LITMIR.BIZ

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wanted nothing more than a quiet sunrise over frost-crisped ground and the promise of a warm drink by a hot fire. And there were times, though she’d rarely admit it even to herself, that she wanted a shoulder to lay her head against and a hand to hold. She’d been raised to see independence as a duty, not a choice. Her parents had the most balanced of relationships, equal to equal. Pandora saw them as something rare in a world where the scales tipped this way or that too often. At age eighteen, Pandora had decided she’d never settle for less than a full partnership. At age twenty, she decided marriage wasn’t for her. Instead she put all her passion, her energy and imagination into her work.

      Straight-line dedication had paid off. She was successful, even prominent, and creatively she was fulfilled. It was more than many people ever achieved.

      Now she pulled open the door of the utility shed. It was a big square building, as wide as the average barn, with hardwood floors and paneled walls. Uncle Jolley hadn’t believed in the primitive. Hitting the switch, she flooded the building with light.

      As per her instructions, the crates and boxes she’d shipped had been stacked along one wall. The shelves where Uncle Jolley had kept his gardening tools during his brief, torrid gardening stage had been packed away. The plumbing was good, with a full-size stainless-steel sink and a small but more than adequate bath with shower enclosed in the rear. She counted five workbenches. The light and ventilation were excellent.

      It wouldn’t take her long, Pandora figured, to turn the shed into an organized, productive workroom.

      It took three hours.

      Along one shelf were boxes of beads in various sizes—jet, amethyst, gold, polished wood, coral, ivory. She had trays of stones, precious and semiprecious, square cut, brilliants, teardrops and chips. In New York, they were kept in a safe. Here, she never considered it. She had gold, silver, bronze, copper. There were solid and hollow drills, hammers, tongs, pliers, nippers, files and clamps. One might have thought she did carpentry. Then there were scribes and drawplates, bottles of chemicals, and miles of string and fiber cord.

      The money she’d invested in these materials had cost her every penny of an inheritance from her grandmother, and a good chunk of savings she’d earned as an apprentice. It had been worth it. Pandora picked up a file and tapped it against her palm. Well worth it.

      She could forge gold and silver, cast alloys and string impossibly complex designs with the use of a few beads or shells. Metals could be worked into thin, threadlike strands or built into big bold chunks. Pandora could do as she chose, with tools that had hardly changed from those used by artists two centuries earlier.

      It was and always had been, both the sense of continuity and the endless variety that appealed to her. She never made two identical pieces. That, to her, would have been manufacturing rather than creating. At times, her pieces were elegantly simple, classic in design. Those pieces sold well and allowed her a bit of artistic freedom. At other times, they were bold and brash and exaggerated. Mood guided Pandora, not trends. Rarely, very rarely, she would agree to create a piece along specified lines. If the lines, or the client, interested her.

      She turned down a president because she’d found his ideas too pedestrian but had made a ring at a new father’s request because his idea had been unique. Pandora had been told that the new mother had never taken the braided gold links off. Three links, one for each of the triplets she’d given birth to.

      At the moment, Pandora had just completed drafting the design for a three-tiered necklace commissioned to her by the husband of a popular singer. Emerald. That was her name and the only requirement given to Pandora. The man wanted lots of them. And he’d pay, Pandora mused, for the dozen she’d chosen just before leaving New York. They were square, three karats apiece and of the sharp, sharp green that emeralds are valued for.

      This was, she knew, her big chance, professionally and, most importantly, artistically. If the necklace was a success, there’d not only be reviews for her scrapbook, but acceptance. She’d be freer to do more of what she wanted without compromise.

      The trick would be to fashion the chain so that it held like steel and looked like a cobweb. The stones would hang from each tier as if they’d dripped there.

      For the next two hours, she worked in gold.

      Between the two heaters at each end of the shed and the flame from her tools, the air became sultry. Sweat rolled down under her sweater, but she didn’t mind. In fact, she barely noticed as the gold became pliable. Again and again, she drew the wire through the drawplate, smoothing out the kinks and subtly, slowly, changing the shape and size. When the wire looked like angel hair she began working it with her fingers, twisting and braiding until she matched the design in her head and on her drawing paper.

      It would be simple—elegantly, richly simple. The emeralds would bring their own flash when she attached them.

      Time passed. After careful, meticulous use of drawplate, flame and her own hands, the first thin, gold tier formed.

      She’d just begun to stretch out the muscles in her back when the door of the shed opened and cool air poured in. Her face glowing with sweat and concentration, she glared at Michael.

      “Just what the hell do you think you’re doing?”

      “Following orders.” He had his hands stuffed in his jacket pockets for warmth, but hadn’t buttoned the front. Nor, she noticed, had he bothered to shave. “This place smells like an oven.”

      “I’m working.” She lifted the hem of the big apron she wore and wiped at her brow. It was being interrupted that annoyed her, Pandora told herself. Not the fact that he’d walked in on her when she looked like a steelworker. “Remember rule number three?”

      “Tell that to Sweeney.” Leaving the door ajar, he wandered in. “She said it was bad enough that you skipped breakfast, but you’re not getting away with missing lunch.” Curious, he poked his finger into a tray that held brilliant colored stones. “I have orders to bring you back.”

      “I’m not ready.”

      He picked up a tiny sapphire and held it to the light. “I had to stop her from tramping out here herself. If I go back alone, she’s going to come for you. Her arthritis is acting up again.”

      Pandora swore under her breath. “Put that down,” she ordered, then yanked the apron off.

      “Some of this stuff looks real,” he commented. Though he put the sapphire back, he picked up a round, winking diamond.

      “Some of this stuff is real.” Pandora crouched to turn the first heater down.

      The diamond was in his hand as he scowled down at her head. “Why in hell do you have it sitting out like candy? It should be locked up.”

      Pandora adjusted the second heater. “Why?”

      “Don’t be any more foolish than necessary. Someone could steal it.”

      “Someone?” Straightening, Pandora smiled at him. “There aren’t many someones around. I don’t think Charles and Sweeney are a problem, but maybe I should worry about you.”

      He cursed her and dropped the diamond back. “They’re your little bag of tricks, cousin, but if I had several thousand dollars sitting around that could slip into a pocket, I’d be more careful.”

      Though under most circumstances she fully agreed, Pandora merely picked up her jacket. After all, they weren’t in Manhattan but miles away from anyone or anything. If she locked everything up, she’d just have to unlock it again every time she wanted to work. “Just one of the differences between you and me, Michael. I suppose it’s because you write about so many dirty deeds.”

      “I also write about human nature.” He picked up the sketch of the emerald necklace she had drawn. It had the sense of scale that would have pleased an architect and the flare and flow that would appeal to an artist. “If you’re so into making bangles and baubles, why aren’t you wearing any?”

      “They get in the way when I’m working. If you write

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