LITMIR.BIZ

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used to feel excluded like this as a child. Every day I came home from school to be ignored by unloving parents, knowing that in other families my friends were being welcomed into warm homes full of light and food. All I could do was stand in the darkness outside.

      But I’m an adult now. I’m going to marry Gustav. I’m supposed to be in control.

      ‘Why is Pierre storing your shirts here?’ I slam the cupboard shut. ‘Your wedding shirt, for God’s sake?’

      There’s no sound. Not even from the street outside. Nothing, then the creak of floorboards. I peer down the dark red painted corridor.

      ‘Pierre’s not at home, Gustav. This feels all wrong. Let’s just get out of here.’

      Still he doesn’t answer. But the peacock feather that was in his pocket floats through the air from the room opposite the front door and drops to the floor.

      ‘I’ve been counting the days till you were in my boudoir again instead of that freeloading brother of yours. Or should I say our boudoir? Cat got your tongue, Gusty? I always did have that effect on you!’

      A woman’s throaty voice, perforating the silence. The accent has a Germanic rasp and she pronounces his name ‘Goostie’.

      A pair of spike-heeled red sandals steps through the open front door. The brief hope that they are attached to a harmless young dancer flickers and dies. A dancer wouldn’t be able to afford Jimmy Choo.

      I’m about to meet the third member of the triumvirate. My legs give way beneath me and I crumple in the doorway.

      The pointed toes stop right in front of me. She is wearing red stockings with a silky sheen. They crease very slightly as she lifts her foot.

      ‘You like the shoes? Sexy as hell, aren’t they? A little fetish, no? Gustav gave me these, when we got engaged.’

      One pointed toe hooks itself under my chin.

      ‘Stand up straight.’ The voice segues from a croon to a snarl. ‘Slouching there like a slut.’

      My face is levered upwards, leading my eyes up the long, skinny legs, past the red stocking tops and under a black trench coat where I catch a glimpse of a bare, waxed snatch glowing white in the shadows.

      Margot Levi stamps her foot back on the floor. She puts her hands on her hips in an aggressive, questioning gesture as she swivels to face Gustav who is now standing in the corridor behind her.

      He takes an unsteady step nearer. ‘Don’t you dare speak to Serena like that!’

      She throws her head back and laughs. It’s a deep, rattling sound which seems to suck the breath out of her.

      ‘Still so angry and masterful, Levi. You used to leap to my defence in just that way!’ Margot points at me. ‘She too pathetic to stand up for herself? No, don’t answer that. I can see she’s just out of nappies! God, you two have goaded me for long enough.’

      She is wearing a black beret just like mine. She pulls it off and tosses it with perfect aim on to a coat hook. Her black hair is plaited into cornrows, which she quickly coils into a bundle at the back of her head. A collection of dreadlocks falls over and conceals one side of her face, but the slanted black eyes glitter through the screen of hair. The cheekbones are still razor sharp and painted with the same theatrical matt white foundation she wore the first time I set eyes on her.

      Margot has been creeping round the edges of our lives for weeks. Pierre made out I was going mad, but I’m certain now that she was dancing with him at the burlesque theatre the day I did the commission.

      She tips her head sideways, the better to study me, and slowly starts to unbutton her coat.

      Why on earth did I think I could avoid Margot for ever? I’ve seen her face repeated a hundred times over in the sketches that lined the walls in Lugano. I’ve seen her in a video she uploaded when I stupidly left my iPad at the theatre after that same shoot. She filmed herself holding a wedding bouquet of edelweiss, those almond-shaped eyes blinking flirtatiously.

       This is for you, Gustav darling. Remember these pretty bridal flowers? Remember this wedding music? Remember me?

      And it was her I saw at the Weinmeyers’ Venetian ball, dressed all in white with a gold mask, watching me. Watching Pierre as he pranced about in green velvet and peacock feathers and came to claim me.

      ‘No greeting for the love of your life, Gusty?’ she demands, pulling the black trench coat off her shoulders. She’s not topless underneath, thank God, but wearing a scarlet, sheer, see-through blouse and a red leather skirt.

      ‘You wouldn’t know true love if it took you up the arse!’ Gustav growls in a voice I don’t recognise, slamming her against the wall as he pushes past her. ‘I’d hoped I’d never breathe the same air as you again.’

      He pulls me against his chest. I can hear his heart drumming crazily. Despite those ugly words, I realise he’s not just trying to protect me. I’m a shield protecting him.

      ‘Ah, my love, you have no idea. You see, we’ve been sharing the same air for months now. I know for instance that you have a silly flag hanging from that telescope on top of your apartment building. I know you kiss goodbye at the corner of the Dakota building every morning when you go your separate ways to work. Touching.’ Margot lets out a harsh sigh. ‘And when I’m not watching, I’m eavesdropping. Because my minion planted a bug in your apartment on New Year’s Eve, oh, and another in your gallery when the builders were in there. You’re going to be late for that reservation at La Lanterna, by the way!’

      ‘Go back to your desert island, Margot. Get out before I do something we both regret.’

      His words hiss out, half-smothered in my hair.

      ‘Oh, Gustav. What’s happened to you? You never used to scare so easily.’ She laughs quietly behind us. ‘I’m not here to harm you. Why would I? I adore you! We were bound to come together again eventually. And you know how beautiful it is when we come together.’

      The floorboards creak. The front door slams shut. Gustav groans and holds me so tight I can’t breathe.

      And then Margot must have moved into another room, because music starts to play. Edith Piaf warbles in an old, scratchy recording from what must be the sitting room. Heavy curtains rattle shut across the window, the metal rings jostling and clattering. The French sparrow declares, quietly at first, then louder as the dial cranks up the volume, that she regrets nothing.

      ‘As for ordering me out? Impossible, I’m afraid, since this is my property, acquired from you in that very generous divorce settlement.’ There’s the pop of a cork being drawn from a bottle and the heavy chink of crystal glasses. ‘Oh, by the way, Gusty, did you like the peacock feather? My little visual joke? I went to all the trouble of posting it myself, even though your little tart was, ah, distracting you at the time.’

      Gustav lets go of me and marches stiffly into the next room. ‘And?’

      ‘And it worked! You’re here, aren’t you? My pet, come to heel. And it’s not just any feather, my love. It’s the feather in your little brother’s cap.’

      I hurry after him, dreading what she’s going to say next. ‘So if Pierre didn’t send it, how did you get hold of it?’

      Margot has arranged herself like a queen on an oversized armchair upholstered in purple brocade. She is brushing the feather against her face. She turns briefly in my direction, glancing at my breasts, then turns back to Gustav.

      ‘I came here straight from Venice. There was no sign of Pierre or any of his things, but I found this feather. Lovingly arranged in that vase.’

      We all look at a delicate flute on the mantelpiece, twisting and turning in waves like a whirlpool. It’s hideously ugly, veined with rainbow colours, but I recognise it as Murano glass.

      ‘So where is he?’ Gustav

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