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Bitch Boxer. Charlotte Josephine
Читать онлайн.Название Bitch Boxer
Год выпуска 0
isbn 9781849439350
Автор произведения Charlotte Josephine
Издательство Ingram
Snuff Box started rehearsing Bitch Boxer in June 2012 with Bryony Shanahan directing the play. In true Snuff Box collaborative form, founder Daniel Foxsmith regularly came in and helped shape the show, all working together to devise original moments within the piece. He also wrote and designed the original music/sound – all this whilst on tour, scaring kids up and down the country in The Gruffalo. Seth Rook Williams was our brilliant lighting designer and Kay Ogundimu designed some beautiful artwork.
Rehearsal shot at East 15, taken by Daniel Foxsmith
Dan and Seth, hard at work
We were designated a Movement-Mentor by the OVNV scheme and enjoyed exploring ideas with the lovely Imogen Knight.
Rehearsal shot, taken at East 15 Acting School
Production Shot, Theatre503, by Alex Brenner
We performed two London previews at Theatre503 in late July, both of which sold out, helping us to raise some much-needed cash.
Production shot, Theatre503, by Alex Brenner
People kindly supported us on Sponsume and my coffee-shop boss (Adrian at Street Coffee) and my mum’s choir (Chiltern Ladies Choir) donated some essential money. Go Localise were kind enough to shoot a promo-video (http://www.golocalise.com/blog/?p=881).
We had a brilliant run at the Edinburgh Fringe Festival, performing sold-out shows. The support from people has been amazing.
Steve Marmion offered us a slot at The Soho Theatre for February 2013. We teamed up with Scrawl Theatre Company to take Bitch Boxer and Chapel Street (written by Luke Barnes) on a double-bill National Tour, after the run at Soho. This is being mentored by the lovely Richard Jordan Productions, who is offering a huge amount of support and advice. A year later I’m still training at IBC; now a carded boxer, doc says I’m fit to fight.
Islington Boxing Club, 2012
Note about the script
This is the original script and differs slightly from the one used in the Snuff Box Theatre production of the play. It’s set in Leytonstone, East London, and is therefore written in that accent, hence the missing ‘ts’ and ‘ings’ in words I felt essential to be spelt like that. I’ve learnt that there are rhythms in boxing, physical patterns essential to keeping good form in the sport and that also create a percussive soundscape. I therefore wanted the delivery of the text to have a rhythm to it. Something that also nods at the spoken-word-world and pays homage to the hip-hop I listened to whilst writing and training. The punctuation therefore is deliberate as a guide to finding the rhythm of Chloe’s accent and attitude. The dashes (/) symbolize a pause that is shorter than a comma.
I’d like to say a huge thank you to everyone for your help and support. First and foremost to Daniel and Bryony, my fellow Snuff Boxers. To Seth and Kay for making us look pretty. To East 15 for giving us a place to play. To IdeasTap, Old Vic New Voices and The Underbelly for Edinburgh. Thank you to the boxers and trainers at Islington Boxing Club and to the female boxers who gave me their time before competing at the Olympics. To all the Soho Theatre team but particularly to Steve Marmion, Sarah Dickenson, Paula Stanic, Jules Haworth and Don McCamphill. Thank you to Curtis Brown and Oberon Books for helping me have my first ever published play to hold in my hand. Last but not least, thank you to my family and friends for putting up with me, to my fairy-god-mother, to my mum and to my dad. Ta very much
– Charlie xx
Please see www.snuffboxtheatre.co.uk for all details about us as a company and the original production. Please contact Curtis Brown Ltd should you wish to perform the play.
BITCH BOXER
Charlotte Josephine
BITCH BOXER
OBERON BOOKS
LONDON
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