upon the top of one of the cases, and there it lay in full view. She saw