LITMIR.BIZ

       II Paternity 1527

      So: Stephen Gardiner. Going out, as he's coming in. It's wet, and for a night in April, unseasonably warm, but Gardiner wears furs, which look like oily and dense black feathers; he stands now, ruffling them, gathering his clothes about his tall straight person like black angel's wings.

      ‘Late,’ Master Stephen says unpleasantly.

      He is bland. ‘Me, or your good self?’

      ‘You.’ He waits.

      ‘Drunks on the river. The boatmen say it's the eve of one of their patron saints.’

      ‘Did you offer a prayer to her?’

      ‘I'll pray to anyone, Stephen, till I'm on dry land.’

      ‘I'm surprised you didn't take an oar yourself. You must have done some river work, when you were a boy.’

      Stephen sings always on one note. Your reprobate father. Your low birth. Stephen is supposedly some sort of semi-royal by-blow: brought up for payment, discreetly, as their own, by discreet people in a small town. They are wool-trade people, whom Master Stephen resents and wishes to forget; and since he himself knows everybody in the wool trade, he knows too much about his past for Stephen's comfort. The poor orphan boy!

      Master Stephen resents everything about his own situation. He resents that he's the king's unacknowledged cousin. He resents that he was put into the church, though the church has done well by him. He resents the fact that someone else has late-night talks with the cardinal, to whom he is confidential secretary. He resents the fact that he's one of those tall men who are hollow-chested, not much weight behind him; he resents his knowledge that if they met on a dark night, Master Thos. Cromwell would be the one who walked away dusting off his hands and smiling.

      ‘God bless you,’ Gardiner says, passing into the night unseasonably warm.

      Cromwell says, ‘Thanks.’

      The cardinal, writing, says without looking up, ‘Thomas. Still raining? I expected you earlier.’

      Boatman. River. Saint. He's been travelling since early morning and in the saddle for the best part of two weeks on the cardinal's business, and has now come down by stages – and not easy stages – from Yorkshire. He's been to his clerks at Gray's Inn and borrowed a change of linen. He's been east to the city, to hear what ships have come in and to check the whereabouts of an off-the-books consignment he is expecting. But he hasn't eaten, and hasn't been home yet.

      The cardinal rises. He opens a door, speaks to his hovering servants. ‘Cherries! What, no cherries? April, you say? Only April? We shall have sore work to placate my guest, then.’ He sighs. ‘Bring what you have. But it will never do, you know. Why am I so ill-served?’

      Then the whole room is in motion: food, wine, fire built up. A man takes his wet outer garments with a solicitous murmur. All the cardinal's household servants are like this: comfortable, soft-footed, and kept permanently apologetic and teased. And all the cardinal's visitors are treated in the same way. If you had interrupted him every night for ten years, and sat sulking and scowling at him on each occasion, you would still be his honoured guest.

      The servants efface themselves, melting away towards the door. ‘What else would you like?’ the cardinal says.

      ‘The sun to come out?’

      ‘So late? You tax my powers.’

      ‘Dawn would do.’

      The cardinal inclines his head to the servants. ‘I shall see to this request myself,’ he says gravely; and gravely they murmur, and withdraw.

      The cardinal joins his hands. He makes a great, deep, smiling sigh, like a leopard settling in a warm spot. He regards his man of business; his man of business regards him. The cardinal, at fifty-five, is still as handsome as he was in his prime. Tonight he is dressed not in his everyday scarlet, but in blackish purple and fine white lace: like a humble bishop. His height impresses; his belly, which should in justice belong to a more sedentary man, is merely another princely aspect of his being, and on it, confidingly, he often rests a large, white, beringed hand. A large head – surely designed by God to support the papal tiara – is carried superbly on broad shoulders: shoulders upon which rest (though not at this moment) the great chain of Lord Chancellor of England. The head inclines; the cardinal says, in those honeyed tones, famous from here to Vienna, ‘So now, tell me how was Yorkshire.’

      ‘Filthy.’ He sits down. ‘Weather. People. Manners. Morals.’

      ‘Well, I suppose this is the place to complain. Though I am already speaking to God about the weather.’

      ‘Oh, and the food. Five miles inland, and no fresh fish.’

      ‘And scant hope of a lemon, I suppose. What do they eat?’

      ‘Londoners, when they can get them. You have never seen such heathens. They're so high, low foreheads. Live in caves, yet they pass for gentry in those parts.’ He ought to go and look for himself, the cardinal; he is Archbishop of York, but has never visited his see. ‘And as for Your Grace's business –’

      ‘I am listening,’ the cardinal says. ‘Indeed, I go further. I am captivated.’

      As he listens, the cardinal's face creases into its affable, perpetually attentive folds. From time to time he notes down a figure that he is given. He sips from a glass of his very good wine and at length he says, ‘Thomas … what have you done, monstrous servant? An abbess is with child? Two, three abbesses? Or, let me see … Have you set fire to Whitby, on a whim?’

      In the case of his man Cromwell, the cardinal has two jokes, which sometimes unite to form one. The first is that he walks in demanding cherries in April and lettuce in December. The other is that he goes about the countryside committing outrages, and charging them to the cardinal's accounts. And the cardinal has other jokes, from time to time: as he requires them.

      It is about ten o'clock. The flames of the wax candles bow civilly to the cardinal, and stand straight again. The rain – it has been raining since last September – splashes against the glass window. ‘In Yorkshire,’ he says, ‘your project is disliked.’

      The

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