A Man Lay Dead - Ngaio Marsh

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      ‘A gam’ of murderings?’ said Doctor Tokareff, who had been examining one of the knives. The firelight gleamed on his large spectacles, and he looked, as Mrs Wilde murmured to Rankin, ‘too grimly sinister.’…‘A gam’ of murderings? That should be sush a good fun. I am ignorant of this gam’.’

      ‘In its cruder form it is very popular at the moment,’ said Wilde, ‘but I feel sure Handesley has invented subtleties that will completely transform it.’

      A door on the left of the stairs opened, and through it came an elderly Slav carrying a cocktail shaker. He was greeted enthusiastically.

      ‘Vassily Vassilyevitch,’ began Mrs Wilde in Anglo-Russian of comic-opera vintage. ‘Little father! Be good enough to bestow upon this unworthy hand a mouthful of your talented concoction.’

      Vassily nodded his head and smiled genially. He opened the cocktail shaker, and with an air of superb and exaggerated concentration poured out a clear yellowish mixture.

      ‘What do you think of it, Nigel?’ asked Rankin. ‘It’s Vassily’s own recipe. Marjorie calls it the Soviet Repression.’

      ‘Not much repression about it,’ murmured Arthur Wilde.

      Nigel, sipping gingerly at his portion, was inclined to agree.

      He watched the old Russian fussing delightedly among the guests. Angela told him that Vassily had been in her uncle’s service ever since he was a young attaché at Petersburg, Nigel’s eyes followed him as he moved amongst that little group of human molecules with whom, had he but known it, he himself was to become so closely and so horribly associated.

      He saw his cousin, Charles Rankin, of whom, he reflected, he knew actually so little. He sensed some sort of emotional link between Charles and Rosamund Grant. She was watching Rankin now as he leant, with something of the conventional philanderer in his pose, towards Marjorie Wilde. ‘Mrs Wilde is more his affair, really, than Rosamund,’ thought Nigel. ‘Rosamund is too intense. Charles likes to be comfortable.’ He looked at Arthur Wilde, who was talking earnestly with their host. Wilde had none of Handesley’s spectacular looks, but his thin face was interesting and, to Nigel, attractive. There was quality in the form of the skull and jaw, and a sensitive elusiveness about the set of the lips.

      He wondered how two such widely diverging types as this middle-aged student and his fashionable wife could ever have attracted each other. Beyond them, half in the shadow, stood the Russian doctor, his head inclined forward, his body erect and immobile.

      ‘What does he make of us?’ wondered Nigel.

      ‘You look very grim,’ said Angela at his elbow. ‘Are you concocting a snappy bit for your gossip page, or thinking out a system for the Murder Game?’

      Before he could answer her, Sir Hubert broke in on the general conversations: ‘The dressing-bell goes in five minutes,’ he said, ‘so if you are all feeling strong enough, I’ll explain the principles of my edition of the Murder Game.’

      ‘Company…‘shun!’ shouted Rankin.

       CHAPTER 2 The Dagger

      ‘The idea is this,’ began Sir Hubert, as Vassily delicately circulated his mixture: ‘you all know the usual version of the Murder Game. One person is chosen as the murderer, his identity being concealed from all the players. They scatter, and he seizes his moment to ring a bell or bang a gong. This symbolizes the “murder”. They collect and hold a trial, one person being appointed as prosecuting attorney. By intensive examination he tries to discover the “murderer”.’

      ‘Excuse me, please,’ said Doctor Tokareff. ‘I am still, how you say, unintelligible. I have not been so happy to gambol in susha funny sport heretobefore, so please make him for me more clearer.’

      ‘Isn’t he sweet?’ asked Mrs Wilde, a good deal too loudly.

      ‘I will explain my version,’ said Sir Hubert, ‘and I think it will then be quite clear. Tonight at dinner one of us will be handed a little scarlet plaque by Vassily. I myself do not know upon which of the party his choice will fall, but let us pretend, for the sake of argument, that Mr Bathgate is cast by Vassily for the part of the murderer. He will take his scarlet plaque and say nothing to anybody. He has between five-thirty tomorrow afternoon and eleven tomorrow night as the time allotted for the performance of his “murder”. He must try to get one of us alone, unknown to the others, and at the crucial moment tap him on the shoulder and say, “You are the corpse”. He will then switch off the lights at the main behind the stair wall. The victim must instantly fall down as though dead, and Mr Bathgate must give one good smack at that Assyrian gong there behind the cocktail tray and make off to whatever spot he considers least incriminating. As soon as the lights go off and we hear the gong, we must all remain where we are for two minutes…you can count your pulse-beats for a guide. At the end of two minutes we may turn up the lights. Having found the “corpse”, we shall hold the trial, with the right, each of us, to cross-examine every witness. If Mr Bathgate has been clever enough, he will escape detection. I hope I have made everything reasonably understandable.’

      ‘Pellucidly explicit,’ said Doctor Tokareff. ‘I shall enjoy immensely to take place in such intellectual diversion.’

      ‘He isn’t a bit pompous really,’ whispered Angela in Nigel’s ear, ‘but he memorizes four pages of Webster’s Dictionary every morning after a light breakfast. Do you hope Vassily chooses you for “murderer”?’ she added aloud.

      ‘Lord, no!’ laughed Nigel. ‘For one thing, I don’t know the lie of the land. Couldn’t you show me round the house in case I have to?’

      ‘I will…tomorrow.’

      ‘Promise?’

      ‘Cross my heart.’

      Rosamund Grant had wandered across to the foot of the stairs. She drew a long, subtly-curving dagger from the strip of leather and laid it flat upon her palm.

      ‘The murderer has plenty of weapons to hand,’ she said lightly.

      ‘Put that beastly thing away, Rosamund,’ said Marjorie Wilde, with a note of very real terror in her voice; ‘they give me the horrors…all knives do. I can’t even endure watching people carve…ugh!’

      Rankin laughed possessively.

      ‘I’m going to terrify you, Marjorie,’ he said. ‘I’m actually carrying a dagger in my overcoat pocket at this very moment.’

      ‘Are you, Charles? But why?’

      It was the first time Nigel had heard Rosamund Grant speak to his cousin that evening. She stood there on the bottom step of the stairs looking like some modern priestess of an ancient cult.

      ‘It was sent me yesterday,’ said Rankin, ‘by a countryman of yours, Doctor Tokareff, whom I met in Switzerland last year. I did him rather a service—lugged him out of a crevasse where he had lingered long enough to sacrifice two of his fingers to frostbite—and he sent me this, as a thank-offering, I suppose. I brought it down to show you, Hubert…I thought Arthur might like to have a look at it, too. Our famous archaeologist, you know. Let me get it. I left my overcoat in the porch out there.’

      ‘Vassily, get Mr Rankin’s coat,’ said Sir Hubert.

      ‘I hope you don’t expect me to look at it,’ said Mrs Wilde. ‘I’m going to dress.’

      She did not move, however, but only put her hand through her husband’s arm. He regarded her with a kind of gentle whimsicality which Nigel thought very charming.

      ‘It’s true, isn’t it, Arthur?’ she said. ‘I haven’t read one of your books because you will butter your pages with native horrors.’

      ‘Marjorie’s reaction to knives or pointed tools of any

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