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Go (Weiqi in Chinese) is one of the most popular games in East Asia, with a steadily increasing fan base around the world. Like chess, Go is a logic game but it is much older, with written records mentioning the game that date back to the 4th century BC. As Chinese politics have changed over the last two millennia, so too has the imagery of the game. In Imperial times it was seen as a tool to seek religious enlightenment and was one of the four noble arts that were a requisite to becoming a cultured gentleman. During the Cultural Revolution it was a stigmatized emblem of the lasting effects of feudalism. Today, it marks the reemergence of cultured gentlemen as an idealized model of manhood. Marc L. Moskowitz explores the fascinating history of the game, as well as providing a vivid snapshot of Chinese Go players today. Go Nation uses this game to come to a better understanding of Chinese masculinity, nationalism, and class, as the PRC reconfigures its history and traditions to meet the future.

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Kären Wigen probes regional cartography, choerography, and statecraft to redefine restoration (<i>ishin</i>) in modern Japanese history. As developed here, that term designates not the quick coup d’état of 1868 but a three-centuries-long project of rehabilitating an ancient map for modern purposes. Drawing on a wide range of geographical documents from Shinano (present-day Nagano Prefecture), Wigen argues that both the founder of the Tokugawa Shogunate (1600–1868) and the reformers of the Meiji era (1868–1912) recruited the classical map to serve the cause of administrative reform. Nor were they alone; provincial men of letters played an equally critical role in bringing imperial geography back to life in the countryside. To substantiate these claims, Wigen traces the continuing career of the classical court’s most important unit of governance—the province—in central Honshu.

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Though a generation has passed since the massacre of civilians at My Lai, the legacy of this tragedy continues to reverberate throughout Vietnam and the rest of the world. This engrossing study considers how Vietnamese villagers in My Lai and Ha My—a village where South Korean troops committed an equally appalling, though less well-known, massacre of unarmed civilians—assimilate the catastrophe of these mass deaths into their everyday ritual life.<br /><br />Based on a detailed study of local history and moral practices, <i>After the Massacre </i>focuses on the particular context of domestic life in which the Vietnamese villagers interact with their ancestors on one hand and the ghosts of tragic death on the other. Heonik Kwon explains what intimate ritual actions can tell us about the history of mass violence and the global bipolar politics that caused it. He highlights the aesthetics of Vietnamese commemorative rituals and the morality of their practical actions to liberate the spirits from their grievous history of death. The author brings these important practices into a critical dialogue with dominant sociological theories of death and symbolic transformation.

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From sushi and karaoke to martial arts and technoware, the currency of made-in-Japan cultural goods has skyrocketed in the global marketplace during the past decade. The globalization of Japanese &ldquo;cool&rdquo; is led by youth products: video games, manga (comic books), anime (animation), and cute characters that have fostered kid crazes from Hong Kong to Canada. Examining the crossover traffic between Japan and the United States, <I>Millennial Monsters<I></I></I>explores the global popularity of Japanese youth goods today while it questions the make-up of the fantasies and the capitalistic conditions of the play involved. Arguing that part of the appeal of such dream worlds is the polymorphous perversity with which they scramble identity and character, the author traces the postindustrial milieux from which such fantasies have arisen in postwar Japan and been popularly received in the United States.<I><I></I></I>

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The ancient story of King Goujian, a psychologically complex fifth-century BCE monarch, spoke powerfully to the Chinese during China's turbulent twentieth century. Yet most Americans—even students and specialists of this era—have never heard of Goujian. In <I>Speaking to History, </I>Paul A. Cohen opens this previously missing (to the West) chapter of China's recent history. He connects the story to each of the major traumas of the last century, tracing its versatility as a source of inspiration and hope and elegantly exploring, on a more general level, why such stories often remain sealed up within a culture, unknown to outsiders. Labeling this phenomenon «insider cultural knowledge,» Cohen investigates the relationship between past story and present reality. He inquires why at certain moments in their collective lives peoples are especially drawn to narratives from the distant past that resonate strongly with their current circumstances, and why the Chinese have returned over and over to a story from twenty-five centuries ago. In this imaginative stitching of story to history, Cohen reveals how the shared narratives of a community help to define its culture and illuminate its history.

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Early modern Japan was a military-bureaucratic state governed by patriarchal and patrilineal principles and laws. During this time, however, women had considerable power to directly affect social structure, political practice, and economic production. This apparent contradiction between official norms and experienced realities lies at the heart of <I>The Problem of Women in Early Modern Japan. </I>Examining prescriptive literature and instructional manuals for women&mdash;as well as diaries, memoirs, and letters written by and about individual women from the late seventeenth century to the early nineteenth century&mdash;Marcia Yonemoto explores the dynamic nature of Japanese women&rsquo;s lives during the early modern era.

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What can we learn about modern Chinese history by reading a marginalized set of materials from a widely neglected period? In <I>Republican Lens</I>, Joan Judge retrieves and revalorizes the vital brand of commercial culture that arose in the period surrounding China’s 1911 Revolution. Dismissed by high-minded ideologues of the late 1910s and largely overlooked in subsequent scholarship, this commercial culture has only recently begun to be rehabilitated in mainland China. Judge uses one of its most striking, innovative—and continually mischaracterized—products, the journal <I>Funü shibao</I> (The women’s eastern times), as a lens onto the early years of China’s first Republic. Redeeming both the value of the medium and the significance of the era, she demonstrates the extent to which the commercial press channeled and helped constitute key epistemic and gender trends in China’s revolutionary twentieth century.<BR /><BR /> The book develops a cross-genre and inter-media method for reading the periodical press and gaining access to the complexities of the past. Drawing on the full materiality of the medium, Judge reads cover art, photographs, advertisements, and poetry, editorials, essays, and readers’ columns in conjunction with and against one another, as well as in their broader print, historical and global contexts. This yields insights into fundamental tensions that governed both the journal and the early Republic. It also highlights processes central to the arc of twentieth-century knowledge culture and social change: the valorization and scientization of the notion of «experience,» the public actualization of «Republican Ladies,» and the amalgamation of «Chinese medicine» and scientific biomedicine. It further revives the journal’s editors, authors, medical experts, artists, and, most notably, its little known female contributors. <I>Republican Lens </I>captures the ingenuity of a journal that captures the chaotic potentialities within China’s early Republic and its global twentieth century.<BR /><BR />

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This trailblazing study examines the history of narcotics in Japan to explain the development of global criteria for political legitimacy in nations and empires in the nineteenth and twentieth centuries.<br><br>Japan underwent three distinct crises of sovereignty in its modern history: in the 1890s, during the interwar period, and in the 1950s. Each crisis provoked successively escalating crusades against opium and other drugs, in which moral entrepreneurs–bureaucrats, cultural producers, merchants, law enforcement, scientists, and doctors, among others–focused on drug use as a means of distinguishing between populations fit and unfit for self-rule. <i>Moral Nation</i> traces the instrumental role of ideologies about narcotics in the country's efforts to reestablish its legitimacy as a nation and empire.<br><br>As Kingsberg demonstrates, Japan's growing status as an Asian power and a «moral nation» expanded the notion of «civilization» from an exclusively Western value to a universal one. Scholars and students of Japanese history, Asian studies, world history, and global studies will gain an in-depth understanding of how Japan's experience with narcotics influenced global standards for sovereignty and shifted the aim of nation building, making it no longer a strictly political activity but also a moral obligation to society.

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The Missionary’s Curse tells the story of a Chinese village that has been Catholic since the seventeenth century, drawing direct connections between its history, the globalizing church, and the nation. Harrison recounts the popular folk tales of merchants and peasants who once adopted Catholic rituals and teachings for their own purposes, only to find themselves in conflict with the orthodoxy of Franciscan missionaries arriving from Italy. The village’s long religious history, combined with the similarities between Chinese folk religion and Italian Catholicism, forces us to rethink the extreme violence committed in the area during the Boxer Uprising. The author also follows nineteenth century Chinese priests who campaigned against missionary control, up through the founding of the official church by the Communist Party in the 1950s. Harrison’s in-depth study provides a rare insight into villager experiences during the Socialist Education Movement and Cultural Revolution, as well as the growth of Christianity in China in recent years. She makes the compelling argument that Catholic practice in the village, rather than adopting Chinese forms in a gradual process of acculturation, has in fact become increasingly similar to those of Catholics in other parts of the world.

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This book tells the story of a society reversing deeply held worldviews and revolutionizing its demography. In parts of eighteenth-century Japan, couples raised only two or three children. As villages shrank and domain headcounts dwindled, posters of child-murdering she-devils began to appear, and governments offered to pay their subjects to have more children. In these pages, the long conflict over the meaning of infanticide comes to life once again. Those who killed babies saw themselves as responsible parents to their chosen children. Those who opposed infanticide redrew the boundaries of humanity so as to encompass newborn infants and exclude those who would not raise them. In Eastern Japan, the focus of this book, population growth resumed in the nineteenth century. According to its village registers, more and more parents reared all their children. Others persisted in the old ways, leaving traces of hundreds of thousands of infanticides in the statistics of the modern Japanese state. Nonetheless, by 1925, total fertility rates approached six children per women in the very lands where raising four had once been considered profligate. This reverse fertility transition suggests that the demographic history of the world is more interesting than paradigms of unidirectional change would have us believe, and that the future of fertility and population growth may yet hold many surprises.

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