LITMIR.BIZ

This work models a creative exercise in ecclesiology based on a Latino/a practical theology of the Spirit, which designs theological discourse based on its encounter with the Spirit in human culture. Hence, it is a theology appreciative of and attentive to the «multiple matrices and intersections» of the Spirit with cultures. Garcia-Johnson offeres an appreciative and critical analysis of the uses of culture among Latino/a theologians, followed by the proposal for a postmodern Spirit-friendly cultural paradigm based on the narratives of the cross and the Pentecost. He develops a practical theology for a Latino/a postmodern ecclesiology based on three native Latino/a theological concepts: mestizaje, accompaniment, and manana eschatology. The resulting ecclesial construct-The Mestizo/a Community of Manana-reflects a transforming manana vision and models the visible cruciform community in which the transforming praxis and historical transcendence of the Christ-Spirit works from within. The work sets forth practical guidelines for implementation of the ecclesial construct in the urban context of devastated communities and offers suggestions for further development in Latino/a theology.

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Who will speak for Hagar or Isaac or Sarah or the daughters of Lot? With an interpretive trajectory that moves from the margin to the center, this book gives voice to the marginalized and voiceless in the Abraham Narratives. Further, this approach is based on the premise that there is a continuum of power in the various characters in these narratives and that the most powerful are those who are lodged at the center while those with the least power are on the margin or beyond. The intent of this study is to direct and perhaps re-direct our attention to the text and with fresh eyes seek a sometimes radical realignment of roles and power. It is true that many of the characters focused on in this book are women. This is not, however, only a book about women, though clearly women are the principal characters on the margin.

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Now and then through the history of the church a great light appears, a prophet who calls the church back to its missional vocation. These reformers are lovers of God, mystics whose lives are utterly given to the divine vision. Yet as Jesus noted, a prophet is often without honor among her own people. In the case of Phoebe Palmer (1807-1874), honor was lost posthumously, for within a few decades after her death her name all but disappeared. Palmer's sanctification theology was separated from its apophatic spiritual moorings, even as her memory was lost. Throughout most of the twentieth century her name was virtually unknown among Methodists. To this day the Mother of the Holiness Movement still awaits her place of recognition as a Christian mystic equal to Catherine of Siena, Teresa of Avila, or Therese of Lisieux. This book locates Palmer's life and thought within the great Christian mystical traditions, identifying her importance within Methodism and the church universal. It also presents a Wesleyan theological framework for understanding and valuing Christian mysticism, while connecting it with the larger mystical traditions in Catholic, Anglican, and Orthodox communions. While Palmer was a powerful revivalist in her own day, in many ways she could be the patron saint for contemporary Methodists who are drawn to the new monasticism and who long for the renewal of the church. Saint Phoebe is precisely the one who can help Methodists envision new forms of Christian community, mission, and witness in a postmodern world.

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Luther's universal priesthood is, in part, a political doctrine that constitutes a revolutionary strain in Luther's thinking–a strain that can only be described as radical. Luther's political understanding of the universal priesthood posed a challenge to the concrete structures of his day, which were built upon a cosmological foundation that came under attack as a result of the Protestant Reformation. Thus, Luther's universal priesthood was not simply another evangelical concept that dealt with the office of ministry. It also served as the means for reordering the concept of temporal authority and the temporal order. Understood in this way, the universal priesthood had a political dimension that must be acknowledged if it is to be fully understood.

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Seeking in Solitude examines select forms of contemporary Roman Catholic eremitic life and practice in the United States. Given the sustained presence of, and increased interest in, the eremitic life and practice, this book responds to the question of the place of the hermit in American Catholicism in a way that neither mystifies nor mythologizes it, but rather attempts to understand it.

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Groans of the Spirit constitutes a rousing challenge to mainline churches and their practice of preaching. In this inventive work, Timothy Slemmons calls preachers beyond the formalism of the New Homiletic, and beyond the ethical proposals that have arisen in the frustrated struggle to transcend it, and toward what the author calls a «penitential» (reformed) homiletic. This new homiletical proposal is distinctive in that it faithfully adheres to the Christological content of preaching, finds its inspiration in the promise of the real presence of Christ, and trusts in the ministry of the Holy Spirit, from whom alone the power for the renewal of the mainline church shall come.
This book includes a thorough reconsideration of the «infinite qualitative difference» between God and humanity in Barth's thought, an important critique of Gadamer's reception of Kierkegaard's concept of contemporaneity, an undelivered lecture on the content of preaching, and two sermons that illustrate Slemmons's important proposals.
Groans of the Spirit is a long-considered, calculated, and overdue break with conventional hermeneutics that proposes a vital homiletical pneumatology, which draws the art of the sermon out of the ghetto of mere rhetoric and presents it as it truly is: as theological reflection of the first order, the church's primary language of faith.

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Is there any way to talk theologically about the Trinity and place? What might the «placedness» of creation have to do with God's triunity? In The Place of the Spirit, Sarah Morice-Brubaker considers how anxieties about place have influenced Trinitarian theology–both what it is asked to do and the language in which it is expressed.
When one is nervous about collapsing God into created horizons, she suggests, one is apt to come up with a model of trinity that refuses place. Distance becomes a primary way of situating the divine persons in relation to each other. Conversely, those theologians who wish to avoid a too-remote God likewise recruit Trinitarian language to suit that purpose. They, too, give that language a placial gloss, expressing triunity in terms of coinherence and mutual indwelling.
And yet, suggests Morice-Brubaker, the question, «What is place, and how can one talk about God and place?» is underdetermined within much contemporary Trinitarian thought. Thankfully, this question has received full-on attention in other areas of ethics, philosophy, and systematic theology. This book calls for Trinitarian thought to avail itself of those insights and offers some ways in which it may do so.

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Greening the Children of God uncovers the theological roots of the growing ethical imperative to reconnect children to their natural environment. Theologians emphasize the sacramental nature of embedding our lives in creation. Environmental educators emphasize knowledge of local biology. Psychologists emphasize the morally pro-formative experience of care between biodiverse creatures. Together they affirm that knowing their place in the natural environment helps a child develop an intersubjective «ecological» identity that nurtures virtues of mutuality and care. During the Scientific Revolution this ethical harmony was threatened as science and moral theology began to adopt different epistemological methods. Seventeenth-century Anglican priest and poet Thomas Traherne was prescient of the consequences of this divorce and insisted that education should promote a child's attention to the moral dimensions woven into «the tapestry of creation.» Traherne professed that play, wonder, and a sensory relationship to diverse creatures play a pedagogical role in a child's moral formation. Greening the Children of God establishes the contemporary significance of Traherne's moral theory in conversation with child psychologists, educators, philosophers, and theologians who know that cultivating a place-based relationship to the local ecology helps children perceive creation's deep mutuality and develop a moral identity in the image of a caring Creator.

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The contemporary church's debate on the inclusion of same-sex individuals and their relationships has devolved into diametrically opposed positions. Rather than resolving the argument, the conversation between the two sides reflects the impasse that is taking place in denominations across the West. It is clear that the dispute cannot be resolved while couched in these terms.
In this timely work, Steven Schafer invites the reader to move beyond the terms of the current debate toward the underlying doctrinal concerns so often glossed over by that discussion. This book is a work of hermeneutics that engages the contemporary discussion on the legitimacy of same-sex relationships with the grand theological narrative handed down by the church. By placing four contemporary revisionists in dialogue with the work of Augustine, the book provides language and theological avenues to reframe the debate and contributes to the church's ongoing discernment.

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Music can answer questions that often confound more discursive modes of thought. Music takes concepts that are all too familiar, reframes these concepts, and returns them to us with incisive clarity and renewed vision. Unity is one of these «all too familiar concepts,» thrown around by politicians, journalists, and pastors as if we all know what it means. By turning to music, especially musical space, the relational structure of unity becomes less abstract and more tangible within our philosophy. Arnold Schoenberg, as an inherently musical thinker, is our guide in this study of unity. His reworking of musical structure, dissonance, and metaphysics transformed the tonal language and aesthetic landscape of twentieth-century music. His philosophy of compositional unity helps us to deconstruct and reconceive how unity can be understood and worked with both aesthetically and theologically. This project also critiques Schoenberg's often monadic musical metaphysic by turning to Colin Gunton's conviction that the particularity and unity at the heart of God's triune being should guide all of our theological endeavors. Throughout, music accompanies our thinking, demonstrating not only how theology can benefit the philosophy of music but also how the philosophy of music can enrich and augment theological discourse.

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