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<P>First published in 1979, Common Sense evinces a spare street-wise style rooted in the vernacular of the city. Now something of a cult classic, the book is recognized as an understated masterpiece, pushing at the edges of spoken word. This is the language of everyday, brought onto the page in such a way that we never lose the flow of speech and at the same time we become attuned to its many registers—musical, emotional, ironic. Ted Greenwald's work has been associated with several major veins of American poetry, including the Language movement and the New York School, but it remains unclassifiable. An online reader's companion will be available at tedgreenwald.site.wesleyan.edu.</P>

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<P>This collection of Ted Greenwald's poetry, edited by Miles Champion, is a sampler of some of Greenwald's most breathtaking work. A New York poet with close ties to the New York School and the Language poets, Greenwald has written daily since the early 1960s, and none of the poems in this book are included in any of his books to date. These discrete works were written in advance of or alongside the extended explorations of a mutated triolet form that increasingly occupied him from the late 1970s on. This book can be seen as a companion to Common Sense, and provides further evidence of Greenwald's ability to think with his ear, to hear what's said as it arrives as a fresh sound or shape in his head. This work is singular in its pattern-making, its music-making, and its ability to simultaneously follow multiple paths. An online reader's companion will be available at tedgreenwald.site.wesleyan.edu</P>

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