LITMIR.BIZ

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of some kind, so that we can tell which way it’s flowing.”

      “What are we going to find?” I asked.

      He held up a rather thick grey hair and nodded back toward his dog, Mouse. He should have been named Moose. The giant, shaggy temple dog was pony-sized. “Mouse,” Harry said, “go get lost and we’ll see if we can find you.”

      The big dog yawned and padded agreeably toward the door. Harry let him out and then came over to sit down next to me. We were in his living room. A couple of nights before, I had thrown myself at him. Naked. And he’d dumped a pitcher of ice water over my head. I was still mortified—but he was probably right. It was the right thing for him to do. He always did the right thing, even if it meant he lost out. I still wanted to be with him so much, but maybe the time wasn’t right yet.

      That was okay. I could be patient. And I still got to be with him in a different way almost every day.

      “All right,” I said when he sat back down. “What do I do?”

      In the years since that day, the spell had become routine. I’d used it to find lost people, secret places, missing socks, and generally to poke my nose where it probably didn’t belong. Harry would have said that went with the territory of being a wizard. Harry was right.

      I stopped in the alley outside Butters’s apartment and sketched a circle on the concrete with a small piece of pink chalk. I closed the circle with a tiny effort of will, drew out one of the hairs from the plastic bag, and held it up. I focused the energy of the spell, bringing its different elements together in my head. When we’d started, Harry had let me use four different objects, teaching me how to attach ideas to them, to represent the different pieces of the spell, but that kind of thing wasn’t necessary. Magic all happens inside the head of the wizard. You can use props to make things simpler, and in truly complex spells they make the difference between impossible and merely almost impossible. For this one, though, I didn’t need the props anymore.

      I gathered the different pieces of the spell in my head, linked them together, infused them with a moderate effort of will, and then with a murmured word released that energy down into the hair in my fingers. Then I popped the hair into my mouth, broke the chalk circle with a brush of my foot, and rose.

      Harry always used an object as the indicator for his tracking spells—his amulet, a compass, or some kind of pendulum. I hadn’t wanted to hurt his feelings, but that kind of thing really wasn’t necessary, either. I could feel the magic coursing through the hair, making my lips tingle gently. I got out a cheap little plastic compass and a ten-foot length of chalk line. I set it up and snapped it to mark out magnetic north.

      Then I took the free end of the line and turned slowly, until the tingling sensation was centered on my lips. Lips are extremely sensitive parts of the body, generally, and I’ve found that they give you the best tactile feedback for this sort of thing. Once I knew which direction Thomas was, I oriented the chalk line that way, made sure it was tight, and snapped it again, resulting in an extremely elongated V shape, like the tip of a giant needle. I measured the distance at the base of the V.

      Then I turned ninety degrees, walked five hundred paces, and repeated the process.

      Promise me you won’t tell my high school math teacher about it, but after that I sat down and applied trigonometry to real life.

      The math wasn’t hard. I had the two angles measured against magnetic north. I had the distance between them in units of Molly-paces. Molly-paces aren’t terribly scientific, but for purposes of this particular application, they were practical enough to calculate the distance to Thomas.

      Using such simple tools, I couldn’t get a measurement precise enough to know which door to kick down, but I now knew that he was relatively nearby—within four or five miles, as opposed to being at the North Pole or something. I move around the city a lot, because a moving target is a lot harder to hit. I probably covered three or four times that on an average day.

      I’d have to get a lot closer before I could pinpoint his location any more precisely than that. So I turned my lips toward the tingle and started walking.

      Thomas was in a small office building on a big lot.

      The building was three stories, not huge, though it sat amidst several much larger structures. The lot it stood upon was big enough to hold something a lot bigger. Instead, most of it was landscaped into a manicured lawn and garden, complete with water features and a very small, very modest wrought-iron fence. The building itself showed a lot of stone and marble in its design, and it had more class in its cornices than the towers nearby had in their whole structures. It was gorgeous and understated at the same time; on that block, it looked like a single, small, perfect diamond being displayed amidst giant jars of rhinestones.

      There were no signs outside it. There was no obvious way in, beyond a set of gates guarded by competent-looking men in dark suits. Expensive dark suits. If the guards could afford to wear those to work, it meant that whoever owned that building had money. Serious money.

      I circled the building to be sure, and felt the tingling energy of the tracking spell confirming Thomas’s location; but even though I’d been careful to stay on the far side of the street, someone inside noticed me. I could feel one guard’s eyes tracking me, even behind his sunglasses. Maybe I should have done the initial approach under a veil—but Harry had always been against using magic except when it was truly necessary, and it was way too easy to start using it for every little thing if you let yourself.

      In some ways, I’m better at the “how” of magic than Harry was. But I’ve come to learn that I might never be as smart as him when it came to the “why.”

      I went into a nearby Starbucks and got myself a cup of liquid life and started thinking about how to get in. My tongue was telling me all about what great judgment I had when I sensed the presence of supernatural power rapidly coming nearer.

      I didn’t panic. Panic gets you killed. Instead I turned smoothly on one heel and slipped into a short hallway leading to a small restroom. I went inside, shut the door behind me, and drew my wands from my hip pocket. I checked the energy level on my bracelets. Both of them were ready to go. My rings were all full up, too, which was about as ideal as things could get.

      So I ordered my thoughts, made a small effort of will, whispered a word, and vanished.

      Veils were complex magic, but I had a knack for them. Becoming truly and completely invisible was a real pain in the neck: passing light completely through you was a literal stone-cold bitch, because it left you freezing cold and blind as a bat to boot. Becoming unseen, though, was a different proposition entirely. A good veil would reduce your visibility to little more than a few flickers in the air, to a few vague shadows where they shouldn’t be, but it did more than that. It created a sense of ordinariness in the air around you, an aura of boring unremarkability that you usually only felt in a job you didn’t like, around three thirty in the afternoon. Once you combined that suggestion with a greatly reduced visible profile, remaining unnoticed was at least as easy as breathing.

      As I vanished into that veil, I also called up an image, another combination of illusion and suggestion. This one was simple: me, as I’d appeared in the mirror a moment before, clean and seemingly perky and toting a fresh cup of creamy goodness. The sensation that went with it was just a kind of heavy dose of me: the sound of my steps and movement, the scent of Butters’s shampoo, the aroma of my cup of coffee. I tied the image to one of the rings on my fingers and left it there, drawing from the energy I’d stored in a moonstone. Then I turned around, with my image layered over my actual body like a suit made of light, and walked out of the coffee shop.

      Once outside, the evasion was a simple maneuver, the way all the good ones are. My image turned left and I turned right.

      To anyone watching, a young woman had just come out of the store and gone sauntering down the street with her coffee. She was obviously enjoying her day. I’d put a little extra bounce and sway into the image’s movements, to make her that much more noticeable (and therefore a better distraction). She’d go on walking down that street for a mile or more before she simply vanished.

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