LITMIR.BIZ

       II THE DUKE OF ZAYANA

      PORTRAIT OF A LADY • DOCTOR VANDERMAST • FIORINDA: ‘BITTER-SWEET’ • THE LYRE THAT SHOOK MITYLENE

      THE third morning after that coming of the galloping horseman north to Mornagay, Duke Barganax was painting in his privy garden in Zayana in the southland: that garden where it is everlasting afternoon. There the low sun, swinging a level course at about that pitch which Antares reaches at his highest southing in an English May-night, filled the soft air with atomies of sublimated gold, wherein all seen things became, where the beams touched them, golden: a golden sheen on the lake’s unruffled waters beyond the parapet, gold burning in the young foliage of the oak-woods that clothed the circling hills; and, in the garden, fruits of red and yellow gold hanging in the gold-spun leafy darkness of the strawberry-trees, a gilding shimmer of it in the stone of the carven bench, a gilding of every tiny blade on the shaven lawn, a glow to deepen all colours and to ripen every sweetness: gold faintly warming the proud pallour of Fiorinda’s brow and cheek, and thrown back in sudden gleams from the jet-black smoothnesses of her hair.

      ‘Would you be ageless and deathless for ever, madam, were you given that choice?’ said the Duke, scraping away for the third time the colour with which he had striven to match, for the third time unsuccessfully, the unearthly green of that lady’s eyes.

      ‘I am this already,’ answered she with unconcern.

      ‘Are you so? By what assurance?’

      ‘By this most learn’d philosopher’s, Doctor Vandermast.’

      The Duke narrowed his eyes first at his model then at his picture: laid on a careful touch, stood back, compared them once more, and scraped it out again. Then he smiled at her: ‘What? Will you believe him? Do but look upon him where he sitteth there beside Anthea, like winter wilting before Flora in her pride. Is he one to inspire faith in such promises beyond all likelihood and known experiment?’

      Fiorinda said: ‘He at least charmed you this garden.’

      ‘Might he but charm your eyes,’ said the Duke, ‘to some such unaltering stability, I’d paint ’em; but now I cannot. And ’tis best I cannot. Even for this garden, if ’twere as you said, madam (or worse still, were you yourself so), my delight were poisoned. This eternal golden hour must lose its magic quite, were we certified beyond doubt or heresy that it should not, in the next twinkling of an eye, dissipate like mist and show us the work-a-day morning it conceals. Let him beware, and if he have art indeed to make safe these things and freeze them into perpetuity, let him forbear to exercise it. For as surely as I have till now well and justly rewarded him for what good he hath done me, in that day, by the living God, I will smite off his head.’

      The Lady Fiorinda laughed luxuriously, a soft, mocking laugh with a scarce perceptible little contemptuous upward nodding of her head, displaying the better with that motion her throat’s lithe strong loveliness. For a minute, the Duke painted swiftly and in silence. Hers was a beauty the more sovereign because, like smooth waters above a whirlpool, it seemed but the tranquillity of sleeping danger: there was a taint of harsh Tartarean stock in her high flat cheekbones, and in the slight upward slant of her eyes; a touch of cruelty in her laughing lips, the lower lip a little too full, the upper a little too thin; and in her nostrils, thus dilated, like a beautiful and dangerous beast’s at the smell of blood. Her hair, parted and strained evenly back on either side from her serene sweet forehead, coiled down at last in a smooth convoluted knot which nestled in the nape of her neck like a black panther asleep. She wore no jewel nor ornament save two escarbuncles, great as a man’s thumb, that hung at her ears like two burning coals of fire. ‘A generous prince and patron indeed,’ she said; ‘and a most courtly servant for ladies, that we must rot tomorrow like the aloe-flower, and all to sauce his dish with a biting something of fragility and non-perpetuity.’

      The Countess Rosalura, younger daughter of Prince Ercles, new-wed two months ago to Medor, the Duke’s captain of the bodyguard, had risen softly from her seat beside her lord on the brink of a fountain of red porphyry and come to look upon the picture with her brown eyes. Medor followed her and stood looking beside her in the shade of the great lime-tree. Myrrha and Violante joined them, with secret eyes for the painter rather than for the picture: ladies of the bedchamber to Barganax’s mother, the Duchess of Memison. Only Anthea moved not from her place beside that learned man, leaning a little forward. Her clear Grecian brow was bent, and from beneath it eyes yellow and unsearchable rested their level gaze upon Barganax. Her fierce lips barely parted in the dimmest shadow or remembrance of a smile. And it was as if the low golden beams of the sun, which in all things else in that garden wrought transformation, met at last with something not to be changed (because it possessed already a like essence with their own and a like glory), when they touched Anthea’s hair.

      ‘There, at last!’ said the Duke. ‘I have at last caught and pinned down safe on the canvas one particular minor diabolus of your ladyship’s that hath dodged me a hundred times when I have had him on the tip of my brush; him I mean that peeks and snickers at the corner of your mouth when you laugh as if you would laugh all honesty out of fashion.’

      ‘I laugh none out of fashion,’ she said, ‘but those that will not follow the fashions I set ’em. May I rest now?’

      Without staying for an answer, she rose and stepped down from the stone plinth. She wore a coat-hardy, of dark crimson satin. From shoulder to wrist, from throat to girdle, the soft and shining garment sat close like a glove, veiling yet disclosing the breathing loveliness which, like a rose in crystal, gave it life from within. Her gown, of the like stuff, revealed when she walked (as in a deep wood in summer, a stir of wind in the tree-tops lets in the sun) rhythms and moving splendours bodily, every one of which was an intoxication beyond all voluptuous sweet scents, a swooning to secret music beyond deepest harmonies. For a while she stood looking on the picture. Her lips were grave now, as if something were fallen asleep there; her green eyes were narrowed and hard like a snake’s. She nodded her head once or twice, very gently and slowly, as if to mark some judgement forming in her mind. At length, in tones from which all colour seemed to have been drained save the soft indeterminate greys as of muted strings, ‘I wonder that you will still be painting,’ she said: ‘you, that are so much in love with the pathetic transitoriness of mortal things: you, that would smite his neck who should rob you of that melancholy sweet debauchery of your mind by fixing your marsh-fires in the sphere and making immortal for you your ephemeral treasures. And yet you will spend all your invention and all your skill, day after day, in wresting out of paint and canvas a counterfeit, frail, and scrappy immortality for something you love to look on, but, by your own confession, would love less did you not fear to lose it.’

      ‘If you would

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