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on one side with the whole rest of the world on the other, which was something more.

      “Stop still,” she said, but more softly now.

      “You ain’t going to shoot me.” Still he was edging back towards the well. “It’s me, right? Me. Dodd. Just don’t shoot me, now.” Still going. “What I’m going to do is—”

      She shot him.

      It’s a strange thing about a bow. Stringing it, and drawing it, and nocking the arrow, and taking your aim—all that takes effort, and skill, and a decision. Letting go the string is nothing. You just stop holding it. In fact, once you’ve got it drawn and aimed, it’s easier to let fly than not to.

      Dodd was less than a dozen strides distant, and the shaft flitted across the space between them, missed his hand by a whisker and stuck silently into his chest. Surprised her, the lack of a sound. But then, flesh is soft. ’Specially in comparison to an arrowhead. Dodd took one more wobbly pace, like he hadn’t quite caught up with being arrow-stuck yet, his eyes going very wide. Then he blinked down at the shaft.

      “You shot me,” he whispered, and he sank to his knees, blood already spreading out on his shirt in a dark oval.

      “Didn’t I bloody warn you!” She flung the bow down, suddenly furious with him and with the bow too.

      He stared at her. “But I didn’t think you’d do it.”

      She stared back. “Neither did I.” A silent moment, and the wind blew up one more time and stirred the dust around them. “Sorry.”

      “Sorry?” he croaked.

      Might’ve been the stupidest thing she’d ever said, and that with some fierce competition, but what else could she say? No words were going to take that arrow out. She gave half a shrug. “I guess.”

      Dodd winced, hefting the silver in one hand, turning towards the well. Shy’s mouth dropped open, and she took off running as he toppled sideways, hauling the bag into the air. It turned over and over, curving up and starting to fall, drawstrings flapping, Shy’s clutching hand straining for it as she sprinted, lunged, fell …

      She grunted as her sore ribs slammed into the wall around the well, right arm darting down into the darkness. For a moment she thought she was going in after the bag—which would probably have been a fitting conclusion—then her knees came back down on the dirt outside.

      She had it by one of the bottom corners, loose canvas clutched by broken nails, drawstrings dangling as dirt and bits of loose stone filtered down around it.

      Shy smiled. For the first time that day. That month, maybe.

      Then the bag came open.

      Coins tumbled into the darkness in a twinkling shower, silver pinging and rattling from the earthy walls, disappearing into the inky nothingness, and silence.

      She straightened up, numb.

      She backed away slowly from the well, hugging herself with one hand while the empty bag hung from the other.

      She looked over at Dodd, lying on his back with the arrow sticking straight up from his chest, his wet eyes fixed on her, his ribs going fast. She heard his shallow breaths slow, then stop.

      Shy stood there a moment, then doubled over and blew puke onto the ground. Not much of it, since she’d eaten nothing that day, but her guts clenched up hard and made sure she retched up what there was. She shook so bad she thought she was going to fall, hands on her knees, sniffing bile from her nose and spluttering it out.

      Damn, but her ribs hurt. Her arm. Her leg. Her face. So many scrapes, twists, and bruises, she could hardly tell one from another: her whole body was one overpowering fucking throb.

      Her eyes crawled over to Dodd’s corpse, she felt another wave of sickness and forced them away, over to the horizon, fixing them on that shimmering line of nothing.

      Not nothing.

      There was dust rising there. She wiped her face on her ripped sleeve one more time, so filthy now that it was as like to make her dirtier as cleaner. She straightened, squinting into the distance, hardly able to believe it. Riders. No doubt. A good way off, but as many as a dozen.

      “Oh, hell,” she whispered, and bit her lip. Things kept going this way she’d soon have chewed right through the bloody thing. “Oh, hell!” And Shy put her hands over her eyes and squeezed them shut and hid in self-inflicted darkness in the desperate hope she might have somehow been mistaken. Would hardly have been her first mistake, would it?

      But when she took her hands away, the dust was still there. The world’s a mean bully, all right, and the lower down you are, the more it delights in kicking you. Shy put her hands on her hips, arched her back, and screamed up at the sky, the word drawn out as long as her sore lungs would allow.

      “Fuck!”

      The echoes clapped from the buildings and died a quick death. No answer came. Perhaps the faint droning of a fly already showing some interest in Dodd. Neary’s horse eyed her for a moment, then looked away, profoundly unimpressed. Now Shy had a sore throat to add to her woes. She was obliged to ask herself the usual questions.

      What the fuck now?

      She clenched her teeth as she hauled Dodd’s boots off and sat in the dust beside him to pull them on. Not the first time they’d stretched out together in the dirt, him and her. First time with him dead, though. His boots were way too loose on her, but a long stride better than no boots at all. She clomped back into the tavern in them.

      Neary was making some pitiable groans as he struggled to get up. Shy kicked him in the face and down onto his back, plucked the rest of the arrows from his quiver, and took his heavy belt knife too. Back out into the sun and she picked up the bow, jammed Dodd’s hat onto her head, also somewhat on the roomy side but at least offering some shade as the sun got up. Then she dragged the three horses together and roped them into a string—quite a ticklish operation, since Jeg’s big stallion was a mean bastard and seemed determined to kick her brains out.

      When she’d got it done, she frowned off towards those dust trails. They were headed for the town, all right, and fast. With a better look, she reckoned on about nine or ten, which was two or three better than twelve but still an almighty inconvenience.

      Bank agents after the stolen money. Bounty hunters looking to collect her price. Other outlaws who’d got wind of a score. A score that was currently in the bottom of a well, as it happened. Could be anyone. Shy had an uncanny knack for making enemies. She found that she’d looked over at Dodd, facedown in the dust with his bare feet limp behind him. The only thing she had worse luck with was friends.

      How had it come to this?

      She shook her head, spat through the little gap between her front teeth, and hauled herself up into the saddle of Dodd’s horse. She faced it away from those impending dust clouds, towards which quarter of the compass she knew not.

      Shy gave the horse her heels.

       Megan Abbott

      Megan Abbott was born in the Detroit area, graduated from the University of Michigan with a B.A. in English literature, received her Ph.D. in English and American literature from New York University, and has taught literature, writing, and film at New York University and the State University of New York at Oswego. She published her first novel, Die a Little, in 2005, and has since come to be regarded as one of the foremost practitioners of modern noir mystery writing, with the San Francisco Chronicle saying that she was poised to “claim the throne as the finest prose stylist in crime fiction since Raymond Chandler.” Her novels include Queenpin, which won the Edgar Award in 2008, The Song Is You, Bury Me Deep, and The End of Everything. Her most recent novel is Dare Me. Her other books include, as editor, the anthology A Hell of a Woman: An Anthology of Female Noir and a nonfiction study, The Street Was Mine: White Masculinity in Hardboiled Fiction and Film Noir. She lives in Forest Hills,

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