LITMIR.BIZ

       CHAPTER TWO

      ‘I don’t understand. I want a pool. I am damn well having a pool. What kind of a goddamn summer house doesn’t have a goddamn swimming pool?’

      Lisa Kent’s over-plumped, chipmunk-cheeked face positively twitched with anger. The ex-wife of billionaire hedge fund-founder Steve Kent, Lisa was used to getting her own way. Indeed, ever since her husband traded her in for a (much) younger model, getting her own way had become something of a raison d’être for the former Mrs Kent. If Lisa weren’t so utterly obnoxious, Flora Fitzwilliam would almost have felt sorry for her. As it was, however, Flora felt sorry for herself. Being Lisa Kent’s interior designer was about as much fun as having a dentist’s drill slowly inserted into a rotten tooth. The fact that Lisa was building her house on Nantucket Island off Cape Cod, Massachusetts, during the coldest, wettest May that anybody could remember, didn’t help matters.

      How do people live here? Flora wondered. I’d kill myself.

      Luckily her prison sentence on the Cape was almost at an end. This time next month Flora would be in England, thank God, working on the job of her dreams. She held on to that fact like a drowning man to a raft, as Lisa ranted on.

      ‘The thing is,’ Flora explained patiently, once she could get a word in edgeways, ‘you’re right on the cliff here. Erosion up on Baxter Road is a huge issue, as you know. Digging foundations for a pool would seriously compromise …’

      ‘I don’t care what it would compromise! I’m paying you to fix these problems.’

      Actually you’re paying Graydon James, my boss, Flora thought. You probably have dry-cleaning tickets worth more than my wages on this project.

      But she kept this thought to herself, sticking doggedly to the facts at hand.

      She tried a blunter approach.

      ‘If you try to dig a pool, Lisa, your house will fall into the ocean. I’m sorry, but that’s what will happen. You knew this when you bought up here. That’s why we never drew up plans for a pool when we did the garden design.’

      Lisa’s pretty green eyes narrowed. ‘Karen Bishop has a pool.’

      Flora sighed.

      Her wealthy client had been a theatre actress in her youth, a great beauty by all accounts. She still maintained a lithe, yoga-toned figure, and her blonde highlighted bob brought out the fine bone structure that no amount of fillers could ruin completely. But these days Lisa Kent looked expensive rather than beautiful. Well put together. Groomed.

      Like a dog, Flora thought, a little unkindly.

      It would help a lot if she smiled from time to time.

      ‘Karen Bishop lives on Lincoln Circle,’ Flora explained.

      ‘Exactly. Right on the cliff.’

      ‘It’s a different cliff, Lisa.’ Really, it was like trying to reason with a tantruming toddler. ‘Different geography. Different building codes.’

      ‘I don’t care! Karen always thought she was better than me, even before the divorce. I won’t have her and William lording it over me at the Westmoor Club because my stupid designers couldn’t build me a stupid swimming pool. I mean it, Flora. Fix this. Fix it!’

      Lisa Kent jabbed a diamond-encrusted finger in Flora’s general direction and stormed back into her half-built house.

      Flora bit her lower lip and counted to ten.

       Don’t take it personally. Do not take it personally.

      The reality was, Lisa Kent was an unhappy, embittered woman. She’d given the best years of her life to a man who’d discarded her like a used condom at the first signs of ageing, moving on with his new wife and new life without a backward glance. No house, no pool, no diamonds would ever make up for that humiliation.

      Flora Fitzwilliam, on the other hand, was engaged to be married to a wonderful, kind, handsome, intelligent, rich man. Mason Parker was the best thing that had ever happened to her, period. The second best thing was her job. At only twenty-three, straight out of design school in Rhode Island, Flora had landed her dream job, the dream job in interior design, working for the great Graydon James in Manhattan.

      Graydon James, designer of the new Gagosian Gallery in San Francisco and the stunning limestone and curved glass Centre des Arts in Paris. Graydon James, who had built New York’s ‘Nexus’, a neoclassical hotel voted ‘Most Beautiful New Building in America’ by InStyle magazine and World of Interiors’ ‘Top Luxury Hotel’ for three years in a row. Graydon James, whose vision could vary wildly from project to project, but always within the context of clean lines and a famously pared-down aesthetic, an alchemy that no other living designer could ever quite seem to match. From private homes to libraries, from Spanish nightclubs to Middle Eastern palaces, Graydon was a design master long before his lifestyle brand propelled him into the ranks of the super-rich and made him a household name from Dubrovnik to Dubai.

      All Flora’s classmates at RISD had been spitting with envy when she’d landed the job with Graydon James.

      Of course, most of them envied Flora anyway. Not only was she uniquely talented as a designer, with a true artist’s eye, but she was also the most lusted-after girl on campus. Which wasn’t to say she was necessarily the most beautiful. At only five foot two, with her Puerto Rican mother’s curvaceous figure – tiny waist, big boobs, big bum – and her English father’s blond colouring, Flora was more of a Fifties pin-up than a modern-day model. Plenty of girls at RISD were taller, thinner and more classically pretty. But Flora’s brand of seaside-postcard sauciness was a huge hit with all the men. One ex-boyfriend observed that Flora always looked as if she should be winking, sitting on a sailor’s lap and wearing his cap at a jaunty angle (with not much else on underneath).

      There were always malicious rumours flying around during her college years, that Flora had flirted with her RISD professors to achieve her top scores. But at least no one could accuse her of flirting her way to the top with the famously gay Graydon James. Only last year James had been quoted in Vanity Fair talking about his ‘vagina allergy’ and the fact that ninety per cent of his workforce were very young, very handsome men.

      When Graydon looked at Flora Fitzwilliam, all he saw was talent.

      True, the pay was terrible, barely a living wage. And true, the hours were endless, and many of the clients were abusive and unreasonable, just like Lisa Kent. But Flora was working with Graydon James. The Graydon James, design genius and now heir apparent to Ralph Lauren’s taste and lifestyle empire, thanks to an aesthetic as chic and classically understated as Graydon himself was flamboyant and loud. Many people found it bizarre that someone as flamingly gay, extravagant and attention-seeking as Graydon, with his penchant for Cavalli silk shirts, heavy eyeliner and preposterously young lovers, could produce houses and hotels and museums of such breathtaking simplicity and class. But Flora understood perfectly. Through his art, Graydon fulfilled a yearning that he could never satisfy in his own real life. There was a peace to Graydon’s designs, however grand, a calm constancy that spoke of history and permanence and beauty and depth. The spaces Graydon designed were the antidote to his shallow, excessive, restless party life.

      His art was his escape. Flora, of all people, could understand that.

      Now, three years into the job, she had become

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