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do you talk to? Who’s out there?” There had to be more survivors than just Long Island— she’d always hoped but never dared to believe.

      Afa shook his head—broad and brown-skinned, with a bushy black beard salted liberally with gray. Kira guessed that he was Polynesian, but she didn’t know the individual islands well enough to guess which one. “There’s nobody out there,” he said. “I’m the last human on Earth.”

      He did live alone; that much, at least, was true. He had converted the TV station into a twisting warren of stored equipment: generators, portable radios, stockpiles of food and explosives, and pile after pile of papers. He had stacks of files and folders, bundles of news clippings held together by twine, boxes of yellowed printouts next to more boxes of scraps and receipts and notarized documents. Thick binders overflowed with photos, some of them glossy, some of them printed on weathered office paper; other photos bulged from boxes or spilled out of rooms, entire offices filled floor to ceiling with records and filing cabinets and always, everywhere, more photos than she’d ever imagined. Those few walls not covered with cabinets and bookshelves and tall stacks of boxes were papered over with maps: maps of New York State and others, maps of the United States, maps of the NADI alliance, maps of China and Brazil and the entire world. Covering the maps was a dense nest of pushpins and strings and crooked metal flags. They made Kira dizzy just looking at them, and all the time, on every surface, even crunching and rustling underfoot, were the papers and papers and papers that defined and bounded Afa’s life.

      Kira pressed him again, setting down her can of fruit cocktail. “What are you doing here?”

      “I’m the last human on Earth.”

      “There are humans on Long Island,” she said. “What about them?”

      “Partials,” he said quickly, waving his hand to dismiss the idea. “All Partials. It’s all here, all in the files.” He gestured around grandly, as if the mounds of unordered papers were plain evidence of universal truth. Kira nodded, irrationally grateful for this fleck of insanity—when he had first called her a Partial it had scared her, truly disturbed her. He’d been the first human ever to say the words out loud to her, and the accusation—the knowledge that someone might actually know, might actually say it—had shaken her to the core. Knowing that Afa was merely delusional, thinking everyone in the world was a Partial, made it easier to bear.

      Kira pressed again, hoping that more specific questions might draw out a more specific answer. “You used to work for ParaGen.”

      He stopped, his eyes locked on hers, his body tense, then returned to his eating with forced nonchalance. He didn’t answer.

      “Your name was on a door at the ParaGen office,” she said. “That’s where you got some of this equipment.” She gestured around at the rows of computers and monitors. “What are they for?”

      Afa didn’t answer, and Kira paused again to watch him. There was something wrong with his mind, she was certain— something about the way he moved, the way he talked, even the way he sat. He didn’t think as quickly, or at least not in the same ways, as anyone Kira had met before. How had he survived on his own like this? He was cautious, certainly, but only about certain things; his home was miraculously well defended, filled with ingenious traps and security measures to keep himself hidden and his equipment safe, but on the other hand, he’d gone outside unarmed. The best explanation, Kira told herself, is that there’s somebody else with him. Based on what I’ve seen, there’s no way he’s capable of defending himself this well, and certainly no way he could set up all this equipment. He’s like a child. Maybe whoever’s really running this safe house uses him as an assistant? But as much as Kira had tried, she hadn’t been able to see or hear anyone else in the building. Whoever it was was hiding too well.

      Talking about ParaGen just makes him clam up, she told herself, so I need to try a different tactic. She saw him eyeing her half-eaten can of fruit and held it out to him. “Do you want the rest?”

      He grabbed it quickly. “It has cherries in it.”

      “Yes, it does. Do you like cherries?”

      “Of course I like cherries. I’m human.”

      Kira almost laughed, but managed to stop herself. She knew plenty of humans who hated cherries. Sharing the fruit seemed to undo the nervousness she’d caused by mentioning ParaGen, so she probed him about a new topic. “It’s very brave of you to go out at night,” she said. “A few nights ago I got attacked by something huge; I barely got away with my life.”

      “It used to be a bear,” said Afa, his mouth full of fruit cocktail. “You need to wait till it catches something.”

      “What happens when it catches something?”

      “It eats it.”

      Kira shook her head. “Well, yeah, but I mean why do you need to wait for that to happen? What does that mean?”

      “If it’s eating something, it’s not hungry,” he said, staring blankly at the floor. “Wait until it eats, and then go outside to get water while it’s busy. That way it won’t eat you. But always remember to take the backpack,” he said, pointing in front of him with his spoon. “You can’t ever leave the backpack.”

      Kira marveled at the simplicity of his plan, but even so, his answer sparked a dozen new questions: How did he know when the monster had eaten? What did he mean that it “used to be” a bear? What was so important about the backpack, and who had told him all these strategies in the first place? She decided to pursue the latter question, as it seemed like the best opportunity to broach the topic again.

      “Who told you not to leave the backpack?”

      “Nobody told me,” he said. “I’m a human. Nobody’s in charge of me, ’cause I’m the only one left.”

      “Obviously nobody’s in charge of you,” said Kira, frustrated by the circular conversation, “but what about your friend? The one who warned you not to lose the backpack?”

      “No friends,” said Afa, shaking his head in a strange, loose sort of way that shook his entire torso as well. “No friends. I’m the last one.”

      “Were there others before? Other people with you, here in the safe house?”

      “Just you.” His voice changed when he said it, and Kira was struck by the thought that he might very well have been completely alone—that she might be the first person he’d spoken to in years. Whoever had saved him and taught him to survive, whoever had set up this and the other radio stations—whoever had rigged them with explosives—was probably long dead, lost to Partials or wild animals or illness or accident, leaving this fifty-year-old child all alone in the ruins. That’s why he says he’s the last one, she thought. He watched the last ones die.

      Kira spoke softly, her voice tender. “Do you miss them?”

      “The other humans?” He shrugged, his head bouncing on his shoulders. “It’s quieter now. I like the quiet.”

      Kira sat back, frowning. Everything he said confused her more, and she felt as if she was even further now than before from understanding his situation. Most confusing of all was the name on the door at ParaGen—Afa Demoux had had an office, an office with his name on it, and ParaGen didn’t strike her as the kind of place that let a mentally handicapped man have an office just to keep him entertained. He had to have worked there; he had to have done something, or been something, important.

      What had it said on his door? She struggled to remember, then nodded as the word came back: IT. Was it just a cruel joke? Call the weirdo “it”? That could explain why he didn’t want to talk about ParaGen. But no; it didn’t make sense. Nothing she knew about the old world suggested that kind of behavior, at least not so officially in a major corporation. The letters on the door had to mean something else. She watched his face as he finished the can of fruit, trying to guess his emotional state. Could she bring up ParaGen again, or would he just go silent like before? Maybe if she didn’t mention ParaGen, and just asked about the letters.

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