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No Fascist USA!. Hilary Moore
Читать онлайн.Название No Fascist USA!
Год выпуска 0
isbn 9780872868007
Автор произведения Hilary Moore
Серия City Lights Open Media
Издательство Ingram
A fair share of liberal intellectuals and pundits set about explaining the roots of contemporary white supremacy by tracing the events in Charlottesville to the history of the Ku Klux Klan in the 1920s.2 This is understandable. The “second Klan” enjoyed a high degree of legitimacy, and its xenophobic slogans—“America First” and “100% Americanism”—were echoed by the Trump administration. Besides, most of the recent scholarship on the Klan focuses on the 1920s, precisely because, in spite of its virulence, its values and ideology were not far from the American mainstream.3
But why go back to the 1920s when the militant white supremacists of current generation are either products of, or influenced by, the “third Klan” of the 1970s and 1980s? Between 1974 and 1981, Klan membership grew from about fifteen hundred to more than ten thousand. In the course of a decade, a resurgent Klan formed paramilitary units, burned crosses, organized rallies in cities such as Chicago, Washington, D.C., and Meriden, Connecticut, and prepared to patrol the U.S.-Mexico border as an auxiliary to the Immigration and Naturalization Service. Their leaders also attained enough legitimacy to enter mainstream politics and run for public office. In 1980, Tom Metzger, the “Grand Dragon” of the Ku Klux Klan, garnered enough votes to win the Democratic primary in Southern California’s 43rd Congressional district. Similarly, in 1989 David Duke, former Klansman and founder of the National Association for the Advancement of White People, was elected to the Louisiana House of Representatives.
The spectacular rise of the Klan, the American Nazi Party, skinheads, and various white Christian nationalist militias opened the floodgates for a reign of terror by adherents and lone wolves targeting African Americans, Jews, and Mexican and Vietnamese immigrants. Homes, churches, synagogues, and schools across the country were firebombed. Between 1979 and 1980, two dozen Black people and two white women in interracial relationships were murdered in seven different cities. In Buffalo, New York, two Black taxi drivers were found dead with their hearts cut out, and two weeks later in that same city a white sniper took the lives of four African Americans. Meanwhile, between 1979 and 1981, twenty-eight children, adolescents, and adults were mysteriously murdered in Atlanta. Other murders were not so mysterious. In Mobile, Alabama, in 1981, members of the United Klans of America kidnapped, tortured, and hanged a Black teenager named Michael Donald.4
Why, in an effort to understand the Trump era, have the pundits, the press, even some of our finest historians ignored this crucial period of white racist violence?5 Why do most Americans believe that such virulent expressions of white supremacy died with Jim Crow, leaving in its wake more indirect or benign forms of racism—employment and housing discrimination, a biased criminal justice system, the dismantling of affirmative action, and the like? One recent exception that has garnered significant attention is Spike Lee’s Oscar-nominated BlacKKKlansman, based on the true story of how a Black undercover cop, Ron Stallworth, infiltrated the Klan in Colorado Springs in 1978. But Lee’s film elides the fact that Stallworth also infiltrated the Klan’s chief opposition, the International Committee Against Racism, a mass organization formed by the Progressive Labor Party. By transforming an undercover cop into a Black freedom fighter and presenting the police as the first line of defense against white nationalists, BlacKKKlansman fundamentally distorts the history of the Klan, the police, and the period.
Fortunately for us, Hilary Moore and James Tracy have written a magnificent book that not only corrects the record but helps explain the mercurial rise of white supremacist organizations in the 1970s, how the Klan was (temporarily) defeated, and why this period has been largely ignored. No Fascist USA! is not a history of the Klan, per se, but rather a history of anti-racist, anti-fascist resistance in the United States, from the post-1968 insurgencies through the Reagan-era counterrevolution. We learn that opposition to the Klan was militant, uncompromising, and effective, mobilizing more white people to confront violent white supremacist organizations than at any other time in history. And, contrary to popular stereotypes, the Klan was no joke. Its members were not poor, frustrated, ignorant outcasts out of step with modernity but often men and women of standing who held positions of power and authority in state institutions—police forces, prisons, jails, and local government.
No Fascist USA! radically shifts our perspective, challenging the prevailing wisdom that racist terrorism rises in response to economic downturns, because of white downward mobility, or in a vacuum created by a lack of progressive alternatives. On the contrary, the Klan’s resurrection was a reaction to the radical insurgencies of the era: Black and Brown rebellions, struggles for gender equality and sexual freedom, the defeat of U.S. imperialism from Vietnam to Tehran—real movements for democracy and social transformation. The same can be said for the original Klan, formed in 1866 as a reaction to Emancipation and the struggle of formerly enslaved people to establish a real democracy in the South. With the military defeat of the first Klan in 1871, the Southern Bourbon Democrats reverted to the reign of terror, though it took them another three decades to crush abolition democracy and install the Jim Crow regime. And even then, Black resistance to white supremacy persisted. Indeed, the resurrection of the Klan in 1915 and its growth in the 1920s ought to be seen as a reaction to a new wave of democratic insurgencies—notably Black, immigrant, pro-labor, and feminist.
Its initial inspiration derived from a national campaign to erase the history of Reconstruction. “Colonel” William Joseph Simmons revived the Ku Klux Klan after seeing D.W. Griffith’s 1915 masterwork of racist propaganda, The Birth of a Nation. The film was historical alchemy, turning terrorists into saviors, rapists into chivalrous protectors of white female virtue and racial purity, and courageous and visionary Black men and women into idle, irresponsible ignoramuses, rapists, jezebels, and sexually depraved mulattoes. By circulating old racial fabulations and new fictions in the service of New South capitalism and modern white supremacy, The Birth of a Nation attempted to obliterate all vestiges of the Black struggle for social democracy during Reconstruction. Respectable white supremacist groups such as the Ladies’ Memorial Associations and the United Daughters of the Confederacy waged their own soft power campaign of building Confederate monuments throughout the region and around the nation’s capital. One of the most elaborate statues, erected at Arlington cemetery in 1914, depicted an enslaved Black man marching into battle alongside his master, and a faithful “mammy” caring for her charge as the child’s uniformed father heads off to fight the dreaded Yankees. In a particularly ironic twist, the myth of “mammy” was weaponized by the federal government to buttress the hard power of Jim Crow. In 1922, the U.S. Senate approved a monument dedicated to “Mammy” in Washington, D.C., just weeks before allowing a Southern filibuster to defeat an anti-lynching bill. Not surprisingly, Black leaders not only excoriated the Senate’s failure to pass the bill but thoroughly rejected commemorating a stereotype. The Chicago Defender, a Black newspaper, proposed an alternative monument to the “White Daddy” showing an adult Black woman (“mammy”) looking on helplessly as the white master assaults a small child—presumably his child with “mammy,” born of rape.6
The truth is, neither the soft power of historical revision and erasure nor the hard power of lynch law could keep Black people down. Despite the Klan’s best efforts, Black people fled the old plantations for the industrial plantations of the urban North. They founded new organizations, exercised the franchise, continued the fight for democracy, and called themselves “New Negroes.” These New Negroes refused Griffith’s racial and national fabulations; fought back with pickets and boycotts, speeches and editorials, scholarship and art, and outright rebellion; called on their country to get out of Haiti, the Dominican Republic, the Philippines, and Mexico; and exposed the United States for what it was—the tyranny of white supremacy masquerading as enlightened democracy.
The new Klan hoped to make America great again by purging it of un-American (read: radical) influences—Negroes, immigrants (except for those of Anglo and Scandinavian stock), Catholics, and Jews. The Klan’s pursuit of severe immigration restriction was driven not only by xenophobia but by anti-communism. Immigrant workers from Europe, the Caribbean, Latin America, and Asia populated the burgeoning socialist, anarchist, and communist organizations and were