Andre Norton Super Pack - Andre Norton Positronic Super Pack Series

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she reached an arm behind her, pulling forth a girl at least ten shades lighter and thirty-five shades thinner, “is mah sistah’s onliest gal-chil’, Letty-Lou. Mak’ yo’ mannahs, Letty. Does yo’ wan’ Miss ‘Chanda to think yo’ is a know-nothin’ outa de swamp?”

      Thus sternly admonished, Letty-Lou ducked her head shyly and murmured something in a die-away voice.

      “Letty-Lou,” announced her aunt, “is com’ to do fo’ yo’all, Miss ‘Chanda. I’se larn’d her good how to do fo’ ladies. She is good at scrubbin’ an’ cleanin’ an sich. Ah done train’d her mahse’f.”

      Letty-Lou looked at the floor and twisted her thin hands behind her back.

      “But,” protested Ricky, “we’re not planning to have anyone do for us, Lucy.”

      “Dat’s all right, Miss ‘Chanda. Yo’all’s not gittin’ a know-nothin’. Letty-Lou, she knows her work. She kin cook right good.”

      “We can’t take her,” Val backed up Ricky. “You must understand, Lucy, that we don’t have much money and we can’t pay for—”

      “Pay fo’!” Lucy’s indignant sniff reduced him to his extremely unimportant place. “We’s not talkin’ ‘bout pay workin’, Mistuh Ralestone. Letty-Lou don’ git no pay but her eatments. ‘Co’se, effen Miss ‘Chanda wanna give her some ole clo’s now an’ den, she kin tak’ dem. Letty-Lou, she don’ hav’ to git her a pay-work job, her pappy mak’s him a good livin’. But Miss ‘Chanda ain’ a-goin’ to tak’ keer dis big hous’ all by herself wit’ her lil’ han’s dere. We’s Ralestone folks. Letty-Lou, yo’ gits on youah ap’on an’ gits to work.”

      “But we can’t let her,” Ricky raised her last protest.

      “Miss ‘Chanda, we’s Ralestone folks. Mah gran’ pappy Bob was own man to Massa Miles Ralestone. He fit in de wah longside o’ Massa Miles. An’ wen de wah was done finish’d, dem two com’ home to-gethah. Den Massa Miles, he call mah gran’pappy in an’ say, ‘Bob, yo’all is free an’ I’se a ruinated man. Heah is fiv’ dollahs gol’ money an’ yo’ kin hav’ youah hoss.’ An’ Bob, he say, ‘Cap’n Miles, dese heah Yankees done said I’se free but dey ain’t done said dat I ain’t a Ralestone man. W’at time does yo’all wan’ breakfas’ in de mornin’?’ An’ wen Massa Miles wen’ no’th to mak’ his fo’tune, he told Bob, ‘Bob, I’se leavin’ dis heah hous’ in youah keer.’ An’, Miss ‘Chanda, we done look aftah Pirate’s Haven evah since, mah gran’pappy, mah pappy, Sam an’ me.”

      Ricky held out her hand. “I’m sorry, Lucy. You see, we don’t understand very well, we’ve been away so long.”

      Lucy touched Ricky’s hand and then, for all her weight, bobbed a curtsy. “Dat’s all right, Miss ‘Chanda, yo’ is ouah folks.”

      Letty-Lou stayed.

      Pistols for Two—Coffee for One

       Val braced himself against the back of the roadster’s seat and struggled to hold the car to a road which was hardly more than a cart track. Twice since Ricky and he had left Pirate’s Haven they had narrowly escaped being bogged in the mud which had worked up through the thin crust of gravel on the surface.

      To the south lay the old cypress swamps, dark glens of rotting wood and sprawling vines. A spur of this unsavory no-man’s land ran close along the road, and looking into it one could almost believe, fancied Val, in the legends told by the early French explorers concerning the giant monsters who were supposed to haunt the swamps and wild lands at the mouth of the Mississippi. He would not have been surprised to see a brontosaurus peeking coyly down at him from twenty feet or so of neck. It was just the sort of place any self-respecting brontosaurus would have wallowed in.

      But at last they won free from that place of cold and dank odors. Passing through Chalmette, they struck the main highway. From then on it was simple enough. St. Bernard Highway led into St. Claude Avenue and that melted into North Rampart street, one of the boundaries of the old French city.

      “Can’t we go slower?” complained Ricky. “I’d like to see some of the city without getting a crick in my neck from looking over my shoulder. Watch out for St. Anne Street. That’s one corner of Beauregarde Square, the old Congo Square—”

      “Where the slaves used to dance on Sundays before the war. I know; I’ve read just as many guide-books as you have. But there is such a thing as obstructing traffic. Also we have about a million and one things to do this afternoon. We can explore later. Here we are; Bienville Avenue. No, I will not stop so that you can see that antique store. Six blocks to the right,” Val reminded himself.

      “Val, that was the Absinthe House we just passed!”

      “Yes? Well, it would have been better for a certain ancestor of ours if he had passed it, too. That was Jean Lafitte’s headquarters at one time. Exchange Street—the next is ours.”

      They turned into Chartres Street and pulled up in the next block at the corner of Iberville. A four-story house coated with grayish plaster, its windows framed with faded green shutters and its door painted the same misty color, confronted them. There was a tiny shop on the first floor.

      A weathered sign over the door announced that Bonfils et Cie. did business within, behind the streaked and bluish glass of the small curved window-panes. But what business Bonfils and Company conducted was left entirely to the imagination of the passer-by. Val locked the roadster and took from Ricky the long legal-looking envelope which Rupert had given them to deliver to Mr. LeFleur.

      Ricky was staring in a puzzled manner at the shop when her brother took her by the arm. “Are you sure that you have the right place? This doesn’t look like an office to me.”

      “We have to go around to the courtyard entrance. LeFleur occupies the second floor.”

      A small wooden door, reinforced with hinges of hand-wrought iron, opened before them, making them free of a courtyard paved with flagstones. In the center a tall tree shaded the flower bed at its foot and threw shadows upon the first of the steps leading to the upper floors. The Ralestones frankly stared about them. This was the first house of the French Quarter they had seen, although their name might have admitted them to several closely guarded Creole strongholds. LeFleur’s house followed a pattern common to the old city. The lower floor fronting on the street was in use only as a shop or store-room. In the early days each shopkeeper lived above his place of business and rented the third and fourth floors to aristocrats in from their plantations for the fashionable season.

      A long, narrow ell ran back from the main part of the house to form one side of the courtyard. The ground floor of this contained the old slave quarters and kitchens, while the second was cut into bedrooms which had housed the young men of the family so that they could come and go at will without disturbing the more sedate members of the household. These small rooms were now in use as the offices of Mr. LeFleur. From the balcony, running along the ell, onto which each room opened, one could look down into the courtyard. It was on this balcony that the lawyer met them with outstretched hands after they had given their names to his dark, languid young clerk.

      “But this is good of you!” René LeFleur beamed on them impartially. He was a small, plumpish, round-faced man in his early forties, who spoke in perpetual italics. His eyebrows, arched over-generously by Nature, gave him a look of never-ending astonishment at the world and all its works. But his genial smile was kindness itself. Unaccustomed as Val was to sudden enthusiasms, he found himself liking René LeFleur almost before his hand gripped Val’s.

      “Miss Ralestone, it is a pleasure, a very great pleasure, to see you here! And this,” he turned to Val, “this must be that brother Valerius both you and Mr. Ralestone spoke so much of during our meeting in New York. You have safely recovered from that most unfortunate accident, Mr. Ralestone? But of course, your presence here is my answer. And how do you like Louisiana, Miss Ralestone?” His eyes behind

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