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is not like any other writing in the world. Is that, on some symbols of Tifinagh. Want to know what characters? A circle. Only. In their writing, only combinations of large and small circles resembling atoms were used in orbit. Minimum, there could be one not large circle, on the verge of one large circle, maximum – four. They could only take positions at 90 and 45 degrees. They had 11 vowels and 19 consonants. And, also, 30 syllables. Each syllable, in writing, was a repetition of all letters, only, with a circle in the middle, like the nucleus of an atom. Most of the syllables were also consonant. Sometimes, they consisted of only one consonant, and could even denote a whole word. For example, the syllable «khkhp», meaning uncertain agreement. The semantic message, something like, «I think differently, but I have to agree.» When pronouncing this syllable, instead of «h», «a» is heard. It is quite difficult to reproduce this, therefore, their speech gave rise to many dialects that are not similar to each other, like the Osiris. The Osiris language, by the way, can be called the progenitor of the Semitic language group. And, unfortunately, the Nahmau language has completely sunk into oblivion. Not to say that he was expressively beautiful in sound, but very original, and could express the deepest feelings in one word, where in modern languages you have to write a couple of sentences. The abundance of consonant sounds, and the length of the letter «h», the Nahmau themselves explained by the fact that their ancestors, who lived in the far north, suffered from sinusitis. It turns out such a ratchet speech, as if the nose is stuffed up. Also, they had their own count (hundred-fold frame of reference), which reduced the duration of a second, almost in half, and much more. They left behind a deep trace that simply disappeared in an instant. Despite the complete disappearance of the physical heritage, they still managed to change the history of all living things. This was indicated by a lot of evidence and artifacts of that era. Ultimately, their sudden disappearance was as mysterious as their appearance. The deeds of the greatest nahmau – Selim Svurt, put him above the gods. However, neither the date of birth, nor the place of birth, nor the date of death, nor the place of death, even his own governors do not know. So did he ever exist at all? Or is it just a specially invented deity? Two hundred years later, only half of the Nahmau themselves believed in its real existence. The rest do not consider Selim Svurt to be who he is being given out. His identity is documented, and there is no doubt about his existence. Doubts creep into his deeds. All of his works refer to the «drugged knights of Shelber», the scientific committee under his father Shadakh, and other circumstances. However, even the wise Nahmau admit that there was the last prince in their family who could turn our world into an illusion. One day, he allegedly met a foreigner. The one who gave him absolute knowledge. According to legend, a wanderer named Grul came from the valley of Eridu, later enslaved by the treacherous king Shadakh. In that valley, lived mostly savages, and small tribes of their fellow Nahmau, who surrendered without a fight. A sick man of unknown origin traveled through the lands of Mesopotamia, enlightening the leaders of wild tribes. He had a companion – his sister and concurrent mistress. This woman had a genetic breakdown and stopped aging. Then, as from constant incest from generation to generation, everyone in their family suffered from Progeria – premature aging. Trying to find the key to his sister’s immortality, hoping to rid himself of the curse, the ingenious Grul began to study the genetics of her body. And he made a lot of scientific discoveries on the way to his goal. Having learned the basics of the chemical and biological structure of DNA chains, stem cells, proteins and amino acids, at about the age of twenty, he began to model new molecular bonds. It seems impossible to solve such problems without using computer technology. Therefore, according to legend, although the place of origin of the wandering sage is not indicated, there is an assumption that he came on a mission from another world, and from another planet. Having recovered from his illness, the almighty sorcerer did not stop. Further, he single-handedly developed self-replicating artificial cells, from which he modeled an exact copy of his perfect organism, immediately allowing his clone to get rid of the decrepit, sick original. In a new image, he continued to improve the world around him, reaching the very origins of the universe.

      Having written down his knowledge in three books, he distributed them to the most chaste leaders of that time. Arkhva is the king of the Osiris of Giza, Dagshe is the leader of one of the most mysterious and isolated civilizations of the Levrimites, the Eridu Valley, in Iran, and Selim is the crown prince of Nahmau. After the death of these individuals, all the books were lost without a trace, except for one. In addition to the book of Selim Svurt, which he safely hid in the most inaccessible corners of the Shelber castle. From time to time, attempts were made on the book. Someone wanted to destroy it, seeing in it the prescription of the apocalypse, someone just wanted to reveal the secrets of its content. One way or another, one day, she had to be secretly transported to the underground, laboratory catacombs of Vayelon. Gruel disappeared just as suddenly and mysteriously. Therefore, practically no one believed in its very existence. His eternally young sister died from the bite of a poisonous spider, fleeing from the pursuit of the «intoxicated guards of Shadakh» (later became better known as the «immortal phantoms of Saltorin»). But, all the fun started ahead. After his departure, the policy of the great Svurt finally took over the world, penetrating so deeply into all spheres of life that people practically began to go crazy.

      Reconstruction of the Shelber castle, 8008 BC

      Gloomy, golden columns, like the hall itself, are shrouded in shadows. And only small yellow stripes fall to the floor from long, narrow windows, with thick, dull glass. The sun’s rays illuminate the flying fine dust and barely noticeable details of the interior of the throne room of the observation tower. This tower protrudes from a huge beige building of a mesmerizing gray castle. A beautiful carpet with embroidered engraving is spread along the entire hall. There is a majestic armchair, the back of which is shrouded in blue flame, like a waterfall flowing upwards, merging with darkness. It quickly distorts and changes shape. With a piercing, eerie creak, opposite the magic throne, the gate to the balcony swung open. A man in extraordinary wavy armor, on which various solid formations flowed in waves. Like a kaleidoscope, they created wonderful symmetrical shapes. Sharpening crystals near the shoulders, convex squares on the lower back, gradually transforming into polygons, then into stars, into petals and strange polyhedra. Standing with his back to the hall, he slowly let go of the stone handles in the form of flying kites. He also slowly approached the white, thick railing, arcing around the stone floor, decorated with mosaics of square slabs of various sizes. The heels on his rigid, similarly wavy, fluid shoes glittered gold. They were hollow, of thin walls, decorated with patterns of various curling stripes. With his left hand, he grabbed the edge of the curb. His pale, thin fingers are wearing large, beautiful rings. Bending over the abyss, he looked down. With his right hand, he took a prismatic device, similar to binoculars, hanging around his neck, and brought it close to his eyes.

      There, from below, work was in full swing. To the beat of drums and the sounds of trumpeters, a huge army of slaves twisted and twisted various, incomprehensible mechanisms. These are huge steel gears that raise a whole range of different elevators to different heights for each tower. Suddenly, there was a deafening grinding sound. On the rails, spiraling up around one of the buildings, a miraculous mechanism is rolling, reminiscent of a carriage with two hydraulic units, at the ends of which giant saw blades are fixed, which cut something right into the wall of the building. Sparks flew tens of meters away. This mobile sawmill was operated by some mutant sitting inside a carriage. This is one of the civil engineers. In silver, stylish armor, dressed like a knight of the Middle Ages, his equally shiny head was wrapped in foil. His face is completely covered with dents and irregularities, bumps and microcracks, and his cheekbones, brow ridges and chin protruded unnaturally strongly. Blue lips and bloodshot eyes twitched constantly. He firmly held on to the control levers with both hands, using the power steering, turning the three-meter discs in the desired direction. But dozens of other people below were responsible for lifting this car up. With the help of physical strength, they twisted a strange coil, with a long shaft standing across it, like a carousel. This shaft grabbed a whole chain of gears, which eventually caught the wheels of the rolling stock. Huge platforms moved

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