LITMIR.BIZ

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out for ut, miss.”

      Burglar alarms and the jaws of wild beasts were not inviting hazards. The programme she outlined so lightheartedly was full of complexities. It was almost pathetic that any one could so cheerfully and irresponsibly suggest the perpetration of a crime. The terms she used in describing the loot he was to filch were much stranger to him than Chinese, but it was fairly clear that at the Talbot house he was to steal a blue-and-white thing and at the Wilton’s a red one. The form and size of these articles she illustrated with graceful gestures.

      “If I thought you were likely to make a mistake I’d—I’d go with you!” she declared.

      “Oh, no, miss; ye couldn’t do that! I guess I can do ut fer ye. Ut’s jes’ a leetle ticklish. I reckon ef yer pa wuz to nab me ut’d go hard with me.”

      “I wouldn’t let him be hard on you,” she replied earnestly. “And now I haven’t said anything about a—a—about what we will call a reward for bringing me these porcelains. I shall expect to pay you; I couldn’t think of taking up your time, you know, for nothing!”

      “Lor’, miss, I couldn’t take nothin’ at all fer doin’ ut! Ye see ut wuz sort of accidental our meetin’, and besides, I ain’t no housebreaker—not, as ye may say, reg’ler. I’ll be glad to do ut fer ye, miss, an’ ye can rely on me doin’ my best fer ye. Ye’ve treated me right, miss, an’ I ain’t a-goin’ t’ fergit ut!”

      The Hopper spoke with feeling. Shaver’s mother had, albeit at the pistol point, confided her most intimate domestic affairs to him. He realized, without finding just these words for it, that she had in effect decorated him with the symbol of her order of knighthood and he had every honorable—or dishonorable!—intention of proving himself worthy of her confidence.

      “If ye please, miss,” he said, pointing toward his confiscated revolver.

      “Certainly; you may take it. But of course you won’t kill anybody?”

      “No, miss; only I’m sort o’ lonesome without ut when I’m on a job.”

      “And you do understand,” she said, following him to the door and noting in the distance the headlight of an approaching trolley, “that I’m only doing this in the hope that good may come of it. It isn’t really criminal, you know; if you succeed, it may mean the happiest Christmas of my life!”

      “Yes, miss. I won’t come back till mornin’, but don’t you worry none. We gotta play safe, miss, an’ ef I land th’ jugs I’ll find cover till I kin deliver ’em safe.”

      “Thank you; oh, thank you ever so much! And good luck!”

      She put out her hand; he held it gingerly for a moment in his rough fingers and ran for the car.

      VII.

      The Hopper, in his rôle of the Reversible Santa Claus, dropped off the car at the crossing Muriel had carefully described, waited for the car to vanish, and warily entered the Wilton estate through a gate set in the stone wall. The clouds of the early evening had passed and the stars marched through the heavens resplendently, proclaiming peace on earth and good-will toward men. They were almost oppressively brilliant, seen through the clear, cold atmosphere, and as The Hopper slipped from one big tree to another on his tangential course to the house, he fortified his courage by muttering, “They’s things wot is an’ things wot ain’t!”—finding much comfort and stimulus in the phrase.

      Arriving at the conservatory in due course, he found that Muriel’s averments as to the vulnerability of that corner of her father’s house were correct in every particular. He entered with ease, sniffed the warm, moist air, and, leaving the door slightly ajar, sought the pantry, lowered the shades, and, helping himself to a candle from a silver candelabrum, readily found the safe hidden away in one of the cupboards. He was surprised to find himself more nervous with the combination in his hand than on memorable occasions in the old days when he had broken into country postoffices and assaulted safes by force. In his haste he twice failed to give the proper turns, but the third time the knob caught, and in a moment the door swung open disclosing shelves filled with vases, bottles, bowls, and plates in bewildering variety. A chest of silver appealed to him distractingly as a much more tangible asset than the pottery, and he dizzily contemplated a jewel-case containing a diamond necklace with a pearl pendant. The moment was a critical one in The Hopper’s eventful career. This dazzling prize was his for the taking, and he knew the operator of a fence in Chicago who would dispose of the necklace and make him a fair return. But visions of Muriel, the beautiful, the confiding, and of her little Shaver asleep on Humpy’s bed, rose before him. He steeled his heart against temptation, drew his candle along the shelf and scrutinized the glazes. There could be no mistaking the red Lang-Yao whose brilliant tints kindled in the candle-glow. He lifted it tenderly, verifying the various points of Muriel’s description, set it down on the floor and locked the safe.

      He was retracing his steps toward the conservatory and had reached the main hall when the creaking of the stairsteps brought him up with a start. Some one was descending, slowly and cautiously. For a second time and with grateful appreciation of Muriel’s forethought, he carefully avoided the ferocious jaws of the bear, noiselessly continued on to the conservatory, crept through the door, closed it, and then, crouching on the steps, awaited developments. The caution exercised by the person descending the stairway was not that of a householder who has been roused from slumber by a disquieting noise. The Hopper was keenly interested in this fact.

      With his face against the glass he watched the actions of a tall, elderly man with a short, grayish beard, who wore a golf-cap pulled low on his head—points noted by The Hopper in the flashes of an electric lamp with which the gentleman was guiding himself. His face was clearly the original of a photograph The Hopper had seen on the table at Muriel’s cottage—Mr. Wilton, Muriel’s father, The Hopper surmised; but just why the owner of the establishment should be prowling about in this fashion taxed his speculative powers to the utmost. Warned by steps on the cement floor of the conservatory, he left the door in haste and flattened himself against the wall of the house some distance away and again awaited developments.

      Wilton’s figure was a blur in the star-light as he stepped out into the walk and started furtively across the grounds. His conduct greatly displeased The Hopper, as likely to interfere with the further carrying out of Muriel’s instructions. The Lang-Yao jar was much too large to go into his pocket and not big enough to fit snugly under his arm, and as the walk was slippery he was beset by the fear that he might fall and smash this absurd thing that had caused so bitter an enmity between Shaver’s grandfathers. The soft snow on the lawn gave him a surer footing and he crept after Wilton, who was carefully pursuing his way toward a house whose gables were faintly limned against the sky. This, according to Muriel’s diagram, was the Talbot place. The Hopper greatly mistrusted conditions he didn’t understand, and he was at a loss to account for Wilton’s strange actions.

      He lost sight of him for several minutes, then the faint click of a latch marked the prowler’s proximity to a hedge that separated the two estates. The Hopper crept forward, found a gate through which Wilton had entered his neighbor’s property, and stole after him. Wilton had been swallowed up by the deep shadow of the house, but The Hopper was aware, from an occasional scraping of feet, that he was still moving forward. He crawled over the snow until he reached a large tree whose boughs, sharply limned against the stars, brushed the eaves of the house.

      The Hopper was aroused, tremendously aroused, by the unaccountable actions of Muriel’s father. It flashed upon him that Wilton, in his deep hatred of his rival collector, was about to set fire to Talbot’s house, and incendiarism was a crime which The Hopper, with all his moral obliquity, greatly abhorred.

      Several minutes passed, a period of anxious waiting, and then a sound reached him which, to his keen professional sense, seemed singularly like the forcing of a window. The Hopper knew just how much pressure is necessary to the successful snapping back of a window catch, and Wilton had done the trick neatly and with a minimum amount of noise. The window thus assaulted was not, he now determined, the French window suggested by Muriel, but one opening on a terrace which ran along the front of the house. The Hopper

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