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Thinking Sex with the Early Moderns. Valerie Traub
Читать онлайн.Название Thinking Sex with the Early Moderns
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isbn 9780812291582
Автор произведения Valerie Traub
Жанр История
Серия Haney Foundation Series
Издательство Ingram
Sex, needless to say, has been much on my mind.
My ideas began to cohere into something like an “argument” during the six years I chaired the Women’s Studies Department at the University of Michigan. One of the oldest and best resourced of such departments in the United States, composed in equal parts of humanists and social scientists in addition to several medical practitioners, this vibrant, collegial, and contentious community honed my understanding of interdisciplinarity—what it is, what makes it possible, what its limits are. Whereas I had long considered myself to be an interdisciplinary scholar, I quickly found that providing leadership to a group composed of scholars with such different perspectives and expertise required not only attentive listening but risky acts of mediation. Much of what I discovered about my colleagues in the social science and medical fields countered humanists’ stereotypes of them. For one thing, they were more adept at integrating feminist and queer theory (as developed in the humanities) into their research and teaching than humanists are at integrating social science research, and their training in different methodologies made them routinely self-reflexive about the stakes of their research design. I was especially intrigued to find that they, too, are pursuing sexuality as a form of difficult knowledge. (Not that I was entirely won over; they remain tireless in lampooning the limitations of humanists, most especially our obscurantist “jargon” and our demonstrated inability to intuit the meaning of information presented on x/y axes.)
During this time, and with the help of some amazing faculty and office staff, I strove to institutionalize LGBTQ/Sexuality Studies through a variety of programmatic means, including developing a stable of undergraduate courses, devising an LGBTQ/Sexuality Studies graduate certificate, and harnessing the energies of queer faculty across campus to teach sexuality courses under the institutional umbrella of Women’s Studies. My experience of the possibilities for and pitfalls of institutional change comprises a biographical substrate of the pages that follow. Another exhilarating and ambivalent effort involved collaborating with colleagues in Women’s Studies and History to develop and co-teach a large undergraduate lecture course on the history of sexuality. That we attempted to forgo chronology and sexual identity as organizing rubrics was as utopian as our “global” spatial-temporal design, which mandated that we “cover” much of the world through most of recorded time. My own pedagogical failures in that endeavor were as serendipitous to my thinking as were invitations to organize a conference on the topic of “gay shame” and respond in print to queer scholarship situated in the fields of comparative literature and Islamic studies. Each of these collaborations, for different reasons, pushed my thinking beyond the bounds of my expertise and comfort zone.
Indeed, a variety of affective investments have punctuated this undertaking, including alienation and anger. But these negative affects have been leavened by the intense joy sometimes experienced in my teaching, in conversations with colleagues, and in the course of engaging with a host of talented graduate students. My debts to specific colleagues and friends are noted in my Acknowledgments. Here I want to flag for special thanks those students involved in a Women’s Studies graduate course on making sexual knowledge. Through discussions about contemporary sex surveys, DSM (Diagnostic and Statistical Manual) controversies about diagnosing sexual pathologies, and SIECUS (Sexuality Information and Education Council of the United States) position statements, my awareness that the frameworks through which we construct our research objects direct the questions that we ask was transformed into an organizing principle of my scholarship and teaching. Thinking in that course about the contemporary meanings of age of sexual consent laws, contemporary pornography, sex education, and discourses of sexual health deepened my appreciation of both the perennial quality of the symbolic functions of sex, as well as the import of its historical specificity. Our conversations clarified my understanding of the productive as well as constraining effects of academic disciplines while increasing my appreciation for both the pleasures and tripwires of interdisciplinary dialogue—including our different understandings of and investments in theory, history, methods, experience, and activism. At the same time, teaching students who are unaccustomed to thinking historically—or whose sense of the past is radically attenuated—reaffirmed my belief that a historical approach to sexual knowledge relations can usefully inform, nuance, and texture our approach to contemporary problems. The hope that understanding such processes of knowledge production in other times and other places might provide a conceptual framework for intervening in contemporary discourses of sex and sexuality underlies the pedagogical intent of what follows.
Post-Stonewall queer pedagogy typically has focused on whether or how to come out in the classroom. As someone who was, early in my career, forbidden by my (closeted gay male) department chair to come out to my students, I acknowledge the political import and personal significance of negotiating such everyday, banal acts of self-disclosure, which, as others have remarked, take the form of performative speech acts that require continual reiteration. Even within the supposedly queer-friendly academy today, coming out through word, implication, personal style, bodily acts, or reading assignments involves a delicate and sometimes stressful choreography of revelation and concealment, exposure and withholding, of strategizing across the boundaries of private and public for both students and teachers. Those teachers and students whose gender presentation, style, or comportment depart most radically from dominant norms no doubt dance to a somewhat different tune than those of us who could, if we so choose, pass as straight.
In its pedagogical investments, however, this book is interested less in the performance of sexual (or gender) identity than in the performance of sexual speech. Whether we come out in the classroom or pass, are straight or would like not to be, central to our pedagogical strategies is our felt experience when speaking sex. Like the performative act of coming out, candor in such speech involves a complex choreography of personal revelation and concealment of erotic interests and affiliations.2 Teaching sexually explicit materials involves not only deep contextualization, but forthrightness. Fellatio, cunnilingus, blow jobs, finger or fist fucking: whether couched in a high or low idiom, these words, or others like them, voiced in an academic setting (no matter whether during an undergraduate lecture, graduate seminar, conference panel, or keynote address), violate tacit assumptions about academic protocol and decorum. However progressive, feminist, or queer their views, many auditors and interlocutors react to what they perceive as a breach of etiquette, or to an imagined assault, or to the contagious quality of sexual shame. I have encountered widened eyes, downcast glances, deafening