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Crash. Andy Duffy
Читать онлайн.Also working for the Traverse
Eleanor Agnew, Charlotte Anderson, Lindsay Anderson, Calum Brittain, Emma Campbell, Ben Clifford, Amy Cloonan, Hannah Cornish, Rachel Cullen, Koralia Daskalaki, Jonathan Dawson, Caitlin Delves, Euan Dickson, Judith Dobie, Uxia Dominguez Rial, Christine Dove, Rachel Duke, Calum Dwyer, Katherine Eggleston, Sarah Farrell, Daniel Findlay-Carroll, SorchaFitzgerald, Andrew Gannon, Anthony Gowling, Laura Grantham, Megan Hampton, Charles Hanks, Laura Hawkins, David Howie, Jennifer Hulse, Adam James, Miguel Leonisio Torrejon, Lynsey MacKenzie, Alan Massie, Cristina Matthews, Cleo McCabe, Kieran McCruden, Kirsty McIntyre, Edwin Milne, Alasdair Mitchell, Stephen Moir, Hal Morrissey Gillman, Liam Pike, Anna Reid, Simon Rutherford, Theodora Sakellaridou, Kolbrun Sigfusdottir, Rosalind Sim, Kathryn Smith, Olivia Stoddart, Joanne Sykes, Emma Taylor, Hannah Ustun, Jessica Ward, Rosemary Ward
Associate Artists
Emma Callander | Associate Artist |
Clare Duffy | IASH / Traverse Creative Fellow |
David Greig | Associate Artist |
Morna Pearson | Associate Artist |
Tim Price | Associate Artist |
Ellie Stewart | BBC Writersroom 10 Writer |
Traverse Theatre Board of Directors
Sir John Elvidge (Chair)
Adrienne Sinclair Chalmers (Company Secretary)
Barbara Allison
Roy McEwan
Adrian O’Donnell
Christopher Wynn
Foreword from Director Emma Callander
Crash had me gripped from the moment I began to read it. The play landed on my desk through Open Submissions at the Traverse Theatre and I instantly knew we had come across an important story told by a unique Scottish voice. Andy Duffy has created a fascinating and disturbing character who challenges our sense of empathy right up until the final words he speaks. Is this a man suffering from insurmountable guilt, heightened by the extreme pressures of working in the financial market, or is he so emotionally detached that he has lost all sense of humanity? In the telling of such a deeply intimate story the play also raises complex questions around the morality of capitalism and the philosophy of human existence within the free market. In the continuing wake of the 2008 financial crisis, stories of culpability in the banking industry still fill our newspapers daily. Crash offers a provocative insight into an individual experience which challenges us to identify where we sit within the wider debate on where the ultimate responsibility lies.
Thanks to:
Susannah Armitage, Patrick McGurn, Andy Cowan and all on the A Play, A Pie and A Pint Oran Mor team, Orla O’Loughlin, Linda Crooks, Ruth McEwan, Catherine Makin, Andy McNamee, Sunniva Ramsay and the team at the Traverse and Jamie Michie for saying yes.
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