Rebel - Bernard Cornwell

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father to be one of the richest men in Virginia, indeed in all the precariously United States. Faulconer could boast that the most recent survey done of his family’s land in Faulconer County had been accomplished by a raw young surveyor named George Washington, and since that day not one acre had been lost to the family and a good many had been added. Among the new acres was the land on which Faulconer’s Richmond town house stood—one of the grandest houses on Clay Street that had, at its rear, a wide stable yard with a carriage house and quarters for a dozen grooms and stalls for thirty horses. The house boasted a ballroom, a music room, and what was commonly regarded as Richmond’s finest staircase, a magnificent circling stair that swept around and up a gilded well hung with family portraits, the oldest of which had been brought from England in the seventeenth century. The books in Washington Faulconer’s study had the family’s coat of arms tooled in gold into their leather covers, while the desks, chairs and tables had all been made by Europe’s finest craftsmen because, for a man as wealthy as Washington Faulconer, only the very best would do. Flowers stood on every table, not just for decoration, but in an attempt to overwhelm the smell of the city’s tobacco factories.

      ‘Now, Nate,’ Washington Faulconer said heartily when he had decided to buy the twelve-dollar guns, ‘you promised us a story. There’s coffee there, or something stronger? Do you drink? You do? But not with your father’s blessing, I’m sure. Your father can hardly approve of ardent spirits, or does he? Is the Reverend Elial a prohibitionist as well as an abolitionist? He is! What a ferocious man he must be, to be sure. Sit down.’ Washington Faulconer was full of energy and happy to conduct a conversation with himself as he stood up, pulled a chair for Starbuck away from the wall, poured Starbuck coffee, then sat back at his desk. ‘So come! Tell me! Aren’t you supposed to be at the seminary?’

      ‘Yes, sir, I am.’ Starbuck felt inhibited suddenly, ashamed of his story and of his pathetic condition. ‘It’s a very long tale,’ he protested to Washington Faulconer.

      ‘The longer the better. So come along, tell!’

      So Starbuck had no choice but to tell his pathetic story of obsession, love and crime; a shameful tale of how Mademoiselle Dominique Demarest of New Orleans had persuaded Nathaniel Starbuck of Yale that life had more to offer than lectures in didactic theology, sacred literature or the sermonizing arts.

      ‘A bad woman!’ Washington Faulconer said with happy relish when Starbuck first mentioned her. ‘Every tale should have a bad woman.’

      Starbuck had first glimpsed Mademoiselle Dominique Demarest in the Lyceum Hall at New Haven where Major Ferdinand Trabell’s touring company was presenting the Only True and Authorized Stage Version of Uncle Tom’s Cabin, Complete with Real Bloodhounds. Trabell’s had been the third such traveling Tom company to visit New Haven that winter, and each had claimed to be presenting the only true and authorized dramatic version of the great work, but Major Trabell’s production had been the first that Starbuck dared attend. There had been impassioned debate in the seminary about the propriety of attending a thespian performance, even one dedicated to moral instruction and the abolition of slavery, but Starbuck had wanted to go because of the bloodhounds mentioned on the playbill. There had been no bloodhounds in Mrs. Beecher Stowe’s fine work, but Starbuck suspected the animals might make a dramatic addition to the story, and so he had visited the Lyceum where, awestruck, he had watched as a veritable angel who was playing the part of the fugitive slave Eliza had tripped lightly across the make-believe ice floes pursued by a pair of lethargic and dribbling dogs that might or might not have been bloodhounds.

      Not that Starbuck cared about the dogs’ pedigree, but only about the angel, who had a long face, sad eyes, shadowed cheeks, a wide mouth, hair black as night, and a gentle voice. He had fallen in love instantly, furiously and, so far as he could tell, eternally. He had gone to the Lyceum the next night, and the next, and the next, which was also New Haven’s final performance of the great epic, and on the following day he had offered to help Major Trabell strike and crate the scenery, and the major, who had recently been abandoned by his only son and was therefore in need of a replacement to play the parts of Augustine St. Clair and Simon Legree, and recognizing Starbuck’s good looks and commanding presence, had offered him four dollars a week, full board, and Major Trabell’s own tutelage in the thespian arts. Not even those enticements could have persuaded Starbuck to abandon his seminary education, except that Mademoiselle Dominique Demarest had added her entreaties to those of her employer, and so, on a whim, and for his adoration of Dominique, Starbuck had become a traveling player.

      ‘You upped stakes and went? Just like that?’ Washington Faulconer asked with obvious amusement, even admiration.

      ‘Yes, sir.’ Though Starbuck had not confessed the full extent of his humiliating surrender to Dominique. He had admitted attending the theater night after night, but he had not described how he had lingered in the streets wanting a glimpse of his angel, or how he had written her name again and again in his notebooks, nor how he had tried to capture in pencil the delicacy of her long, misleadingly ethereal face, nor how he had yearned to repair the spiritual damage done to Dominique by her appalling history.

      That history had been published in the New Haven newspaper that had noticed the Tom company’s performance, which notice revealed that although Mademoiselle Demarest appeared to be as white as any other respectable lady, she was in truth a nineteen-year-old octoroon who had been the slave of a savage New Orleans gentleman whose behavior rivaled that of Simon Legree. Delicacy forbade the newspaper from publishing any details of his behavior, except to say that Dominique’s owner had threatened the virtue of his fair property and thus forced Dominique, in an escape that rivaled the drama of Eliza’s fictional flight, to flee northward for liberty and the safeguard of her virtue. Starbuck tried to imagine his lovely Dominique running desperately through the Louisiana night pursued by yelping fiends, howling dogs and a slavering owner.

      ‘Like hell I escaped! I was never a slave, never!’ Dominique told Starbuck next day when they were riding the cars for Hartford, where the show would play for six nights in the Touro Hall. ‘I ain’t got nigger blood, not one drop. But the notion sells tickets, so it does, and tickets is money, and that’s why Trabell tells the newspapers I’m part nigger.’

      ‘You mean it’s a lie?’ Starbuck was horrified.

      ‘Of course it’s a lie!’ Dominique was indignant. ‘I told you, it just sells tickets, and tickets is money.’ She said the only truths in the fable were that she was nineteen and had been raised in New Orleans, but in a white family that she claimed was of irreproachable French ancestry. Her father possessed money, though she was vague about the exact process whereby the daughter of a wealthy Louisiana merchant came to be performing the part of Eliza in Major Ferdinand Trabell’s touring Tom company. ‘Not that Trabell’s a real major,’ Dominique confided to Starbuck, ‘but he pretends to have fought in Mexico. He says he got his limp there off a bayonet, but I reckon he more likely got stabbed by a whore in Philadelphia.’ She laughed. She was two years younger than Starbuck but seemed immeasurably older and far more experienced. She also seemed to like Starbuck, who returned her liking with a blind adoration and did not care that she was not an escaped slave. ‘How much is he paying you?’ Dominique asked Starbuck.

      ‘Four dollars a week.’

      She laughed scornfully. ‘Robbing you!’

      For the next two months Starbuck happily learned the acting trade as he worshiped at the shrine of Miss Demarest’s virtue. He enjoyed being on stage, and the fact that he was the son of the Reverend Elial Starbuck, the famous abolitionist, served to swell both Trabell’s audiences and receipts. It also brought Nathaniel’s new profession to the attention of his father who, in a terrifying fury, sent Starbuck’s elder brother, James, to bring the sinner to repentance.

      James’s mission had failed miserably, and two weeks later Dominique, who had so far not permitted Starbuck any liberty beyond the holding of her hand, at last promised him the reward of his heart’s whole desire if he would just help her steal that week’s takings from Major Trabell. ‘He owes me money,’ Dominique said, and she explained that her father had written to say he was waiting for her in Richmond, Virginia, and she knew Major Trabell would

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