Revelation - Gordon D. Fee New Covenant Commentary Series

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to have been the author of the Revelation; those few who thought otherwise did so for spurious reasons—they believed that the Apostle John wrote the Gospel and three Epistles, but they disliked the Revelation and so found reasons to deny it to him.

      Although this matter will never be settled to everyone’s satisfaction, the position assumed in this commentary is that the John who identifies himself in 1:4 simply as “John” is in fact the apostle we meet in the Synoptic Gospels. Furthermore, along with the majority of believers through all the early Christian centuries, the assumption made here is that he is the same John who authored the Gospel and the three letters attributed to him. The primary reason one might think otherwise is that while the Greek of this document is basically (even overwhelmingly, from my perspective) like that of the Fourth Gospel, it has just enough small differences from the other four documents to cause some to have doubts. Although these differences are noteworthy, and must be dealt with, they are scarcely of the same nature as the differences between the three Pastoral Epistles and the other ten letters in the Pauline corpus. It may therefore be said with some degree of assurance that the real reason some early church fathers rejected authorship of this book by the Apostle John is that noted above—they thoroughly disliked its content (mostly because they simply did not understand it) and therefore were glad to distance the Apocalypse from the apostle.

      What makes one finally move in the direction of apostolic authorship is the twofold reality, first, that this very unusual document was preserved in the early church as something apostolic, and second, that even though it has several linguistic and grammatical differences from the Gospel and Epistles that bear John’s name, these differences are no more severe than those between Galatians and Romans, both of which almost all living scholars assume to be Pauline. And with regard to the Revelation, one could argue further that the small differences between it and the Gospel of John can easily be attributed to John’s exile on Patmos, where he probably had to write on his own without an amanuensis. In any case, the strongest historical argument in favor of apostolic authorship is the very preservation of the document by the early church at all. For a document as different from the rest of the New Testament writings as this one to have been preserved in such a way as to eventually be included in the canon of New Testament writings suggests that the preservation was done by those who revered the Apostle John, and kept it and copied it basically for that reason.

      The Revelation: When Was It Written?

      In many ways this should be the easiest to answer of the several questions of introduction, since almost everything in the book suggests a period somewhere around the turn of the second Christian century: the conditions of the churches in chapters 2 and 3; the fact that there has already been a martyrdom; and most of all, the clear and unrelenting tension between church and state that dominates the book, which did not occur in Asia Minor until this time. Granted that Nero had ordered the death of believers in Rome at an earlier time (using them as living torches for his infamous garden parties), but what is going on this book is much more universal and is about to affect the churches located in Asia Minor. The only piece of evidence that would suggest an earlier date is the matter of the “counting” of the emperors in chapter 17; but this is hardly enough on which to base the dating of the entire document, since, as is pointed out in the commentary, this is a highly dubious matter in terms of precision. In any case, a late first- or early second-century date is assumed throughout this commentary, and is the perspective from which all of its data are presented and understood.

      Some Concluding Words about Interpretation

      In my classes over the years when teaching this great book, I make a final plea in the opening lecture regarding the necessity of exegesis as the proper way—indeed the only way—that leads to understanding. It may seems strange that one should have to make this plea at all for the reading or studying of a biblical book, but it has been necessary because many of my students have had to shed some lamentable readings they have brought to the text. The unfortunate reality is that almost all of the popular stuff written on the Revelation, which tends to be well known by many of these students, has scarcely a shred of exegetical basis to it. Such interpreters usually begin with a previously worked out eschatological scheme that they bring to the text, a scheme into which they then spend an extraordinary amount of energy trying to make everything in the text fit, and which they then attempt to defend, but with very little success.

      Furthermore, one must be careful in this case about using the concept of “the analogy of Scripture” (= Scripture should be interpreted in light of other Scripture). This is indeed a valid principle; but in the case of John’s Apocalypse the other Scripture is almost always other eschatological passages, which themselves are often interpreted poorly. One must always be aware that John does what other apocalyptists did: he reinterpreted earlier images so that they have new meaning, precisely because in John’s case he is also speaking as a Christian prophet.

      That leads then to some final suggestions about the interpretation of apocalyptic images, which in fact are of several kinds. Some images are constant—in the same way that an American political cartoon with an elephant and a donkey always refer to the Republican and Democratic parties. Thus, for example, when John speaks of beasts coming out of the sea or the land, he is always pointing to political empires. Some images are fluid, and do not mean for their later readers what they meant in their sources. And still other images are specific, while some are general. Therefore, interpreting the images in a first-century apocalyptic work is the most difficult of one’s tasks. But the key to this task in the case of John’s Revelation is to hold fast to the images he himself interprets, since these must serve as the starting points for all others. Here is a listing of the ones John himself gives us:

      1:17–18 The One like a son of man = Christ, who alone “was dead, and is . . . alive for ever and ever”

      1:20 The seven golden lampstands = the seven churches to whom John is writing

      1:20 The seven stars = seven angels (or messengers) of the seven churches

      7:14 The numberless multitude = those who have come out of great tribulation and have washed their garments in the blood of the Lamb (= the redeemed people of God worldwide)

      12:9 The great dragon = Satan

      17:9 The seven heads of the beast = seven hills on which the woman sits (a clear allusion to the city of Rome, famous for its “sitting on seven hills”); but it also becomes a fluid image and thus = seven kings

      17:18 The great harlot = the great city (on seven hills), and therefore Rome

      It is especially important at this point to urge the reader to see the visions as wholes, and not allegorically to press all the details to have special meaning. After all, John is trying to say something by way of whole visions, and some details are simply either for dramatic effect (as in 6:12–14) or to add to the picture as a whole so that one cannot miss John’s own point.

      Finally, with little doubt the most difficult hermeneutical issue for readers this late in time is to deal with the close tie John presents us between the temporal events he foresees and the eschatological context in which he places the whole picture. Modern readers must note well that for many of the events “prophesied” here, we are now “between the time” of the two events. That is, some of the temporal events here prophesied have already occurred, while we still await the final eschatological

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